Anthony Powell - A Buyers Market

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Anthony Powell's universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London. Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published-as twelve individual novels-but with a twenty-first-century twist: they're available only as e-books. The second volume, A Buyer's Market (1952), finds young Nick Jenkins struggling to establish himself in London. Amid the fever of the 1920s, he attends formal dinners and wild parties; makes his first tentative forays into the worlds of art, culture, and bohemian life; and suffers his first disappointments in love. Old friends come and go, but the paths they once shared are rapidly diverging: Stringham is settling into a life of debauchery and drink, Templer is plunging into the world of business, and Widmerpool, though still a figure of out-of-place grotesquerie, remains unbowed, confident in his own importance and eventual success. A Buyer's Market is a striking portrait of the pleasures and anxieties of early adulthood, set against a backdrop of London life and culture at one of its most effervescent moments.

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“For lust of knowing what we should not know,” he was fond of intoning, “we take the Golden Road to Samarkand.”

This quotation may have offered to his mind some explanation of human adversity, though scarcely applicable in his own case, as he was a man singularly lacking in intellectual curiosity, and it was generally supposed that the inopportune step in his career had been the result of too much caution rather than any disposition to experiment in that exploration, moral or actual, to which the lines seem to refer. That trait, as it happened, was more noticeable in his wife. She was one of the two daughters of Lord Aberavon, a shipping magnate, now deceased, to whom, as I had discovered in due course, Boyhood of Cyrus had once belonged; Mr. Deacon’s picture, for some inexplicable reason, being almost the sole residue from wholesale disposal on the collector’s death of an accumulation of paintings unsympathetic to the taste of a later generation. Lady Walpole-Wilson suffered from “nerves,” though less oppressively than her sister, Barbara’s mother, who even regarded herself as a semi-invalid on that account. Indeed, I had scarcely ever seen Lady Goring, or her husband: for, like his niece, Eleanor, Lord Goring shunned London whenever possible. He was said to be an expert on scientific methods of cultivation, and possessed an experimental fruit farm that was, I believe, rather famous for daring methods.

Uncle Giles was fond of calling people richer or in a general way more advantageously placed than himself, against whom he could at the same time level no specifically disparaging charge, “well connected enough, I don’t doubt,” a descriptive phrase which he would sometimes indiscriminately apply; but I suppose that the Gorings might truthfully have been so labelled. They used to take a house in Upper Berkeley Street for the first part of the summer, though dinner-parties were rare there, and not as a rule convivial. Most of the responsibility for Barbara’s “season” fell on her aunt, who probably regarded her niece’s lively character as an alleviation of difficulties posed by her own daughter, rather than any additional burden on the household.

Lady Walpole-Wilson, for whom I felt a decided affection, was a tall, dark, distinguished-looking woman, with doe-like eyes, to whose appearance some vice-regal or ambassadorial marriage seemed appropriate. Her comparative incapacity to control her own dinner-parties, at which she was almost always especially discomposed, seemed to me a kind of mute personal protest against circumstances — in the shape of her husband’s retirement — having deprived her of the splendours, such as they were, of that position in life owed to her statuesque presence; for in those days I took a highly romantic view, not only of love, but also of such things as politics and government: supposing, for example, that eccentricity and ineptitude were unknown in circles where they might, in fact, be regarded — at least so far as the official entertaining of all countries is concerned — almost as the rule rather than the exception. I can now see that Lady Walpole-Wilson’s past experience may have made her aware of this tendency on the part of wives of distinguished public figures to be unable, or unwilling, to make suitable hostesses: a knowledge, coupled with her natural diffidence, that caused her to give an impression sometimes that at all costs she would like to escape from her own house: not because dispensation of hospitality was in itself in the least disagreeable to her as much as on account of accumulated memories from the past of wounded feelings when matters had “gone wrong.”

To these sentiments was no doubt added the self-inflicted embarrassment implicit in the paraphernalia of launching a daughter — and, if it could be remarked without unkindness, “what a daughter”—on to an obdurate world; not to mention grappling with purely hypothetical questions, such as the enigma, universally insoluble, of what other mothers would think of the manner in which she herself, as a mother, was sustaining this load of care. In this last affliction Sir Gavin’s attitude was often of no great help, and it is hard to say whether either of them really believed that Eleanor, who had always been more or less of a “problem”—there were endless stories of nose-bleeds and headaches — would ever find a husband. Eleanor had always disliked feminine pursuits. When we had met in Paris before either of us had grown up, she had told me that she would at that moment much prefer to be staying with her cousins in Oxfordshire: an attitude of mind that had culminated in detestation of dances. This resentment, since I had known her in those early days, did not seem as strange to me as to many of the young men who encountered her for the first time at the dinner-table, where she could be both abrupt and sulky. Barbara used to say: “Eleanor should never have been removed from the country. It is cruelty to animals.” She was also fond of remarking: “Eleanor is not a bad old girl when you get to know her,” a statement unquestionably true; but, since human life is lived largely at surface level, that encouraging possibility, true or false, did not appreciably lighten the burden of Eleanor’s partners.

The Walpole-Wilsons, accordingly, provided not only the foundation, but frequently the immediate locality, also, for my association with Barbara, whom I used to meet fairly often at dances, after our walk together in the park. Sometimes we even saw a film together, or went to a matinée. That was in the summer. When she came to London for a few weeks before Christmas, we met again. By the opening of the following May I was beginning to wonder how the situation was to be resolved. Such scuffles as had, once in a way, taken place between us, on the comparatively rare occasions When we found ourselves alone together, were not exactly encouraged by her; in fact she seemed only to like an intermittent attack for the pleasure of repulsing it Certainly such aggression carried neither of us any farther. She liked ragging; but ragging — and nothing more — these rough-and-tumbles remained. “Don’t get sentimental,” she used to say; and so far as it went, avoidance of sentiment — as much as avoidance of sentimentality — appeared, on her side, a genuine inclination.

This affair with Barbara, although taking up less than a year, seemed already to have occupied a substantial proportion of my life; because nothing establishes the timeless ness of Time like those episodes of early experience seen, on re-examination at a later period, to have been crowded together with such unbelievable closeness in the course of a few years; yet equally giving the illusion of being so infinitely extended during the months when actually taking place. My frame of mind — perhaps I should say the state of my heart — remained unchanged, and dances seemed pointless unless Barbara was present. During that summer Boyhood of Cyrus developed its mystic significance, representing on my arrival in front of it a two-to-one chance of seeing Barbara at dinner. If we both ate at the Walpole-Wilsons’, she was at least under my eye. She herself was always quite unaware of the sentimental meaning thus attached to Mr. Deacon’s picture. When first asked about it, she could not for a long time make out what picture I spoke of; and once, when we were both in the hall at the same time and I drew her attention to where it hung, she assured me that she had never before noticed its existence. Eleanor was equally vague on the subject.

“Are they going bathing?” she had asked. “I don’t care for it.”

This matter of being able to establish Barbara’s whereabouts for a specific number of hours brought at least limited relief from agonies of ignorance as to what her movements might be, with consequent inability to exercise control over her in however slight a degree; for love of that sort — the sort where the sensual element has been reduced to a minimum — must after all, largely if not entirely, resolve itself to the exercise of power: a fact of which Barbara was, of course, more aware than I.

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