Haruki Murakami - after the quake

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after the quake: краткое содержание, описание и аннотация

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The six stories in Haruki Murakami’s mesmerizing collection are set at the time of the catastrophic 1995 Kobe earthquake, when Japan became brutally aware of the fragility of its daily existence. But the upheavals that afflict Murakami’s characters are even deeper and more mysterious, emanating from a place where the human meets the inhuman.
An electronics salesman who has been abruptly deserted by his wife agrees to deliver an enigmatic package—and is rewarded with a glimpse of his true nature. A man who has been raised to view himself as the son of God pursues a stranger who may or may not be his human father. A mild-mannered collection agent receives a visit from a giant talking frog who enlists his help in saving Tokyo from destruction. As haunting as dreams, as potent as oracles, the stories in
are further proof that Murakami is one of the most visionary writers at work today.
Haruki Murakami, a writer both mystical and hip, is the West’s favorite Japanese novelist. Perhaps unsurprisingly, Murakami lived abroad until 1995. That year, two disasters struck Japan: the lethal earthquake in Kobe and the deadly poison gas attacks in the Tokyo subway. Spurred by these tragic events, Murakami returned home. The stories in
are set in the months that fell between the earthquake and the subway attack, presenting a world marked by despair, hope, and a kind of human instinct for transformation. A teenage girl and a middle-aged man share a hobby of making beach bonfires; a businesswoman travels to Thailand and, quietly, confronts her own death; three friends act out a modern-day Tokyo version of
. There’s a surreal element running through the collection in the form of unlikely frogs turning up in unlikely places. News of the earthquake hums throughout. The book opens with the dull buzz of disaster-watching: “Five straight days she spent in front of the television, staring at the crumbled banks and hospitals, whole blocks of stores in flames, severed rail lines and expressways.” With language that’s never self-consciously lyrical or show-offy, Murakami constructs stories as tight and beautiful as poems. There’s no turning back for his people; there’s only before and after the quake.
—Claire Dederer
These six stories, all loosely connected to the disastrous 1995 earthquake in Kobe, are Murakami (The Wind-Up Bird Chronicle; Norwegian Wood) at his best. The writer, who returned to live in Japan after the Kobe earthquake, measures his country’s suffering and finds reassurance in the inevitability that love will surmount tragedy, mustering his casually elegant prose and keen sense of the absurd in the service of healing. In “Honey Pie,” Junpei, a gentle, caring man, loses his would-be sweetheart, Sayoko, when his aggressive best friend, Takatsuki, marries her. They have a child, Sala. He remains close friends with them and becomes even closer after they divorce, but still cannot bring himself to declare his love for Sayoko. Sala is traumatized by the quake and Junpei concocts a wonderful allegorical tale to ease her hurt and give himself the courage to reveal his love for Sayoko. In “UFO in Kushiro” the horrors of the quake inspire a woman to leave her perfectly respectable and loving husband, Komura, because “you have nothing inside you that you can give me.” Komura then has a surreal experience that more or less confirms his wife’s assessment. The theme of nothingness is revisited in the powerful “Thailand,” in which a female doctor who is on vacation in Thailand and very bitter after a divorce, encounters a mysterious old woman who tells her “There is a stone inside your body…. You must get rid of the stone. Otherwise, after you die and are cremated, only the stone will remain.” The remaining stories are of equal quality, the characters fully developed and memorable. Murakami has created a series of small masterpieces.
Copyright 2002 Cahners Business Information, Inc. Amazon.com Review
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Nimit switched to the passing lane, slipping past a number of trucks loaded with livestock, then eased back into the cruising lane.

“I’m glad to hear it,” Nimit said. “A lot of people died in the earthquake last month. I saw it on the news. It was very sad. Tell me, Doctor, did you know anyone living in Kobe?”

“No, no one. I don’t think anyone I know lives in Kobe,” she said. But this was not true. He lived in Kobe.

Nimit remained silent for a while. Then, bending his neck slightly in her direction, he said, “Strange and mysterious things, though, aren’t they—earthquakes? We take it for granted that the earth beneath our feet is solid and stationary. We even talk about people being ‘down to earth’ or having their feet firmly planted on the ground. But suddenly one day we see that it isn’t true. The earth, the boulders, that are supposed to be so solid, all of a sudden turn as mushy as liquid. I heard it on the TV news: ‘liquefaction,’ they call it, I think. Fortunately we rarely have major earthquakes here in Thailand.”

Cradled in the rear seat, Satsuki closed her eyes and concentrated on Erroll Garner’s playing. Yes, she thought, he lived in Kobe. I hope he was crushed to death by something big and heavy. Or swallowed up by the liquefied earth. It’s everything I’ve wanted for him all these years.

The limousine reached its destination at three o’clock in the afternoon. They had taken a break at a service area along the highway at precisely twelve o’clock. Satsuki had drunk some gritty coffee and eaten half a donut at the cafeteria. Her week-long rest was to be spent at an expensive resort in the mountains. The buildings overlooked a stream that surged through the valley, the slopes of which were covered in gorgeous primary-colored flowers. Birds flew from tree to tree emitting sharp cries. A private cottage had been prepared for Satsuki’s stay. It had a big bright bathroom, an elegant canopy bed, and twenty-four-hour room service. Books and CDs and videos were available at the library off the lobby. The place was immaculate. Great care—and a great deal of money—had been lavished on every detail.

“You must be very tired, Doctor, after the long trip,” Nimit said. “You can relax now. I will come to pick you up at ten o’clock tomorrow morning and take you to the pool. All you need to bring is a towel and bathing suit.”

“Pool?” she asked. “They must have a perfectly big pool here at the hotel, don’t they? At least that’s what I was told.”

“Yes, of course, but the hotel pool is very crowded. Mr. Rapaport told me that you are a serious swimmer. I found a pool nearby where you can do laps. There will be a charge, of course, but a small one. I’m sure you will like it.”

John Rapaport was the American friend who had made the arrangements for Satsuki’s Thai vacation. He had worked all over Southeast Asia as a news correspondent ever since the Khmer Rouge had run rampant in Cambodia, and he had many connections in Thailand as well. It was he who had recommended Nimit as Satsuki’s guide and driver. With a mischievous wink, he had said to her, “You won’t have to think about a thing. Just shut up and let Nimit make all the decisions and everything will go perfectly. He’s a very impressive guy.”

“That’s fine,” she said to Nimit. “I’ll leave it up to you.”

“Well then, I will come for you at ten o’clock tomorrow…”

Satsuki opened her bags, smoothed the wrinkles in a dress and skirt, and hung them in the closet. Then, changing into a swimsuit, she went to the hotel pool. Just as Nimit had said, it was not a pool for serious swimming. Gourd-shaped, it had a lovely waterfall in the middle, and children were throwing a ball in the shallow area. Abandoning any thought of trying to swim, she stretched out under a parasol, ordered a Tío Pepe and Perrier, and picked up reading where she had left off in her new John le Carré novel. When she grew tired of reading, she pulled her hat down over her face and napped. She had a dream about a rabbit—a short dream. The rabbit was in a hutch surrounded by a wire-mesh fence, trembling. It seemed to be sensing the arrival of some kind of thing in the middle of the night. At first, Satsuki was observing the rabbit from outside its enclosure, but soon she herself had become the rabbit. She could just barely make out the thing in the darkness. Even after she awoke, she had a bad taste in her mouth.

He lived in Kobe. She knew his home address and telephone number. She had never once lost track of him. She had tried calling his house just after the earthquake, but the connection never went through. I hope the damn place was flattened, she thought. I hope the whole family is out wandering through the streets, penniless. When I think of what you did to my life, when I think of the children I should have had, it’s the least you deserve.

The pool that Nimit had found was half an hour’s drive from the hotel and involved crossing a mountain. The woods near the top of the mountain were full of gray monkeys. They sat lined up along the road, eyes fixed on the passing cars as if to read the fates of the speeding vehicles.

The pool was inside a large, somewhat mysterious compound surrounded by a high wall and entered through an imposing iron gate. Nimit lowered his window and identified himself to the guard, who opened the gate without a word. Down the gravel driveway stood an old stone two-story building, and behind that was the long, narrow pool. Its signs of age were unmistakable, but this was an authentic three-lane, twenty-five-meter lap pool. The rectangular stretch of water was beautiful, surrounded by lawn and trees, and undisturbed by swimmers. Several old wooden deck chairs were lined up beside the pool. Silence ruled the area, and there was no hint of a human presence.

“What do you think, Doctor?” Nimit asked.

“Wonderful,” Satsuki said. “Is this an athletic club?”

“Something like that,” he said. “But hardly anyone uses it now. I have arranged for you to swim here alone as much as you like.”

“Why, thank you so much, Nimit. You are an impressive man.”

“You do me too great an honor,” Nimit said, bowing blank-faced, with old-school courtesy. “The cottage over there is the changing room. It has toilets and showers. Feel free to use all the facilities. I will station myself by the automobile. Please let me know if there is anything you need.”

Satsuki had always loved swimming, and she went to the gym pool whenever she had a chance. She had learned proper form from a coach. While she swam, she was able to thrust all unpleasant memories from her mind. If she swam long enough, she could reach a point where she felt utterly free, like a bird flying through the sky. Thanks to her years of regular exercise, she had never been confined to bed with an illness or sensed any physical disorder. Nor had she gained extra weight. Of course, she was not young anymore; a trim body was no longer an option. In particular, there was almost no way to avoid putting on a little extra flesh at the hips. You could ask for only so much. She wasn’t trying to become a fashion model. She probably looked five years younger than her actual age, which was pretty damn good.

At noon, Nimit served her ice tea and sandwiches on a silver tray by the pool—tiny vegetable and cheese sandwiches cut into perfect little triangles.

Satsuki was amazed. “Did you make these?”

The question brought a momentary change to Nimit’s expressionless face. “Not I, Doctor. I do not prepare food. I had someone make this.”

Satsuki was about to ask who that someone might be when she stopped herself. John Rapaport had told her, “Just shut up and let Nimit make all the decisions and everything will go perfectly.” The sandwiches were quite good. Satsuki rested after lunch. On her Walkman she listened to a tape of the Benny Goodman Sextet that Nimit had lent her, after which she continued with her book. She swam some more in the afternoon, returning to the hotel at three.

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