Saul Bellow - Collected Stories

Who is it that accuses me of having wounded you? Eddie Walish, that’s who. He has become the main planner of college humanities surveys in the State of Missouri, I am given to understand. At such work he is wonderful, a man of genius. But although he now lives in Missouri, he seems to think of nothing but Massachusetts in the old days. He can’t forget the evil I did. He was there when I did it (whatever it really was), and he writes, “I have to remind you of how you hurt Carla Rose. So characteristic of you, when she was trying to be agreeable, not just to miss her gentle intentions but to give her a shattering kick in the face. I happen to know that you traumatized her for life.” (Notice how the liberal American vocabulary is used as a torture device: By “characteristic” he means: “You are not a good person, Shawmut.”) Now, were you really traumatized, Miss Rose? How does Walish “happen to know”? Did you tell him? Or is it, as I conjecture, nothing but gossip? I wonder if you remember the occasion at all. It would be a mercy if you didn’t. And I don’t want to thrust unwanted recollections on you, but if I did indeed disfigure you so cruelly, is there any way to avoid remembering?

So let’s go back again to Ribier College. Walish and I were great friends then, young instructors, he in literature, I in fine arts—my specialty music history. As if this were news to you; my book on Pergolesi is in all libraries. Impossible that you shouldn’t have come across it. Besides, I’ve done those musicology programs on public television, which were quite popular.

But we are back in the forties. The term began just after Labor Day. My first teaching position. After seven or eight weeks I was still wildly excited. Let me start with the beautiful New England setting. Fresh from Chicago and from Bloomington, Indiana, where I took my degree, I had never seen birches, roadside ferns, deep pinewoods, little white steeples. What could I be but out or place? It made me scream with laughter to be called “Dr. Shawmut.” I felt absurd here, a camel on the village green. I am a high-waisted and long-legged man, who is susceptible to paradoxical, ludicrous images of himself. I hadn’t yet gotten the real picture of Ribier, either. It wasn’t true New England, it was a bohemian college for rich kids from New York who were too nervous for the better schools, unadjusted.

Now then: Eddie Walish and I walking together past the college library. Sweet autumnal warmth against a background of chill from the surrounding woods—it’s all there for me. The library is a Greek Revival building and the light in the porch is mossy and sunny—bright-green moss, leafy sunlight, lichen on the columns. I am turned on, manic, flying. My relations with Walish at this stage are easy to describe: very cheerful, not a kink in sight, not a touch of darkness. I am keen to learn from him, because I have never seen a progressive college, never lived in the East, never come in contact with the Eastern Establishment, of which I have heard so much. What is it all about? A girl to whom I was assigned as adviser has asked for another one because I haven’t been psychoanalyzed and can’t even begin to relate to her. And this very morning I have spent two hours in a committee meeting to determine whether a course in history should be obligatory for fine-arts majors. Tony Lemnitzer, professor of painting, said, “Let the kids read about the kings and the queens—what can it hoit them?” Brooklyn Tony, who had run away from home to be a circus roustabout, became a poster artist and eventually an Abstract Expressionist. “Don’t ever feel sorry for Tony,” Walish advises me. “The woman he married is a millionairess. She’s built him a studio fit for Michelangelo. He’s embarrassed to paint, he only whittles there. He carved out two wooden balls inside a birdcage.” Walish himself, Early Hip with a Harvard background, suspected at first that my ignorance was a put-on. A limping short man, Walish looked at me—looked upward—with real shrewdness and traces of disbelief about the mouth. From Chicago, a Ph. D. out of Bloomington, Indiana, can I be as backward as I seem? But I am good company, and by and by he tells me (is it a secret?) that although he comes from Gloucester, Mass., he’s not a real Yankee. His father, a second-generation American, is a machinist, retired, uneducated. One of the old man’s letters reads, “Your poor mother—the doctor says she has a groweth on her Virginia which he will have to operate. When she goes to surgery I expect you and your sister to be here to stand by me.”

There were two limping men in the community, and their names were similar. The other limper, Edmund Welch, justice of the peace, walked with a cane. Our Ed, who suffered from curvature of the spine, would not carry a stick, much less wear a built-up shoe. He behaved with sporting nonchalance and defied the orthopedists when they warned that his spinal column would collapse like a stack of dominoes. His style was to be free and limber. You had to take him as he came, no concessions offered. I admired him for that.

Now, Miss Rose, you have come out of the library for a breath of air and are leaning, arms crossed, and resting your head against a Greek column. To give himself more height, Walish wears his hair thick. You couldn’t cram a hat over it. But I have on a baseball cap. Then, Miss Rose, you say, smiling at me, “Oh, Dr. Shawmut, in that cap you look like an archaeologist.” Before I can stop myself, I answer, “And you look like something I just dug up.”

Awful!

The pair of us, Walish and I, hurried on. Eddie, whose hips were out of line, made an effort to walk more quickly, and when we were beyond your little library temple I saw that he was grinning at me, his warm face looking up into my face with joy, with accusing admiration. He had witnessed something extraordinary. What this something might be, whether it came under the heading of fun or psychopathology or wickedness, nobody could yet judge, but he was glad. Although he lost no time in clearing himself of guilt, it was exactly his kind of wisecrack. He loved to do the Groucho Marx bit, or give an S. J. Perel-man turn to his sentences. As for me, I had become dead sober, as I generally do after making one of my cracks. I am as astonished by them as anybody else. They may be hysterical symptoms, in the clinical sense. I used to consider myself absolutely normal, but I became aware long ago that in certain moods my laughing bordered on hysteria. I myself could hear the abnormal note. Walish knew very well that I was subject to such seizures, and when he sensed that one of my fits was approaching, he egged me on. And after he had had his fun he would say, with a grin like Pan Satyrus, “What a bastard you are, Shawmut. The sadistic stabs you can give!” He took care, you see, not to be incriminated as an accessory.

And my joke wasn’t even witty, just vile, no excuse for it, certainly not “inspiration.” Why should inspiration be so idiotic? It was simply idiotic and wicked. Walish used to tell me, “You’re a Surrealist in spite of yourself.” His interpretation was that I had raised myself by painful efforts from immigrant origins to a middle-class level but that I avenged myself for the torments and falsifications of my healthy instincts, deformities imposed on me by this adaptation to respectability, the strain of social climbing. Clever, intricate analysis of this sort was popular in Greenwich Village at that time, and Walish had picked up the habit. His letter of last month was filled with insights of this kind. People seldom give up the mental capital accumulated in their “best” years. At sixty-odd, Eddie is still a youthful Villager and associates with young people, mainly. I have accepted old age.

It isn’t easy to write with arthritic fingers. My lawyer, whose fatal advice I followed (he is the youngest brother of my wife, who passed away last year), urged me to go to British Columbia, where, because of the Japanese current, flowers grow in midwinter, and the air is purer. There are indeed primroses out in the snow, but my hands are crippled and I am afraid that I may have to take gold injections if they don’t improve. Nevertheless, I build up the fire and sit concentrating in the rocker because I need to make it worth your while to consider these facts with me. If I am to believe Walish, you have trembled from that day onward like a flame on a middle-class altar of undeserved humiliation. One of the insulted and injured.