Anthony Powell - At Lady Molly's

He smiled to show that he did not mean to be too severe. This was, after all, the kind of subject upon which we had often disagreed in the past. There was something about Quiggin that always reminded me of Widmerpool, but, whereas Widmerpool was devoid of all æsthetic or intellectual interests, as such, Quiggin controlled such instincts in himself according to his particular personal policy at any given moment. Widmerpool would genuinely possess no opinion as to whether the view from the cottage window was good or bad. The matter would not have the slightest interest for him. He would be concerned only with the matter of who owned the land. Perhaps that was not entirely true, for Widmerpool would have enjoyed boasting of a fine view owned by himself. Quiggin, on the other hand, was perfectly aware that there might be something to be admired in the contours of the country, but to admit admiration would be to surrender material about himself that might with more value be kept secret. His role, like Widmerpool’s was that of a man of the will, a role which adjudged that even here, in giving an opinion on the landscape, the will must be exercised.

‘No,’ he said. ‘What I like in this place, as a matter of fact, is the excellent arrangement that the bath is in the scullery. Now that is realistic. Not a lot of bourgeois nonsense about false refinement. The owner had it put there quite recently.’

‘Does he live here himself?’

Quiggin smiled at this question as if it displayed an abyss of ignorance.

‘No, he doesn’t. He keeps it for lending friends — usually people with views similar to my own — our own, I should say.’

He slipped his arm round Mona’s waist. She was not won over by this attention, disengaging his hand, and making no effort to assume the comportment of a woman gifted with keen political instincts. An extreme, uninhibited silliness had formerly been her principal characteristic. Now I had the impression she had become more aware of life, more formidable than in her Templer days.

‘Your landlord is an active Leftist too, is he?’

‘Of course.’

‘You speak as if all landlords belonged automatically to the Left.’

‘We are expected to do a bit of work for him in return for living here free,’ said Quiggin. ‘That’s human nature. But everything he wants is connected with my own political life, so I did not mind that.’

‘Who is the owner?’

‘You wouldn’t know him,’ said Quiggin, smiling with a kind of fierce kindliness. ‘He is a serious person, as a matter of fact. You would not come across him at parties. Not the sort of parties you go to, at least.’

‘How do you know the sort of parties I go to?’

‘Well, he wouldn’t go to the sort of parties I used to see you at.’

‘Why? Does he go to parties only frequented by his own sex?’

Quiggin laughed heartily at that.

‘No, no,’ he said. ‘Nothing of that kind. How like you to suggest something of the sort. He is just a politically conscious person who does not enjoy a lot of gallivanting about.’

‘I believe he is going to turn out to be Howard Craggs, after all this mystery you are making.’

Quiggin laughed again.

‘I still see a certain amount of Craggs,’ he admitted. ‘His firm may be launching a little scheme of mine in the near future — not a book. Craggs is politically sound, but I prefer a publishing house of more standing than Boggis & Stone for my books.’

Since Quiggin’s books remained purely hypothetical entities, it seemed reasonable enough that their publisher should exist hypothetically too. I was tempted to say as much, but thought it wiser to avoid risk of discord at this early stage. Quiggin was evidently enjoying his own efforts to stir up my curiosity regarding his landlord and benefactor.

‘No, no,’ he said again. ‘My friend, the owner — well, as a good social revolutionary, I don’t quite know how I should describe him. He is a man of what used to be regarded — by snobs — as of rather more distinction, in the old-fashioned sense, than poor Craggs.’

‘Poor Craggs, indeed. That just about describes him. He has the most loathsomely oily voice in the whole of Bloomsbury.’

‘What has been happening in London, talking of Bloomsbury?’ asked Mona, bored by all this fencing on Quiggin’s part. ‘Have there been any parties there, or anywhere else? I get a bit sick of being stuck down here all the time.’

Her drawling, angry manner showed growing discontent, and Quiggin, clearly foreseeing trouble, immediately embarked upon a theme he had probably intended to develop later in the course of my visit.

‘As a matter of fact there was something I wanted specially to ask you, Nick,’ he said hurriedly. ‘We may as well get on to the subject right away. Mona has been thinking for some time that she might make a career as a film star. I agree with her. She has got champion looks and champion talent too. She made more than one appearance on the screen in the past — small roles, of course, but always jolly good. That gives the right experience. We thought you ought to be able to hand out some useful “intros” now that you are in the business.’

To emphasise his own enthusiasm for Mona’s talent, Quiggin renewed in his voice all the force of his former rough honesty of tone. The enquiry revealed the cause of my invitation to the cottage. Its general application was not unexpected, though I had supposed Quiggin, rather than Mona, hoped to launch out into the fierce, chilling rapids of ‘the industry’. However, since Mona was to be the subject of the discussion, we began to talk over possibilities of introductions to those who might be of use. Her previous employment in films seemed to have been of scarcely higher grade than superior crowd work, or the individual display on her part of some commodity to be advertised; although, at the same time, it could be said in her favour that when, in the past, she had belonged to the advertising world, she could have claimed some little fame as a well-known model.

Quiggin, whose grasp of practical matters was usually competent enough, must have known that I myself was unlikely to be any great help to an aspiring film star. As I had explained to Jeavons, I had little or no contact with the acting side of the business. But people of undoubted ability in their own line are often completely lost in understanding the nature of someone else’s job. It was possible that he pictured nothing easier than introducing Mona to some famous director, who would immediately offer her a star part. Alternately, there was, of course, the possibility that Quiggin himself wished merely to allow the matter free ventilation in order to supply Mona with some subject upon which happily to brood. He might easily have no thought of practical result, beyond assuming that a prolonged discussion about herself, her beauty and her talents, held between the three of us over the course of the weekend, would have a beneficial effect on Mona’s temper. This might even be a method of scotching the whole question of Mona’s dramatic ambition, of which Quiggin might easily be jealous.

On the other hand, the film business, always unpredictable, might envisage Mona as a ‘discovery’. Perhaps, after all, the change from the time when she had been married to Templer was not so great as physical and financial circumstances might make it appear. She was still bored: without enough to do. A woman who could ‘cook a bit’ had been provided by the mysterious personage who had lent them the cottage. It was natural that Mona should want a job. Chips Lovell, always engaged in minor intrigue, would be able to offer useful advice. We were still discussing her prospects later that evening, sitting on kitchen chairs drinking gin, when a faint tapping came on the outside door. I thought it must be a child come with a message, or delivering something for the evening meal. Mona rose to see who was there. There was the noise of the latch; then she gave an exclamation of surprise, and, so it seemed to me, of pleasure. Quiggin, too, jumped up when he heard the voice, also looking surprised: more surprised than pleased.