Alice Munro: Away from Her

The shame he felt then was the shame of being duped, of not having noticed the change that was going on. And not one woman had made him aware of it. There had been the change in the past when so many women so suddenly became available—or it seemed that way to him—and now this new change, when they were saying that what had happened was not what they had had in mind at all. They had collaborated because they were helpless and bewildered, and they had been injured by the whole thing, rather than delighted. Even when they had taken the initiative they had done so only because the cards were stacked against them.

Nowhere was there any acknowledgment that the life of a philanderer (if that was what Grant had to call himself—he who had not had half as many conquests or complications as the man who had reproached him in his dream) involved acts of kindness and generosity and even sacrifice. Not in the beginning, perhaps, but at least as things went on. Many times he had catered to a woman’s pride, to her fragility, by offering more affection—or a rougher passion—than anything he really felt. All so that he could now find himself accused of wounding and exploiting and destroying self-esteem. And of deceiving Fiona—as of course he had deceived her—but would it have been better if he had done as others had done with their wives and left her?

He had never thought of such a thing. He had never stopped making love to Fiona in spite of disturbing demands elsewhere. He had not stayed away from her for a single night. No making up elaborate stories in order to spend a weekend in San Francisco or in a tent on Manitoulin Island. He had gone easy on the dope and the drink and he had continued to publish papers, serve on committees, make progress in his career. He had never had any intention of throwing up work and marriage and taking to the country to practice carpentry or keep bees.

But something like that had happened after all. He took an early retirement with a reduced pension. The cardiologist had died, after some bewildered and stoical time alone in the big house, and Fiona had inherited both that property and the farmhouse where her father had grown up, in the country near Georgian Bay. She gave up her job, as a hospital coordinator of volunteer services (in that everyday world, as she said, where people actually had troubles that were not related to drugs or sex or intellectual squabbles). A new life was a new life.

Boris and Natasha had died by this time. One of them got sick and died first—Grant forgot which one—and then the other died, more or less out of sympathy.

He and Fiona worked on the house. They got cross-country skis. They were not very sociable, but they gradually made some friends. There were no more hectic flirtations. No bare female toes creeping up under a man’s pants leg at a dinner party. No more loose wives.

Just in time, Grant was able to think, when the sense of injustice wore down. The feminists and perhaps the sad silly girl herself and his cowardly so-called friends had pushed him out just in time. Out of a life that was in fact getting to be more trouble than it was worth. And that might eventually have cost him Fiona.

On the morning of the day when he was to go back to Meadowlake for the first visit, Grant woke early. He was full of a solemn tingling, as in the old days on the morning of his first planned meeting with a new woman. The feeling was not precisely sexual. (Later, when the meetings had become routine, that was all it was.) There was an expectation of discovery, almost a spiritual expansion. Also timidity, humility, alarm.

He left home too early. Visitors were not allowed before two o’clock. He did not want to sit out in the parking lot, waiting, so he made himself turn the car in a wrong direction.

There had been a thaw. Plenty of snow was left, but the dazzling hard landscape of earlier winter had crumbled. These pocked heaps under a gray sky looked like refuse in the fields.

In the town near Meadowlake he found a florist’s shop and bought a large bouquet. He had never presented flowers to Fiona before. Or to anyone else. He entered the building feeling like a hopeless lover or a guilty husband in a cartoon.

“Wow. Narcissus this early,” Kristy said. “You must’ve spent a fortune.” She went along the hall ahead of him and snapped on the light in a closet, or sort of kitchen, where she searched for a vase. She was a heavy young woman who looked as if she had given up in every department except her hair. That was blond and voluminous. All the puffed-up luxury of a cocktail waitress’s style, or a stripper’s, on top of such a workaday face and body.

“There, now,” she said, and nodded him down the hall. “Name’s right on the door.”

So it was, on a nameplate decorated with bluebirds. He wondered whether to knock, and did, then opened the door and called her name.

She wasn’t there. The closet door was closed, the bed smoothed. Nothing on the bedside table, except a box of Kleenex and a glass of water. Not a single photograph or picture of any kind, not a book or a magazine. Perhaps you had to keep those in a cupboard.

He went back to the nurses’ station, or reception desk, or whatever it was. Kristy said “No?” with a surprise that he thought perfunctory.

He hesitated, holding the flowers. She said, “Okay, okay—let’s set the bouquet down here.” Sighing, as if he was a backward child on his first day at school, she led him along a hall, into the light of the huge sky windows in the large central space, with its cathedral ceiling. Some people were sitting along the walls, in easy chairs, others at tables in the middle of the carpeted floor. None of them looked too bad. Old—some of them incapacitated enough to need wheel-chairs—but decent. There used to be some unnerving sights when he and Fiona went to visit Mr. Farquar. Whiskers on old women’s chins, somebody with a bulged-out eye like a rotted plum. Dribblers, head wagglers, mad chatterers. Now it looked as if there’d been some weeding out of the worst cases. Or perhaps drugs, surgery had come into use, perhaps there were ways of treating disfigurement, as well as verbal and other kinds of incontinence—ways that hadn’t existed even those few years ago.

There was, however, a very disconsolate woman sitting at the piano, picking away with one finger and never achieving a tune. Another woman, staring out from behind a coffee urn and a stack of plastic cups, looked bored to stone. But she had to be an employee—she wore a pale-green pants outfit like Kristy’s.

“See?” said Kristy in a softer voice. “You just go up and say hello and try not to startle her. Remember she may not—Well. Just go ahead.”

He saw Fiona in profile, sitting close up to one of the card tables, but not playing. She looked a little puffy in the face, the flab on one cheek hiding the corner of her mouth, in a way it hadn’t done before. She was watching the play of the man she sat closest to. He held his cards tilted so that she could see them. When Grant got near the table she looked up. They all looked up—all the players at the table looked up, with displeasure. Then they immediately looked down at their cards, as if to ward off any intrusion.

But Fiona smiled her lopsided, abashed, sly, and charming smile and pushed back her chair and came round to him, putting her fingers to her mouth.

“Bridge,” she whispered. “Deadly serious. They’re quite rabid about it.” She drew him towards the coffee table, chatting. “I can remember being like that for a while at college. My friends and I would cut class and sit in the common room and smoke and play like cutthroats. One’s name was Phoebe, I don’t remember the others.”

“Phoebe Hart,” Grant said. He pictured the little hollow-chested, black-eyed girl, who was probably dead by now. Wreathed in smoke, Fiona and Phoebe and those others, rapt as witches.