V. Naipaul - The nightwatchman's occurrence book - and other comic inventions

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V. S. Naipaul’s legendary command of broad comedy and acute social observation is on abundant display in these classic works of fiction — two novels and a collection of stories — that capture the rhythms of life in the Caribbean and England with impressive subtlety and humor.
The Suffrage of Elvira
Mr. Stone and the Knights Companion
A Flag on the Island

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In a choked voice Hari said, ‘Come.’

The puppy raised its ears.

Hari smiled and tried to whistle.

Hesitantly, his legs bent, his back curved, the puppy came. Hari stroked his head until the puppy stood erect. Then he held the muzzle with both his hands and squeezed it hard. The puppy yelped and pulled away.

‘Hari!’ He heard his mother’s voice. ‘Your father is nearly ready.’

He had had no lunch.

‘I have no appetite,’ Hari said. They were words his father often used.

She asked about the broken bowl and the food scattered about the yard.

‘We were playing,’ Hari said.

She saw his hand. ‘Those animals don’t know their own strength,’ she said.

*

It was his resolve to get the puppy to allow himself to be stroked while eating. Every refusal had to be punished, by beating and stoning, imprisonment in the cupboard below the stairs or imprisonment behind the closed windows of the car, when that was available. Sometimes Hari took the puppy’s plate, led the puppy to the lavatory, emptied the plate into the toilet bowl and pulled the flush. Sometimes he threw the food into the yard; then he punished the puppy for eating off the ground. Soon he extended his judgement to all the puppy’s actions, punishing those he thought unfriendly, disobedient or ungrateful. If the puppy didn’t come to the gate when the car horn sounded, he was to be punished; if he didn’t come when called, he was to be punished. Hari kept a careful check of the punishments he had to inflict because he could punish only when his parents were away or occupied, and he was therefore always behindhand. He feared that the puppy might run away again; so he tied him at nights. And when his parents were about, Hari was enraged, as enraged as he had been by that licking of the oily lips, to see the puppy behaving as though unaware of the punishments to come: lying at his father’s feet, yawning, curling himself into comfortable positions, or wagging his tail to greet Hari’s mother. Sometimes, then, Hari stooped to pick up an imaginary stone, and the puppy ran out of the room. But there were also days when punishments were forgotten, for Hari knew that he controlled the puppy’s power and made it an extension of his own, not only by his punishments but also by the complementary hold of affection.

Then came the triumph. The puppy, now almost a dog, attacked Hari one day and had to be pulled back by Hari’s parents. ‘You can never trust those dogs,’ Hari’s mother said, and the dog was permanently chained. For days, whenever he could get the chance, Hari beat the dog. One evening, when his parents were out, he beat the dog until it ceased to whine. Then, knowing he was alone, and wishing to test his strength and fear, he unchained the dog. The dog didn’t attack, didn’t growl. It ran to hide among the anthurium lilies. And after that it allowed itself to be stroked while it ate.

Hari’s birthday came again. He was given a Brownie 6-20 camera and wasted film on absurd subjects until his father suggested that a photograph should be taken of Hari and the dog. The dog didn’t stand still; eventually they put its collar on and Hari held on to that and smiled for the camera.

Hari’s father was busy that Friday and couldn’t drive Hari home. Hari stayed at school for the meeting of the Stamp Club and took a taxi home. His father’s car was in the drive. He called for the dog. It didn’t come. Another punishment. His parents were in the small dining-room next to the kitchen; they sat down to tea. On the dining table Hari saw the yellow folder with the negatives and the prints. They had not come out well. The dog looked strained and awkward, not facing the camera; and Hari thought he himself looked very fat. He felt his parents’ eyes on him as he went through the photographs. He turned over one photograph. On the back of it he saw, in his father’s handwriting: In memory of Rex. Below that was the date.

‘It was an accident,’ his mother said, putting her arms around him. ‘He ran out just as your father was driving in. It was an accident.’

Tears filled Hari’s eyes. Sobbing, he stamped up the stairs.

‘Mind, son,’ his mother called, and Hari heard her say to his father, ‘Go after him. His heart. His heart.’

1960

The Baker’s Story

LOOK AT ME. Black as the Ace of Spades, and ugly to match. Nobody looking at me would believe they looking at one of the richest men in this city of Port-of-Spain. Sometimes I find it hard to believe it myself, you know, especially when I go out on some of the holidays that I start taking the wife and children to these days, and I catch sight of the obzocky black face in one of those fancy mirrors that expensive hotels have all over the place, as if to spite people like me.

Now everybody — particularly black people — forever asking me how this thing start, and I does always tell them I make my dough from dough. Ha! You like that one? But how it start? Well, you hearing me talk, and I don’t have to tell you I didn’t have no education. In Grenada, where I come from — and that is one thing these Trinidad black people don’t forgive a man for being: a black Grenadian — in Grenada I was one of ten children, I believe — everything kind of mix up out there — and I don’t even know who was the feller who hit my mother. I believe he hit a lot of women in all the other parishes of that island, too, because whenever I go back to Grenada for one of those holidays I tell you about, people always telling me that I remind them of this one and that one, and they always mistaking me for a shop assistant whenever I in a shop. (If this thing go on, one day I going to sell somebody something, just for spite.) And even in Trinidad, whenever I run into another Grenadian, the same thing does happen.

Well, I don’t know what happen in Grenada, but mammy bring me alone over to Trinidad when she was still young. I don’t know what she do with the others, but perhaps they wasn’t even she own. Anyway, she get a work with some white people in St Ann’s. They give she a uniform; they give she three meals a day; and they give she a few dollars a month besides. Somehow she get another man, a real Trinidad ’rangoutang, and somehow, I don’t know how, she get somebody else to look after me while she was living with this man, for the money and the food she was getting was scarcely enough to support this low-minded Trinidad rango she take up with.

It used to have a Chinee shop not far from this new aunty I was living with, and one day, when the old girl couldn’t find the cash no how to buy a bread — is a hell of a thing, come to think of it now, that it have people in this island who can’t lay their hands on enough of the ready to buy a bread — well, when she couldn’t buy this bread she send me over to this Chinee shop to ask for trust. The Chinee woman — eh, but how these Chinee people does make children! — was big like anything, and I believe I catch she at a good moment, because she say nothing doing, no trust, but if I want a little work that was different, because she want somebody to take some bread she bake for some Indian people. But how she could trust me with the bread? This was a question. And then I pull out my crucifix from under my dirty merino that was more holes than cloth and I tell she to keep it until I come back with the money for the bake bread. I don’t know what sort of religion these Chinee people have, but that woman look impressed like anything. But she was smart, though. She keep the crucifix and she send me off with the bread, which was wrap up in a big old châle-au-pain, just two or three floursack sew together. I collect the money, bring it back, and she give me back the crucifix with a few cents and a bread.

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