Alice Munro - Dear Life

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Dear Life: краткое содержание, описание и аннотация

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In story after story in this brilliant new collection, Alice Munro pinpoints the moment a person is forever altered by a chance encounter, an action not taken, or a simple twist of fate. Her characters are flawed and fully human: a soldier returning from war and avoiding his fiancée, a wealthy woman deciding whether to confront a blackmailer, an adulterous mother and her neglected children, a guilt-ridden father, a young teacher jilted by her employer. Illumined by Munro’s unflinching insight, these lives draw us in with their quiet depth and surprise us with unexpected turns. And while most are set in her signature territory around Lake Huron, some strike even closer to home: an astonishing suite of four autobiographical tales offers an unprecedented glimpse into Munro’s own childhood. Exalted by her clarity of vision and her unparalleled gift for storytelling, Dear Life shows how strange, perilous, and extraordinary ordinary life can be.

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My father didn’t have much to say. I was my mother’s business, except for later on when I got really mouthy and had to be punished. He was waiting for my brother to get older and be his. A boy would not be so complicated.

And sure enough my brother wasn’t. He would grow up to be just fine.

Now school has started. It started some weeks ago, before the leaves turned red and yellow. Now they were mostly gone. I am not wearing my school coat but my good coat, the one with the dark velvet cuffs and collar. My mother is wearing the coat she wears to church, and a turban covers most of her hair.

My mother is driving to whatever place it is that we are going to. She doesn’t drive often, and her driving is always more stately and yet uncertain than my father’s. She peeps her horn at any curve.

“Now,” she says, but it takes a little while for her to get the car into place.

“Here we are then.” Her voice seems meant to be encouraging. She touches my hand to give me a chance to hold hers, but I pretend not to notice and she takes her hand away.

The house has no driveway or even a sidewalk. It’s decent but quite plain. My mother has raised her gloved hand to knock but it turns out we don’t have to. The door is opened for us. My mother has just started to say something encouraging to me—something like, It will go more quickly than you think—but she doesn’t get finished. The tone in which she spoke to me had been somewhat stern but slightly comforting. It changes when the door is opened into something more subdued, softened as if she was bowing her head.

The door has been opened to let some people go out, not just to let us go in. One of the women going out calls back over her shoulder in a voice that does not try to be soft at all.

“It’s her that she worked for, and that little girl.”

Then a woman who is rather dressed up comes and speaks to my mother and helps her off with her coat. That done, my mother takes my coat off and says to the woman that I was especially fond of Sadie. She hopes it was all right to bring me.

“Oh the dear little thing,” the woman says and my mother touches me lightly to get me to say hello.

“Sadie loved children,” the woman said. “She did indeed.”

I notice that there are two other children there. Boys. I know them from school, one being in the first grade with me, and the other one older. They are peering out from what is likely the kitchen. The younger one is stuffing a whole cookie into his mouth in a comical way and the other, older, one is making a disgusted face. Not at the cookie stuffer, but at me. They hate me of course. Boys either ignored you if they met you somewhere that wasn’t school (they ignored you there too) or they made these faces and called you horrid names. If I had to go near one I would stiffen and wonder what to do. Of course it was different if there were adults around. These boys stayed quiet but I was slightly miserable until somebody yanked the two of them into the kitchen. Then I became aware of my mother’s especially gentle and sympathetic voice, more ladylike even than the voice of the spokeswoman she was talking to, and I thought maybe the face was meant for her. Sometimes people imitated her voice when she called for me at school.

The woman she was talking to and who seemed to be in charge was leading us to a part of the room where a man and a woman sat on a sofa, looking as if they did not quite understand why they were here. My mother bent over and spoke to them very respectfully and pointed me out to them.

“She did so love Sadie,” she said. I knew that I was supposed to say something then but before I could the woman sitting there let out a howl. She did not look at any of us and the sound she made seemed like a sound you might make if some animal was biting or gnawing at you. She slapped away at her arms as if to get rid of whatever it was, but it did not go away. She looked at my mother as if my mother was the person who should do something about this.

The old man told her to hush.

“She’s taking it very hard,” said the woman who was guiding us. “She doesn’t know what she’s doing.” She bent down lower and said, “Now, now. You’ll scare the little girl.”

“Scare the little girl,” the old man said obediently.

By the time he finished saying that, the woman was not making the noise anymore and was patting her scratched arms as if she didn’t know what had happened to them.

My mother said, “Poor woman.”

“An only child too,” said the conducting woman. To me she said, “Don’t you worry.”

I was worried but not about the yelling.

I knew Sadie was somewhere and I did not want to see her. My mother had not actually said that I would have to see her but she had not said that I wouldn’t have to, either.

Sadie had been killed when walking home from the Royal-T dance hall. A car had hit her just on that little bit of gravel road between the parking space belonging to the dance hall and the beginning of the proper town sidewalk. She would have been hurrying along just the way she always did, and was no doubt thinking cars could see her, or that she had as much right as they did, and perhaps the car behind her swerved or perhaps she was not quite where she thought she was. She was hit from behind. The car that hit her was getting out of the way of the car that was behind it, and that second car was looking to make the first turn onto a town street. There had been some drinking at the dance hall, though you could not buy liquor there. And there was always some honking and yelling and whipping around too fast when the dancing was over. Sadie scurrying along without even a flashlight would behave as if it was everybody’s business to get out of her way.

“A girl without a boyfriend going to dances on foot,” said the woman who was still being friends with my mother. She spoke quite softly and my mother murmured something regretful.

It was asking for trouble, the friendly woman said still more softly.

I had heard talk at home that I did not understand. My mother wanted something done that might have had to do with Sadie and the car that hit her, but my father said to leave it alone. We’ve got no business in town, he said. I did not even try to figure this out because I was trying not to think about Sadie at all, let alone about her being dead. When I had realized that we were going into Sadie’s house I longed not to go, but didn’t see any way to get out of it except by behaving with enormous indignity.

Now after the old woman’s outburst it seemed to me we might turn around and go home. I would never have to admit the truth, which was that I was in fact desperately scared of any dead body.

Just as I thought this might be possible, I heard my mother and the woman she seemed now to be conniving with speak of what was worse than anything.

Seeing Sadie.

Yes, my mother was saying. Of course, we must see Sadie.

Dead Sadie.

I had kept my eyes pretty well cast down, seeing mostly just those boys who were hardly taller than I was, and the old people who were sitting down. But now my mother was taking me by the hand in another direction.

There had been a coffin in the room all the time but I had thought it was something else. Because of my lack of experience I didn’t know exactly what such a thing looked like. A shelf to put flowers on, this object we were approaching might have been, or a closed piano.

Perhaps the people being around it had somehow disguised its real size and shape and purpose. But now these people were making way respectfully and my mother spoke in a new very quiet voice.

“Come now,” she said to me. Her gentleness sounded hateful to me, triumphant.

She bent to look into my face, and this, I was sure, was to prevent me from doing what had just occurred to me—keeping my eyes squeezed shut. Then she took her gaze away from me but kept my hand tightly held in hers. I did manage to lower my lids as soon as she took her eyes off me, but I did not shut them quite lest I stumble or somebody push me right where I didn’t want to be. I was able to see just a blur of the stiff flowers and the sheen of polished wood.

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