V. Naipaul - The Mimic Men

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A profound novel of cultural displacement, The Mimic Men masterfully evokes a colonial man’s experience in a postcolonial world.
Born of Indian heritage and raised on a British-dependent Caribbean island, Ralph Singh has retired to suburban London, writing his memoirs as a means to impose order on a chaotic existence. His memories lead him to recognize the paradox of his childhood during which he secretly fantasized about a heroic India, yet changed his name from Ranjit Kripalsingh. As he assesses his short-lived marriage to an ostentatious white woman, Singh realizes what has kept him from becoming a proper Englishman. But it is the return home and his subsequent immersion in the roiling political atmosphere of a newly self-governed nation that ultimately provide Singh with the necessary insight to discover the crux of his disillusionment.

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Even then I did not ask myself whether a return to Isabella was necessary. I wished only to delay it, to make a detour, to have a momentary escape. To recover my calm and that limpid vision of the world: this was now all my concern. Everything else dwindled: Stella, Isabella and what awaited me there. I was a student in the city again. I needed new sights, new landscapes, an unfamiliar language. Northern Spain in a snowstorm, the brown earth whitening, the light suddenly grey; Provence on a sunny morning, green and yellow and hazy, the big Wagon-Lit coffee cup kept steady by a heavy spoon.

Stopover: the word from the airline advertisements came to me. Not easy at this stage. But my frenzy ignored rebukes and overcame difficulties. And a few hours later I was walking, as in a dream, through the streets of a city, I thought I didn’t know, which yet now revealed little points of familiarity, abrupt half-remembered areas: so that reality was disturbed, sounds curiously muted, and for stretches I had the sensation of witnessing and performing actions for the second, third, fourth time. I drank the drinks I had first tasted twelve years before, nibbled at the same savouries; they rested as heavily on my stomach. A glimpse of sawdust on a tiled floor of a familiar pattern, the eye-straining fluorescent light in a dark corner, a face, snatches of conversation in a language I could only partly follow: my disturbance was complete. For the second time that day I was frantic with airline officials. But there were no aeroplanes to Isabella that day. Tomorrow, yes: a fresh sticker was gummed to my ticket. Sixteen intransit hours awaited me.

I went into bookshops and looked through expensive, difficult-to-handle editions of the country’s classics until assistants became over-attentive. Then even the shops closed and the streets had nothing to hold me. I dawdled about the hotel, in the lounge, in my room. On the cream-coloured plastic bell-push a flat-footed maid stared placidly and a slender steward raced, tray aloft, coat tails flying. Promise of delight! I rang for snacks I didn’t want and drinks I couldn’t finish. I exhausted the services of the hotel. I had a bath and got into bed. After some time I got out of bed. It was only nine o’clock. I dressed with an effort, and went out into the streets.

I took small drinks from tired barmen in little tiled bars; each drink added to the weight in my stomach. A conjunction of streets, a building, a slope, a turning: a remembered area. A woman walked slowly ahead of me and turned into a café entrance. Memory stirred. I followed the woman through the revolving door. I was strained with more than drink; I was exhausted; it was the last thing I was looking for. But my stomach lightened with an old excitement. I felt I had been guided to this place: the light, the low tables and low chairs, the slender half-filled glasses, the solitary intense young men in double-breasted suits, the carefully made-up women, in twos and threes, so cool, concealing such skills, such energy.

It is for faces I go on such occasions. The body doesn’t interest me, one body being so much like another. The excitement I feel is enough; what follows is perversity or, oddly, duty. I went for a fresh, appealing, witty face, unusually thin for the country, though to this face was attached a body as plump as any. She was friendly and gentle, as such women invariably are; and as we left the café on foot for the hotel she chatted of this and that with such ease that the observer might have believed we were old friends. Her good humour was not out of place even in the hotel. The thin elderly lady at the desk, though businesslike and brisk in her starched apron, greeted my companion effusively. She said it was good to see my companion again, and looking so well; was she better? My companion replied that she was. The lady at the desk, studying the register I had signed, said that she was not surprised; she playfully reproached my companion with her earlier despair and said that in all circumstances we would be wiser to leave everything in the hands of God. And so we went up the dimly-lit carpeted stairs. No word had been said to me, it being the gracious custom of the ladies of these hotels to pay no attention to the clients of their clients. My smiling companion, appreciating my unspoken alarm at the talk of illness, explained that she had been slimming. Making a face of satire, and holding her hands wide apart, she said she had been fat, oh, but enormous.

The curtained room was warm; red-shaded bedside lamps made it cosy; at the same time it was somewhat surgical with its white, polished wash-basin, two small towels lying across its spotless bidet, and other towels lying neatly folded on the edge of the bed. I paid my companion the sum we had laughingly agreed on in the café. She stroked my cheek and said she didn’t like taking money beforehand — it was modern and rapacious — but she had had unpleasant experiences. Her courtliness delighted me. She left the room, doubtless to hand over some fraction of the sum I had given her to the lady of the hotel; I heard animated conversation between them. Presently my companion returned, somewhat out of breath, apologizing as to a child for her absence. I had undressed and was lying on the bed. I was beginning to know the depth of my exhaustion. Whatever excitement I had felt on entering the cosy, surgical room had subsided; and the smiling willingness of the young girl to please — I now saw that she was young — seemed remote, slightly touching, slightly absurd.

Without her outer garment — which she hung carefully over the back of the chair — she all at once appeared bigger than I had thought. She exceeded the generous standards of the country. Her arms were wide and slack. Her breasts had been pulled tightly upwards and flattened against her chest; even so they had appeared full and large. Now, with a sigh from my companion that turned into a laugh, these breasts were released. They cascaded heavily down. They were enormous, they were grotesque, empty starved sacks which yet contained some substance at their tips, where alone they had some shape. She unbound, untied, released herself. Flesh, striped, indented, corrugated, fell helplessly about her. Below those breasts, wide flabby scabbards which hung down to her middle, her dimpled, loose belly collapsed; flesh hung in liquid folds about her legs which quivered like risen dough. She was ghastly, tragic, a figure from hell with a smiling girl’s face, the thin starved face of the slimmer. Tormented by flesh, she offered knowledge of flesh. Fat, fat, she kept on saying, smiling, tragic; and courtesy, compassion answered for me, No, no. I knew I would never touch; and I feared being touched. Yet I never moved. Flesh, flesh, I thought: how could I disdain? How could I even judge? She lifted herself off the bidet and sat on the bed, liquescent flesh running laterally, her breasts touching what passed for thighs. I closed my eyes and waited.

No damp, flat, smothering embrace came; only the softest of words, the sweetest of breaths, a brushing — of those breasts? — against my nipples, the barest touch of a fingernail circling my areola. I never touched; my hands still lay at my side. Yet I was already turning in on myself; judgement was disappearing. Nails, tongue, breath and lips were the instruments of this disembodied probing. Two light lines drawn down my chest, a quick tongue against the side of my belly, and my tense abdominal muscles quivered, rippled, liquefied. The probing went lower; no effort of concentration was now required, no need to shut out the world, the liquid sighs and sounds. Judgement disappeared, I was all painful sensation. Flesh, flesh: but my awareness of it was being weakened. I was turned over on my belly. The probing continued, with the same instruments. The self dropped away, layer by layer; what remained dwindled to a cell of perception, indifferent to pleasure or pain; neutral perception, finer and finer, having validity, existing only because of that probing which, growing fainter, yet had to be apprehended, because it was the only proof of life: fine perception reacting minutely only to time, which was also the universe. It was a moment that was extended and extended and extended. There could be no issue; it was a moment which, when release without fruition came and perception widened again, defined itself as an extended moment of horror. It is a moment that has remained with me. After three years I can call it back at will: that moment of timelessness, horror, solace. The Highway Code! Through poor, hideous flesh to have learned about flesh; through flesh to have gone beyond flesh.

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