Gregor von Rezzori - Memoirs of an Anti-Semite

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The elusive narrator of this beautifully written, complex, and powerfully disconcerting novel is the scion of a decayed aristocratic family from the farther reaches of the defunct Austro-Hungarian Empire. In five psychologically fraught episodes, he revisits his past, from adolescence to middle age, a period that coincides with the twentieth-century’s ugliest years. Central to each episode is what might be called the narrator’s Jewish Question. He is no Nazi. To the contrary, he is apolitical, accommodating, cosmopolitan. He has Jewish friends and Jewish lovers, and their Jewishness is a matter of abiding fascination to him. His deepest and most defining relationship may even be the strange dance of attraction and repulsion that throughout his life he has conducted with this forbidden, desired, inescapable, imaginary Jewish other. And yet it is just his relationship that has blinded him to — and makes him complicit in — the terrible realities his era.
Lyrical, witty, satirical, and unblinking, Gregor von Rezzori’s most controversial work is an intimate foray into the emotional underworld of modern European history.

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The Black Widow treated me with an insulting arrogance that was not outdone by the owners of the elegant boutiques around the Hotel Athenée-Palace. But while I had gradually developed a thick skin against their insolence, her impertinence here, in the humble Jewish district, around the whorehouses of Crucea de Piatră, made me livid. This time, too, she received me like a bothersome shnorrer . And had it not been too late to drive to other drugstores and try my luck there, I would have wordlessly turned my back and gone my way. But then, perhaps out of sheer weariness, she abruptly, albeit still very ungraciously, condescended to allow me to remove a dusty arrangement made by our bitterest rival (world famous for their lanolin cream) and to replace it with one of our artworks publicizing lily-of-the-valley soap.

The day was now swiftly drawing to its end. Along with the twilight, something tormentingly uncertain descended into the world. I was struck — I can still feel it today — by a mournfulness, as though I were utterly orphaned. Like an abrupt pain, I felt homesickness: for home, for the Bukovina, where I had loved this hour just before darkness so much that I had always run out of the house and into the countryside, into that abstract, lilac-colored light. Its lower part would be awhirr with flitting bats and smoky with the dust of darkness, while the night wind wafted the fragrance of hay from distant meadows into my face; and before me the enormous source of night, where, toward Galicia, the flat earth fanned out to melt cosmically into the heavens. I had always been bewildered by the forlornness of the settlements in this landscape under this deeply nocturnal sky, the frailty of the blinking lights, those poor man’s stars behind the battered sheet-metal blinds. The light bulbs ruthlessly exposed the stark walls and crooked eaves of the sad little petit bourgeois houses, pulled them out of the swelling and thickening darkness, deprived them of mystery and thrust them into reality, while the surrounding world subsided into the dramatics of creation myths. Few things touched my heart so keenly as the desperate intimacy of a window shining golden yellow in the hard, bluish, whitewashed wall of a Jewish shack at the entrance of such a village.

Now, here, the eternal carnival of the red-light streets in Văcăreşti was still churning away; it kept going on all the more spookily, just a few blocks away, under the radiant street lamps — I still had the tumult at the bottom of my eyes. And now the same forlornness as outside, in the flat land, was descending upon the Jewish district all around me. The city and its hurly-burly, the evening swarm of people into the streets and avenues, the strings of light, the tumbles of light, the cascades of light overhead — all these things were meaningless; they were only a haunted world, a carnival of the bereft and desperate, lost under the enormous sky that was giving birth to the night.

I felt and thought all this while doing my job with an anger turned against myself. I had only barely cleaned the display window — it was still filthy — and now I was putting together the publicity material for Aphrodite, no doubt deploying more awkwardness than artistry. I was furious at this woman, this Jew, this huckster of notions; forlorn and bereft in her stony widowhood, she belonged in one of those Galician shtetls. Her arrogance, too, would have been more appropriate there than here. I owed it to my own stupidity that I was doing such low donkey’s work for someone like her and being treated like a peddler.

Scornfully imitating an artist who steps away from his easel to check his masterpiece, I backed off after setting up the last carton of soap — and suddenly blacked out. When I came to an instant later, I found myself in darkness between sacks of coal and oil drums. I had failed to notice an open cellar trapdoor behind me, and my artist’s step had led me into the void and plunged me into the depths.

I was quickly on my feet again, checking as a matter of course that nothing was broken and that my fall had not been too hard. And then I looked up. A ladder had softened the impact, and I scrambled up the rungs. Arriving at the top, I still felt a bit numb, but just for a moment. I needed only to make sure that my clothes had not been messed up.

I was absolutely amazed to find the Black Widow in a panic bustling around me, touching me, feeling me up, knocking the dust off my jacket and stammering unintelligibly as though she were the one who had tumbled into the cellar and not I. Laughing, I calmed her down. A minor, trivial accident, a clumsy action on my part, at the very moment when I had been thinking what a stupid person I was — funny, wasn’t it — she didn’t have to worry; nothing had really happened ….

But she was beside herself with fear and terror. She was probably afraid of being sued for negligence — I couldn’t think of any other reason for her being in such a state. It was well known that the Rumanian authorities were not exactly merciful with Jews who got on the wrong side of the law; normally, the mere mention of the police was enough to make a Jew’s face turn gray. What if I had broken something, for instance my back, and were still lying down there, dead? Or if, although uninjured, I thought of bringing charges against her? They always expected some calamity, these Jews.

Still, her excitement was peculiar. She babbled away and kept feeling me up to see if any part of me was harmed. Finally, she found a smudge on my jacket and demanded that I take it off so that she could clean it instantly. Then she thought of more important necessities, and, even though I staunchly protested and tried in every way to calm her down, she forced me into a back room, where I had to stretch out on a sofa. She ran off — to get a glass of water or a cognac or even smelling salts.

I must have suffered at least a minor shock, or perhaps I had drunk too much raki and black coffee on an empty stomach earlier in the afternoon. In those days, I ate next to nothing, in order to keep my weight down; I was investing as many lunacies in the dream of becoming a riding champion as I had in the old one of becoming a great artist. Be that as it may — by the time the Black Widow returned, I must have dropped off into a temporary stupor, for I was just coming to when I felt her stroking my cheek; she seemed almost unconscious with fear, kneeling by the sofa, holding my head, her fingers in my hair, caressing me and stammering, “My little boy! My darling! My baby!”

When I put my arms around her, I did it almost instinctively; I had no choice: there was such ardent motherliness in her face, such total identification of her existence with mine, her essence with mine, that it pulled me into her. She was no longer a near stranger whom I barely knew by sight, a notoriously inhibited woman, a pathologically callous person who, just a few minutes before, had made her contempt for me crystal clear (which had been so insolent, downright provocative, when one thought of who and what she really was, with her dumpy Jewish shop next to the hooker district of Văcăreşti). No, at the moment she was the human embodiment of feminine goodness and warmth, the materialization of pure understanding, such as only women can produce, because they alone are capable of giving birth to another human being, creating another human creature through their bodies, flesh of their flesh, blood of their blood, spirit of their spirit. That was why she was the great absolver, the mother of mankind, the cosmic birth-giver, the womb of all life, in which the tormented living creature found its way from its loneliness into being one with the other ….

When I put my arms around her to draw her to me, her eyes widened in horror, as though she had beheld the depth and core of all evil. She made an involuntary movement to repel me. But then I witnessed a surprising change; I could only guess at what it was: the marvelous fulfillment of a dream she would never have expected to come true, the sudden transformation of an age-old fear into joy…. In any case, it was very beautiful: her dramatic face, the “Andalusian face,” as I was to call it later in tender moments, was flooded with happiness more blissful than all desire — and so powerful that it tore a moan out of her.

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