V. Naipaul - The Mimic Men

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A profound novel of cultural displacement, The Mimic Men masterfully evokes a colonial man’s experience in a postcolonial world.
Born of Indian heritage and raised on a British-dependent Caribbean island, Ralph Singh has retired to suburban London, writing his memoirs as a means to impose order on a chaotic existence. His memories lead him to recognize the paradox of his childhood during which he secretly fantasized about a heroic India, yet changed his name from Ranjit Kripalsingh. As he assesses his short-lived marriage to an ostentatious white woman, Singh realizes what has kept him from becoming a proper Englishman. But it is the return home and his subsequent immersion in the roiling political atmosphere of a newly self-governed nation that ultimately provide Singh with the necessary insight to discover the crux of his disillusionment.

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The day came. Breakfast astonished me. We usually breakfasted simply, just cocoa or tea with buttered bread and sometimes avocadoes or plantains. Now I was given orange juice, corn flakes, eggs, toast and jam. To me such a breakfast was associated with high days and for this reason was slightly repugnant. All ritual embarrassed me, and I was doubly embarrassed that this day should have been deemed a high day. I was jumpy and it was only when I was alternately crunching and squelching through the corn flakes that I recalled, with shame, the dream I had had. It was a double dream, the dream within the dream, when the dreamer, fearful for the reality of his joy, questions himself whether he is dreaming and decides he is not. I had dreamt that I was a baby again and at my mother’s breast. What joy! The breast on my cheek and mouth: a consoling weight, the closeness of soft, smooth flesh. It had been at dusk, in a vague setting, no lights, in a back veranda, all around a blur of dark bush. My mother rocked and I had the freedom of her breast. A dream? But no, I was not dreaming. What pain then, what shame, to awaken!

Seeing her now, the embroiderer of my house colours, so unsuspecting, I felt secret added to secret, weight to weight. But with lucidity and the ordinary light of day the shame passed. Just before lunch I put on the vest with the red badge and covered it with my shirt. And I was surprised by a feeling of high pleasure when, after kissing my mother on the fern-hung veranda of our old-fashioned timber house, I stepped out into the street and was alone, free of mother and sisters, without a father: myself alone. The camera was in the sky. I was a man apart, disentangled from the camouflage of people. The street, usually to me so dull, was now an avenue to wonder.

But when I came to the residential area in which Isabella Imperial was set, something of the Saturday-afternoon lassitude of silent, wide-open houses made itself felt. My jumpiness returned; I was powerless to check it. And as soon as, entering the college grounds by the side gate, I saw the tents and the marquees and the carefully dressed men and women and boys and girls — hundreds of preparations like my own — I felt again the unimportance of my endeavour. My courage ebbed and was replaced by a type of weariness.

The sports began and the grounds were presently a confusion of unrelated and apparently private activities. The patient long distance runners plodded on unnoticed as if fulfilling a vow; there were practice sprints and practice starts and real races at the same time; you turned here and saw the long jump, you turned there and saw the high jump. Scattered about the bustling semi-nude were calm, fully dressed groups conversing or drinking. I saw my rivals. Many had their parents with them. Many were already stripped and displayed embroidered badges as fussy as my own, which was still hidden by my shirt. So many private preparations! When the announcement came, and the boys ambled over earnestly to the starting line and one or two made stylish practice starts, I knew I would never join them, not for that race or the others. They lined up; a master looked them over with a revolver in his hand. My decision was made; my weariness and feeling of unimportance vanished. The revolver was fired and the race was run. It was the hundred yards; it was over quickly and aroused little attention. The master was already himself running off somewhere else, silver whistle in his mouth, his tie flapping, a scribbling pad in one hand and the revolver in the other. I joined the traditional scrimmage for free ice-cream. Then I wandered about the marquees. After some time relief turned to insipidity and at the end, out of boredom as much as anything else, I took part in the four-forty handicap for the whole school — a free-for-all, no entrance fee or signing on required, small boys given a hundred or even two hundred yards’ distance — and so with the whole school, a moving multicoloured mangrove of legs, I ran, one pair of legs among many, my house badge still below my shirt. I dropped out and melted unnoticed into the crowd at the centre. Some of the carefully dressed men were now a little beaten up with drink and indulging in a final boisterousness; the girls were tired; the faces of the women were shining. But amid the traditional clowning of the four-forty there was still a pocket of official gravity, much shuffling of papers and comparing of notes: the prize-giving was to follow. The crowd was drifting towards the tent with cups and trophies.

I did not stay. My mother was waiting for me when I got home. She asked, ‘Well, what happened?’

‘I didn’t win.’

And on Monday morning my form master said to me, in front of the class, ‘That was a very sporting gesture of yours on Saturday. Though I had no doubt you would do the right thing.’

So the reputation as a sportsman not only endured but was enhanced; and the day became another of my secrets which I feared I might give away in my sleep or under chloroform, before an operation.

I wanted no more secrets like this, no more Saturday afternoons poisoned by a feeling of shipwreck and wrongness among crowds. I had already begun, as I thought, to simplify my relationships. But I had begun too late. I was too far sunk in the taint of fantasy. I wished to make a fresh, clean start. And it was now that I resolved to abandon the shipwrecked island and all on it, and to seek my chieftainship in that real world from which, like my father, I had been cut off. The decision brought its solace. Everything about me became temporary and unimportant; I was consciously holding myself back for the reality which lay elsewhere.

I have read that it was a saying of an ancient Greek that the first requisite for happiness was to be born in a famous city. It is one of those sayings which, because they deal with the particular and the concrete, like the instructions on a bottle of patent medicine, can appear flippant, except to those who have experienced their truth. To be born on an island like Isabella, an obscure New World transplantation, second-hand and barbarous, was to be born to disorder. From an early age, almost from my first lesson at school about the weight of the king’s crown, I had sensed this. Now I was to discover that disorder has its own logic and permanence: the Greek was wise. Even as I was formulating my resolve to escape, there began that series of events which, while sharpening my desire to get away, yet rooted me more firmly to the locality where accident had placed me.

3

MY father became the possessor of a second-hand motorcar. It was one of those baby Austins of the thirties, quaint even at the time, which we in Isabella, more used to American motorcars, called matchboxes. I believe my father bought his car with an interest-free government loan: his duties in the Education Department required him to travel. On the street my father already had the engaging reputation of a bottle-breaker and café-wrecker; the arrival of the baby Austin, emblem of respectability and steadiness, turned him into a type of eccentric squire. They called him a ‘radical’. On Isabella this was a word of approval; it described an unconventional person or someone who was a ‘character’. With the car and all its attendant dignities and anxieties — petrol-buying, servicing, a constant commerce with inept but impressively greasy mechanics — a change came over my father. His interest in the world revived. He spoke more loudly at home and in public and he became possessed by an odd passion for wit. He repeated your sentences out of context and laughed; he replied to questions by asking absurd questions of his own; he took your phrases and turned them into awkward questions and laughed. It was disquieting. He wore a fixed, ugly grin whenever he was at the wheel of his car, his head slightly raised, his hands in the position recommended by the instructors, his lips parted. He would sing to himself while he drove; he was deter mined then to find humour and interest in everything. It was fatiguing.

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