Hilary Mantel - Beyond Black

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Beyond Black: краткое содержание, описание и аннотация

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A paragon of efficiency, Colette took the next natural step after finishing secretarial school by marrying a man who would do just fine. After a sobering, do-it-yourself divorce, Colette is at a loss for what to do next. Convinced that she is due an out-of-hand, life-affirming revelation, she strays into the realm of psychics and clairvoyants, hungry for a whisper to set her off in the right direction. At a psychic fair in Windsor she meets the charismatic Alison.
Alison, the daughter of a prostitute, beleaguered during her childhood by the pressures of her connection to the spiritual world, lives in a different kind of solitude. She cannot escape the dead who speak to her, least of all the constant presence of Morris, her low-life spiritual guide. An expansive presence onstage, Alison at once feels her bond with Colette, inviting her to join her on the road as her personal assistant and companion.
Troubles spiral out of control when the pair moves to a suburban wasteland in what was once the English countryside and take up with a spirit guide and his drowned therapist. It is not long before Alison's connection to the place beyond black threatens to uproot their lives forever. This is Hilary Mantel at her finest- insightful, darkly comic, unorthodox, and thrilling to read.

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A thought about the garden had gone through her head: it will be nice for the dogs. Her smile faded. She pushed the thought violently away, seeing in her mind the waste ground behind her mother’s house at Aldershot.

Colette had taken on the task of contacting Al’s regular clients, to let them know about the move. She made a pretty lilac-coloured card, with the new details, which they handed out to contacts at their next big Psychic Fayre. In return they got cards back. “You’ll want a bit of Goddess Power, I expect,” said a nice woman in a ragged pullover, as she unloaded her kit from her beat-up old van. “You’ll want to come into alignment with the Path.” When they saw her next she was wearing a hairpiece and a push-up bra, charging forty pounds and calling herself Siobhan, palms and clairvoyance.

“Shall I come up and do your feng shui?” Mandy Coughlan asked. “It’s nice that you’re nearer to Hove.”

Cara rolled her eyes. “You’re not still offering feng shui? Are you getting any uptake? I’m training as a vastu consultant. It’s five thousand years old. This demon falls to earth, right? And you have to see which way his head comes down and where his feet are pointing. Then you can draw a mandala. Then you know which way the house should go.”

“It’s a bit late,” Al said. “It’s finished and we’ve moved in.”

“No, but it can still apply. You can fit your existing property into the grid. That’s advanced, though. I’ve not got up to that yet.”

“Well, come round when you do,” Al said.

Al said, I don’t want the neighbours to know what we do. Wherever I’ve lived I’ve kept away from the neighbours, I don’t want this lot around asking me to read their herbal teabags. I don’t want them turning up on our doorstep saying, you know what you told me, it hasn’t come true yet, can I have my money back? I don’t want them watching me and commenting on me. I want to be private.

The development progressed piecemeal, the houses at the fringes going up before the middle was filled in. They would look over to the opposite ridge, against the screen of pines, and see the householders running out into the streets, or where the streets would be, fleeing from gas leaks, floods, and falling masonry. Colette made tea for their next-door neighbours in the Beatty when their kitchen ceiling came down in its turn; Al was busy with a client.

“Are you sisters?” Michelle asked, standing in the kitchen and jiggling an infant up and down on her hip.

Colette’s eyes grew wide. “Sisters? No.”

“There, Evan,” she said to her husband. “Told you they couldn’t be. We thought perhaps one of you wasn’t staying. We thought perhaps she was helping the other one settle in.”

Colette said, “Are those boys or girls?”

“One of each.”

“Oh. But which is which?”

“You work at home?” Evan asked. “A contractor?”

“Yes.” He was waiting. She said, flustered. “I’m in communications.”

“British Telecom?”

“No.”

“It’s so confusing now,” Michelle said. “All these different tariffs you can go on. What’s the cheapest for phoning my nan in Australia?”

“That’s not my side of it,” Colette said.

“And what does your—your friend—do?”

“Forecasting,” Colette said. For a moment, she began to enjoy herself.

“Met Office, eh?” Evan said. “Bracknell, aren’t they? Bloody murder, getting onto the M3. Bet you didn’t know that till you moved in, eh? Three-mile tailback every morning. Should have done your research, eh?”

Both infants began to squall. The grown-ups watched as a workman came out of the Beatty, damp to his knees, carrying a bucket. “I’ll sue those fuckers,” Evan said.

Later, Colette said to Al, “How could he ever have thought we were sisters? I would have thought half sisters, at the most. And even that would be stretching a point.”

“People aren’t very observant,” Alison said kindly, “so you mustn’t be insulted, Colette.”

Colette didn’t tell Alison that the neighbours thought she worked for the meteorological office. Word spread, around the estate, and the neighbours would call out to her, “No joke you know, this rain! Can’t you do better than this?” Or simply, with a wave and a grin, “Oi! I see you got it wrong again.”

“I seem to be a personality around here.” Al said. “I don’t know why.”

Colette said, “I should think it’s because you’re fat.”

As Easter approached, Michelle popped her head over the fence and asked Al what she should pack for their holiday in Spain. “I’m sorry,” Al said, aghast, “I simply wouldn’t be able to forecast anything like that.”

“Yes, but unofficially,” Michelle coaxed. “You must know.”

“Off the record,” Evan said, wheedling.

Colette ran her eyes over Michelle. Was she pregnant again, or just letting herself go? “Cover up, would be my advice,” she said.

The weather affects the motorway as it affects the sea. The traffic has its rising tides. The road surface glistens with a pearly sheen, or heaves its black wet deeps. They find themselves at distant service stations as dawn breaks, where yellow light spills out into an oily dimness and a line of huddled birds watches them from above. On the M40 near High Wycombe, a kestrel glides on the updraught, swoops to pluck small squealing creatures from the rough grass of the margins. Magpies toddle amid the roadkill.

They travel: Orpington, Sevenoaks, Chertsey, Runnymede, Reigate, and Sutton. They strike out east of the Thames barrier, where travellers’ encampments huddle beneath tower blocks and seagulls cry over the floodplains, where the smell of sewage is carried on the cutting wind. There are flood-lights and bunkers, gravel pits and pallet yards, junctions where traffic cones cluster. There are featureless hangars with TO LET signs pinned to them, tyres spun away into shabby fields. Colette puts her foot down; they pass vehicles mounted on the backs of vehicles, locked in oily copulation. They pass housing developments just like theirs—“Look, portholes,” Al says—their dormers and their Juliet balconies staring out over low hills made of compacted London waste. They pass Xmas tree farms and puppy farms, barnyards piled with scrap. Pictures of salivating dogs are hung on wire fences, so that those who don’t read English get the point. Crosswinds rock them; cables lash across a fast sky. Colette’s radio is tuned to traffic reports—trouble at Trellick Tower, an insurmountable blockage afflicting the Kingston bypass. Al’s mind drifts, across the central reservation. She sees the walls of warehouses shining silver like the tinny armour of the tarot knights. She sees incinerators, oil storage tankers, gas holders, electricity substations. Haulage yards. Portakabins, underpasses, subways, and walkways. Industrial parks and science parks and retail parks.

The world beyond the glass is the world of masculine action. Everything she sees is what a man has built. But at each turnoff, each junction, women are waiting to know their fate. They are looking deep inside themselves, into their private hearts, where the foetus forms and buds, where the shape forms inside the crystal, where fingernails click softly on the backs of the cards, and pictures flutter upwards, towards the air: Justice, Temperance, The Sun, The Moon, The World.

At the motorway services, there are cameras pointing, watching the queues for fish and chips and tepid jellified cheesecake. Outside there are notices affixed to poles, warning of hawkers, peddlers, itinerant sellers, and illegal traders. There are none that warn against the loose, travelling dead. There are cameras guarding the exits, but none that register the entrances of Pikey Pete.

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