Anthony Powell - A Buyers Market

Over by the window, Margaret Budd, a beauty, was talking to Pardoe, a Grenadier; and laughing while he demonstrated with a small shovel taken from the fireplace a scooping shot, successful or the reverse, that he, or someone known to him had recently performed on the links. When she laughed, Margaret looked like an immensely — almost ludicrously — pretty child. She was, as it were, the female equivalent of Archie Gilbert: present at every dance, always lovely, always fresh, and yet somehow quite unreal. She scarcely spoke at all, and might have been one of those huge dolls which, when inclined backwards, say “Ma-ma” or “Pa-pa”: though impossible to imagine in any position so undignified as that required for the mechanism to produce these syllables: equally hard to conceive her dishevelled, or bad-tempered, or, indeed, capable of physical passion — though appearances may be deceptive in no sphere so much as the last. Never without a partner, usually booked up six or seven dances ahead, this was her third or fourth season — so Barbara had once pointed out — and there had, as yet, been no sign of her getting engaged. “Margaret is rather a Guardee’s girl,” Barbara had added, evidently intending the label to imply no great compliment in her own eyes.

Widmerpool’s presence reminded me that Margaret was cousin of the Budd who had been Captain of the Eleven one year at school; and I remembered the story Stringham had told me, years before, of Widmerpool’s pleased acceptance — delight almost — on being struck in the face with a banana thrown by that comparatively notable cricketer. I could not help toying with the fantasy that some atavistic strain, deep-seated in the Budd family, might cause Margaret to assail Widmerpool in similar manner; perhaps later in the evening when dessert, tempting as a missile, appeared at the Walpole-Wilson’s table. Such a vision was improbable to an almost infinite degree, because Margaret was the kindest, quietest creature imaginable; really, I think, almost wholly unaware, in gentle concentration on herself, of the presence of most of the people moving about her. Even her laughter was rare, and its audible provocation before dinner that evening by his strokes in the air with the shovel did Pardoe credit.

From a girl’s point of view, there was no doubt something to be said for considering Pardoe the most interesting person present that evening. He had recently inherited a house on the Welsh Border (Jacobean in architecture, though with more ancient historical associations going back to the Wars of the Roses), together with enough money, so it was said, to “keep up” the estate. He was an agreeable, pink-faced ensign, very short, square, and broad-shouldered, with a huge black moustache, brushed out so forcibly that it seemed to be false and assumed for a joke. Such affluent young men were known to have a tendency to abandon dances and frequent night-clubs. Pardoe, however, was still available, so it appeared; no one could tell for how long. Unlike Archie Gilbert, he had a great deal to say for himself — though his newly acquired possessions made small-talk scarcely necessary — and, as he modestly treated his own appearance as a matter for laughter, the moustache was a considerable asset in his anecdotes. He had at last abandoned the shovel, and, mildly interested in music had become engaged in some operatic argument with Miss Manasch. To this discussion Sir Gavin, from the background where he had been hovering, his moustache bristling more than ever, now cut in with the emphatic words:

“No one could sing it like Slezak.”

“Did you ever hear him in Lohengrin ?” demanded Pardoe, taking the ends of his own moustache with both hands, as if about to tear it off and reveal himself in a new identity.

“Many a time and oft,” said Sir Gavin, defiantly. “But what was that you were saying about ldomeneo ?”

All three of them embarked clamorously on a new musical dispute. The rest of us chatted in a desultory way. Barbara arrived late. She was wearing her gold dress that I knew of old did not suit her; and that spirit of contradiction that especially governs matters of the heart caused the fact that she was not looking her best to provoke in me a stab of affection. Even so, I was still able to wonder whether the situation between us — between myself and her, would perhaps be more accurate — remained quite unchanged; and, as I let go of her small cluster of fingers — each one of which I was conscious of as a single entity while I held her hand — I thought that perhaps that night I should not, as in past months, experience the same recurrent torments as she danced with other men. As soon as she had come into the room, Widmerpool skirted the sofa and made towards her, leaving me with the impression that I might in some manner have appeared unfriendly to him after our comparative intimacy in France, I decided to try to correct this apprehension, should it exist, later in the evening when suitable opportunity might arise.

The minutes passed: conversation flagged. The Louis Seize clock standing on a wall-bracket gave out a threatening tick-tock. One of the male guests had still not yet turned up. In those days, at that sort of party, there were no drinks before dinner; and, while Eleanor told me about her Girl Guides, the evening sun deflected huge golden squares of phosphorescent colour (spread rather in the manner advocated by Mr. Deacon, giving formal juxtaposition to light and shade) against the peacock-green shot-silk shadows of the sofa cushions. Outside, the detonation of loudly-slammed taxi doors, suggesting the opening of a cannonade, had died down. In place of those sounds some cats were quarrelling, or making love, in the gardens running the length of the square. I began to long for the meal to begin. After total silence had fallen on the room for the second time, Lady Walpole-Wilson, apparently with an effort, for her lips faltered slightly when she spoke, came to a decision to await the late-comer no further.

“Let’s go down in a troop,” she said, “and — as Mr. Tompsitt is so unpunctual — not bother about ‘taking in’. I really do not think we can delay dinner any longer.”

In speaking to each other the Walpole-Wilsons were inclined to give an impression that they were comparative strangers, who had met for the first time only a week or two before, but at this remark her husband, no doubt wanting food as much as — perhaps even more than — the rest of those present, replied rather gruffly: “Of course, Daisy, of course.”

He added, without any suggestion of complaint — on the contrary, if anything, with approbation: “Young Tompsitt is always late.”

The news that Tompsitt had been invited would once have filled me with dismay. Even at that moment, sudden mention of his name caused an instinctive hope that his absence was due to illness or accident, something that might prevent him from putting in any appearance at all, preferably grave enough to exclude him from dances for many months: perhaps for ever. He was one of various young men moving within Barbara’s orbit whose relationship with her, though impossible to estimate at all precisely, was yet in a general way disturbing for someone who might have claims of his own to put forward in that quarter. In that respect Tompsitt’s connection was of a particularly distasteful kind in that Barbara evidently found him not unattractive; while his approach to her, or so it seemed to me, was conditioned entirely by the ebb and flow of his own vanity: no inconsiderable element when gauged at any given moment, though laying a course hard for an unsympathetic observer to chart. That is to say he was obviously flattered by the fact that Barbara found him, apparently, prepossessing enough; and, at the same time, not sufficiently stirred within himself to spend more than comparatively brief spells in her company, especially when there were other girls about, who might be supposed, for one reason or another, to represent in his eyes potentially superior assets.