David Grossman - To the End of the Land

“When Talia left Ofer — I guess my boys always get deserted; so they did inherit something from me after all. But wait, I have to explain that Adam never had a serious girlfriend, I mean a true love, before Ofer had Talia. And think about that. Two boys like them, they’re not that bad, are they? They’re definitely a catch, but neither of them had a girlfriend until a pretty late age. Think about us at their age. Think about you.”

Of course he already has. She sees in his face that he is instantly there, at seventeen and nineteen and twenty-two. Buzzing around her like mad, but at the same time pursuing every other girl he laid eyes on. She could never understand his taste in girls, and he found every one of them worthy of his undying love. Each grew greater and more beautiful in his eyes, even the stupidest and ugliest ones, and especially the ones who scorned and tormented him. “Remember how …,” she starts, and he shrugs his shoulders in embarrassment. Of course he remembers. She thinks about his efforts to enchant, to seduce, and how he would hollow out his soul for them, humiliate himself, stammer, blush, and then poke fun at himself: “What am I? Nothing more than a hormonal fermentation bacterium.” And now, thirty years later, he still has the nerve to argue with her: “It was all because you didn’t want me. If you’d said yes right away, if you hadn’t tortured me for five years before giving in, I wouldn’t have needed that whole march of folly.”

She hoists herself up on her elbows. “I didn’t want you?”

“Not the way I wanted you. You wanted Ilan more; I was just the zest.”

“That’s not true. That’s really inaccurate, it’s a lot more complicated than that.”

“You didn’t want me, you were afraid.”

“What did I have to be afraid of?”

“You were afraid, Ora, because the fact is you gave up on me in the end. You gave up. Admit it.”

They both sit quietly. Her face is flushed. What can she tell him? She couldn’t even explain it to herself back then. When she was with him for that one year, she sometimes had the feeling that he was flushing through her en masse, like a whole army. What can she tell him? After all, she wasn’t even always convinced it was her he loved so much, that she was the one creating that love storm. Perhaps it was someone he had once fantasized about, and he just kept on daydreaming her with all his creative powers. She also suspected that simply because he had fallen in love with her once, in a hasty, crazy moment, in the isolation ward, he would never admit, not even to himself, that she wasn’t right for him. With his peculiar, Quixotic chivalry, he would never go back on his resolution. (But how could she have told him that at the time? She hadn’t even had the courage to say it to herself, as she was doing now.) Sometimes she felt like a mannequin on which he constantly piled more and more colorful outfits that only underscored her dryness, her diminution, her narrowness. But every time she told him, full of sorrow and a broken heart, a little of what she felt, he was deeply insulted, amazed at how little she knew herself and him, at how she could hurt the most beautiful thing he had ever had in his life.

Why does everything have to be so exaggerated with him? Why does everything have to have such force? she used to wonder. And then she’d feel ashamed, and she’d think of the girl who jumped out of his bed because he was too intimate for her. She also often felt that he had so much love and passion that he was invading her, raging inside her body and soul like an oversized carnivorous puppy, without even imagining how much it pained her and ripped her apart. At times he would look into her eyes so intently. There were no words to describe what was in his eyes at those moments. And it didn’t necessarily occur in times of passion. Usually it came after the passion. He would look at her with such exposed, piercing, almost mad love, and she would teasingly touch his nose, or giggle, or make a funny face, but it was as if he did not sense her embarrassment. His face would take on a strange expression, imploring her for something she did not understand, and for one long moment he would sink into her eyes without taking his look off hers, and he was like a massive, shadowy body drowning in dark liquid, and he would gradually disappear as he looked at her, and her eyes would slowly close and cover him inside them, sheltering from herself, too. She could no longer look, and yet she did, and she saw his gaze emptying to reveal something else, something skeletal and terrible, with no end. He would dive deep inside her, hold her tight against his body, clutch her until she almost choked in his grip, and every so often he shuddered powerfully as though he had absorbed something from her that he could not tolerate. She did not know what was there, what she’d given him, what she’d received.

“I couldn’t be with you,” she says simply.

The sun sets slowly, and the earth gives off a fresh, steaming scent of insides. Ora and Avram lie motionless in their nest on the field. Above them the sky mingles with the various evening blues. Take a hat and put two slips of paper in it. No, you don’t have to know what you’re drawing lots for. You’re allowed to guess, but do it silently. And quickly. Ora, they’re waiting for us, there’s a command car outside. Now pick one out. Did you do it? Which one? Are you sure?

Her face grows long in the shadows. She shuts her eyes. Which one did you pick? And which one did you want to pick? And which one did you really pick? Are you sure? Are you really sure?

“Listen, I just couldn’t breathe. You were too much for me.”

“How could it be too much?” Avram asks quietly. “What is too much when you love someone?”

“Adam and Ofer were so lazy, it took them forever to find girlfriends,” she tells Avram the next day, walking through Switzerland Forest. “They spent almost all their time with each other, always shared a room. They refused to be separated until finally, when Adam was about sixteen, we gave them separate rooms. We thought it was time.”

“Where did you put the rooms?”

Ora hears the flicker in his voice and tenses. “In … you know, downstairs, where the storage room was. That basement? Where your mother’s Singer sewing machine was?”

“So you partitioned the basement?”

“With drywall, yes. Nothing major.”

“Wasn’t it too crowded?”

“No, it came out nicely. Two rooms, kind of nooks. It was great for teenagers.”

“And a bathroom?”

“A small one, you know, with a tiny sink.”

“What about air?”

“We put two windows in. More like peepholes. Symbolic.”

“Yes,” he says thoughtfully. “Sure.”

When he’d finished all his treatments and surgeries and hospitalizations, Avram had decided he didn’t want to go back to his mother’s house in Tzur Hadassah. Not even to visit. Ilan and Ora, with help from Ora’s parents, and loans and a mortgage, bought the house from Avram. They made a point of buying it at a higher price than its real value — much higher, Ilan liked to stress whenever the topic came up — and they followed all the rules and carried out the transaction through a lawyer who had been a friend of Avram’s from before. But Ora — and perhaps Ilan too, although he always denied it — never forgave herself for that heartless act, for their prolonged torment of him (there, she’s finally said it to herself), which ended only when she and Ilan moved to Ein Karem. Now, faced with his pained look, as though blinded by the attempt to follow the innovations and changes in the home that was once his, she can hardly resist giving him the list of rationales that are always on the tip of her tongue, ready for use: everything was done with the best of intentions, thinking only of his needs; they wanted to save him from having to deal with buyers and agents; they really thought he’d feel better if he knew that in some way the house was staying in the family. But they purchased his house from him (at full price, yes, at an excellent price), and they lived their lives in it, she and Ilan and Adam and Ofer.