Saul Bellow - Collected Stories

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Collected Stories: краткое содержание, описание и аннотация

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Saul Bellow’s
, handpicked by the author, display the depth of character and acumen of the Nobel laureate’s narrative powers. While he has garnered acclaim as a novelist, Bellow’s shorter works prove equally strong. Primarily set in a sepia-toned Chicago, characters (mostly men) deal with family issues, desires, memories, and failings—often arriving at humorous if not comic situations. In the process, these quirky and wholly real characters examine human nature.
The narrative is straightforward, with deftly handled shifts in time, and the prose is concise, sometimes pithy, with equal parts humor and grace. In “Looking for Mr. Green,” Bellow describes a relief worker sized up by tenants: “They must have realized that he was not a college boy employed afternoons by a bill collector, trying foxily to pass for a relief clerk, recognized that he was an older man who knew himself what need was, who had more than an average seasoning in hardship. It was evident enough if you looked at the marks under his eyes and at the sides of his mouth.” This collection should appeal both to those familiar with Bellow’s work and to those seeking an introduction.

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Woody, now sixty, fleshy and big, like a figure for the victory of American materialism, sunk in his lounge chair, the leather of its armrests softer to his fingertips than a woman’s skin, was puzzled and, in his depths, disturbed by certain blots within him, blots of light in his brain, a blot combining pain and amusement in his breast (how did that get there?). Intense thought puckered the skin between his eyes with a strain bordering on headache. Why had he let Pop have his way? Why did he agree to meet him that day, in the dim rear of the poolroom?

“But what will you tell Mrs. Skoglund?”

“The old broad? Don’t worry, there’s plenty to tell her, and it’s all true. Ain’t I trying to save my little laundry-and-cleaning shop? Isn’t the bailiff coming for the fixtures next week?” And Pop rehearsed his pitch on the Western Avenue car. He counted on Woody’s health and his freshness. Such a straightforward-looking body was perfect for a con.

Did they still have such winter storms in Chicago as they used to have? Now they somehow seemed less fierce. Blizzards used to come straight down from Ontario, from the Arctic, and drop five feet of snow in an afternoon. Then the rusty green platform cars, with revolving brushes at both ends, came out of the barns to sweep the tracks. Ten or twelve streetcars followed in slow processions, or waited, block after block.

There was a long delay at the gates of Riverview Park, all the amusements covered for the winter, boarded up—the dragon’s-back high-rides, the Bobs, the Chute, the Tilt-a-Whirl, all the fun machinery put together by mechanics and electricians, men like Bujak the tool-and-die maker, good with engines. The blizzard was having it all its own way behind the gates, and you couldn’t see far inside; only a few bulbs burned behind the palings. When Woody wiped the vapor from the glass, the wire mesh of the window guards was stuffed solid at eye level with snow. Looking higher, you saw mostly the streaked wind horizontally driving from the north. In the seat ahead, two black coal heavers, both in leather Lindbergh flying helmets, sat with shovels between their legs, returning from a job. They smelled of sweat, burlap sacking, and coal. Mostly dull with black dust, they also sparkled here and there.

There weren’t many riders. People weren’t leaving the house. This was a day to sit, legs stuck out beside the stove, mummified by both the outdoor and the indoor forces. Only a fellow with an angle, like Pop, would go and buck such weather. A storm like this was out of the compass, and you kept the human scale by having a scheme to raise fifty bucks. Fifty soldiers! Real money in 1933. “That woman is crazy for you,” said Pop. “She’s just a good woman, sweet to all of us.”

“Who knows what she’s got in mind. You’re a husky kid. Not such a kid, either.”

“She’s a religious woman. She really has religion.”

“Well, your mother isn’t your only parent. She and Rebecca and Kovner aren’t going to fill you up with their ideas. I know your mother wants to wipe me out of your life. Unless I take a hand, you won’t even understand what life is. Because they don’t know—those silly Christers.”

“Yes, Pop.”

“The girls I can’t help. They’re too young. I’m sorry about them, but I can’t do anything. With you it’s different.”

He wanted me to be like himself—an American.

They were stalled in the storm, while the cattle-colored car waited to have the trolley reset in the crazy wind, which boomed, tingled, blasted. At Howard Street they would have to walk straight into it, due north. “You’ll do the talking at first,” said Pop.

Woody had the makings of a salesman, a pitchman. He was aware of this when he got to his feet in church to testify before fifty or sixty people. Even though Aunt Rebecca made it worth his while, he moved his own heart when he spoke up about his faith. But occasionally, without notice, his heart went away as he spoke religion and he couldn’t find it anywhere. In its absence, sincere behavior got him through. He had to rely for delivery on his face, his voice—on behavior. Then his eyes came closer and closer together. And in this approach of eye to eye he felt the strain of hypocrisy. The twisting of his face threatened to betray him. It took everything he had to keep looking honest. So, since he couldn’t bear the cynicism of it, he fell back on mischievousness. Mischief was where Pop came in. Pop passed straight through all those divided fields, gap after gap, and arrived at his side, bent-nosed and broad-faced. In regard to Pop, you thought of neither sincerity nor insincerity. Pop was like the man in the song: he wanted what he wanted when he wanted it. Pop was physical; Pop was digestive, circulatory, sexual. If Pop got serious, he talked to you about washing under the arms or in the crotch or of drying between your toes or of cooking supper, of baked beans and fried onions, of draw poker or of a certain horse in the fifth race at Arlington. Pop was elemental. That was why he gave such relief from religion and paradoxes, and things like that. Now, Mother thought she was spiritual, but Woody knew that she was kidding herself. Oh, yes, in the British accent she never gave up she was always talking to God or about Him—please God, God willing, praise God. But she was a big substantial bread-and-butter down-to-earth woman, with down-to-earth duties like feeding the girls, protecting, refining, keeping them pure. And those two protected doves grew up so overweight, heavy in the hips and thighs, that their poor heads looked long and slim. And mad. Sweet but cuckoo—Paula cheerfully cuckoo, Joanna depressed and having episodes.

“I’ll do my best by you, but you have to promise, Pop, not to get me in Dutch with Mrs. Skoglund.”

“You worried because I speak bad English? Embarrassed? I have a mockie accent?”

“It’s not that. Kovner has a heavy accent, and she doesn’t mind.”

“Who the hell are those freaks to look down on me? You’re practically a man and your dad has a right to expect help from you. He’s in a fix. And you bring him to her house because she’s bighearted, and you haven’t got anybody else to go to.”

“I got you, Pop.”

The two coal trimmers stood up at Devon Avenue. One of them wore a woman’s coat. Men wore women’s clothing in those years, and women men’s, when there was no choice. The fur collar was spiky with the wet, and sprinkled with soot. Heavy, they dragged their shovels and got off at the front. The slow car ground on, very slow. It was after four when they reached the end of the line, and somewhere between gray and black, with snow spouting and whirling under the street lamps. On Howard Street, autos were stalled at all angles and abandoned. The sidewalks were blocked. Woody led the way into Evanston, and Pop followed him up the middle of the street in the furrows made earlier by trucks. For four blocks they bucked the wind and then Woody broke through the drifts to the snowbound mansion, where they both had to push the wrought-iron gate because of the drift behind it. Twenty rooms or more in this dignified house and nobody in them but Mrs. Skoglund and her servant Hjordis, also religious.

As Woody and Pop waited, brushing the slush from their sheepskin collars and Pop wiping his big eyebrows with the ends of his scarf, sweating and freezing, the chains began to rattle and Hjordis uncovered the air holes of the glass storm door by turning a wooden bar. Woody called her “monk-faced.” You no longer see women like that, who put no female touch on the face. She came plain, as God made her. She said, “Who is it and what do you want?”

“It’s Woodrow Selbst. Hjordis? It’s Woody.”

“You’re not expected.”

“No, but we’re here.”

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