V. Naipaul - The Mimic Men

But it was holiday time, as I quickly discovered: the season of ice-cream tubs and soft-drink bottles, pissing children and sandwich wrappings. Hotels were full and squalid or half-full and very squalid; they all buzzed and shrieked with the urgent sound of frying. Ceilings were decayed, cramping partitions paper-thin, forty-watt light bulbs naked; and always in tattered sitting-rooms there were tattered copies of motorcar magazines, travel magazines, airline annuals. Country roads were highways and gardens car-parks. Tall hedgerows, which prevented escape from packed holiday motorcars, turned narrow lanes into green tunnels of death and destruction; broken glass was crushed to powder at intersections. And there were the inns of death itself, areas of complete calm, where the very old had gathered to die. Here food was liquid and medicinally tinctured, each aged eater sat with his transistor radio linked, like a hearing-aid, to his own ear, and the tiny plastic extractor fans were propelled, in gentle silent spasms, by warm air alone.

Daily, by erratic bus services, making difficult connections, I travelled from small town to small town, seeking shelter with my sixty-six pounds of luggage, always aware in the late afternoon of my imminent homelessness. I consumed the hours of daylight with long waits and brief periods of travel. Money, of which I was at last aware, was leaking out of my pocket. Laundry was about to be a problem. At the end of a week I was exhausted. Even then I did not give up my quest; I was too dispirited to make that difficult decision. I did so on the eleventh day, when laundry had become a problem. I decided to go back to London. But again I did not take into account the holiday, which had apparently reached its climax on the day of my decision. I did not take into account the irregularities and excisions which on such a day turn railway timetables into guides to nightmare.

I made an early start. Afternoon found me at an unknown empty country station, hours from London. The tall trains went by and did not stop for me. They were long trains, and packed; people stood in the corridors. Tomato sauce and gravy and coffee stained the tablecloths in the restaurant car. I knew. Hours before one such train had brought me to this station. I was waiting for another to take me away. Early impatience had given way to despair, despair to indifference, indifference to a curious neutrality of perception. The concrete platforms were white in the sun, the diagonal, lengthening shadows sharp and black. Heatwaves quivered up from the rails and their level bed of dry, oiled gravel. In the bushy field beyond, pale green blurred with yellow, white and brown, junked rusting metal was hot to look at.

I was fighting the afternoon alarm of homelessness, an inseparable part of the gipsy life that had inexplicably befallen me. But this was the limit of desolation. The moment linked to nothing. I felt I had no past. Nothing had happened that morning or yesterday or the last eleven days. To attempt to explain my presence in this station to myself, or to look forward to the increasingly improbable search that awaited me in a London to which I was drawing no nearer, to attempt to do either was to be truly lost, to see myself at the end of the world. The green doors of the buffet were closed. Three circular sticky tables, a very narrow sticky counter, a sticky floor; the glass cases empty, even the plastic orange at rest in the orange-squash vat of cloudy plastic.

The tall magenta trains passed, summer clothes above, black, busy metal below, and blinded me with their racing, rippling shadows, that fell on me, on the platform. “Standing by himself on Swindon station.” They were the words of Mr Mural, breeder of boy scouts. Poor emperor, I had thought, subject to such witness. I had seen him, though, standing on Swindon station as he had stood in the photograph in Browne’s house: in his cloak, his head thrown back, dignified, aloof. Such was the exile of Mr Mural’s witness; and dignity and aloofness implied an audience. It wasn’t like this: a man sitting at the limit of desolation with sixty-six pounds of luggage in two Antler suitcases, concentrating on the moment, which he mustn’t relate to anything else. And who will later give me even Mr Mural’s proof of this moment? It was a moment of total helplessness. It occurred on an afternoon of sunshine, while the holiday trains passed.

That was a long time ago. Such a moment cannot return. It is the moment which really closes that section of my life which I have been chronicling these past fourteen months. An absurd moment, but from it and by it I measure my recovery. Je vens d’lué.

It does not worry me now, as it worried me when I began this book, that at the age of forty I should find myself at the end of my active life. I do not now think this is even true. I no longer yearn for ideal landscapes and no longer wish to know the god of the city. This does not strike me as loss. I feel, instead, I have lived through attachment and freed myself from one cycle of events. It gives me joy to find that in so doing I have also fulfilled the fourfold division of life prescribed by our Aryan ancestors. I have been student, householder and man of affairs, recluse.

My life has never been more physically limited than it has been during these last three years. Yet I feel that in this time I have cleared the decks, as it were, and prepared myself for fresh action. It will be the action of a free man. What this action will be I cannot say. I used to think of journalism; sometimes I used to think of a job with the UN. But these were attractive only to a harassed man. I might go into business again. Or I might spend the next ten years working on a history of the British Empire. I cannot say. Yet some fear of action remains. I do not wish to be re-engaged in that cycle from which I have freed myself. I fear to be continually washed up on this city.

Nine or ten months ago, when I was writing about my marriage and had written myself back into my aching love for Sandra, I used to ask myself what I would do if suddenly one day, from behind my pillar, I saw her enter the dining-room alone. I know of course what I would have done then: the question was no more than a wish. But now I find I have gone back to something closer to my original view. I once again see my marriage as an episode in parenthesis; I see all its emotions as, profoundly, fraudulent. So writing, for all its initial distortion, clarifies, and even becomes a process of life.

I do not believe I exaggerate either about Sandra or my mood. Last Saturday there was much excitement in the hotel. We, through our lord and lady, were being honoured by the attendance of a young but distinguished financier at the local branch dinner of some international brotherhood. The dinner took place in one of the upper rooms reserved for wedding luncheons. We, staff and faithful in the dining-room, studied the guests as they were received and went up the stairs. Our guest of honour arrived, with his wife. Lady Stella. I pulled my face behind the pillar and studied Garbage bringing his two-pronged knife down on the struggling cheese. Dixi.

August 1964 — July 1966