Roberto Bolano - Nazi Literature in the Americas

Interview with Juan Sauer , questions and answers probably composed by Carlos Ramírez Hoffman, Buenos Aires, 1979.

The Invasion of Chile , by Argentino Schiaffino, Buenos Aires, 1973.

The Invisible Adorers , by Carola Leyva, Buenos Aires, 1975. Volume dedicated to Edelmira Thompson; barefaced rehash of Luz Mendiluce’s poems.

The Iron Boat , by Argentino Schiaffino, Buenos Aires, 1991.

Iron Youth , by Argentino Schiaffino, Buenos Aires, 1974.

Jason’s Prize , by Carlos Hevia, Montevideo, 1989.

The Jewish Question in Europe , by Luiz Fontaine, Rio de Janeiro, 1937.

Juan Diego , by Irma Carrasco. Play premiered at the Teatro Condesa, Mexico City, 1948.

Karma Explosion: Wandering Star , by John Lee Brook, Los Angeles, 1980.

The Kids , pornographic novel by Ernesto Pérez Masón published under the pseudonym Abelardo de Rotterdam, New York, 1976.

The Kids of Puerto Argentino , by Jorge Esteban Petrovich, Buenos Aires, 1984. A story of imaginary military adventures.

The Killer’s Eyes , by Silvio Salvático, Buenos Aires, 1962.

Land of Breezes , by Max Mirebalais, Port-au-Prince, 1971.

The Last Canal on Mars , by J.M.S. Hill, New York, 1934.

The Last Word , by Amado Couto, Rio de Janeiro, 1982.

Life the Way It Is , by Willy Schürholz under the pseudonym of Gaspar Hauser, Santiago, 1990.

Like a Hurricane , by Luz Mendiluce, Mexico City, 1964. Definitive edition, Buenos Aires, 1965.

Like Wild Bulls , by Italo Schiaffino, Buenos Aires, 1975.

A Little House in Napa , by Zach Sodenstern, Los Angeles, 1987.

The Lost Ship of Betelgeuse , by J.M.S. Hill, New York, 1936.

Luminous Obscurity , by Juan Mendiluce, Buenos Aires, 1974.

Macon Night , by Jim O’Bannon, Macon, 1961.

Mechanistic Poem , by Silvio Salvático, Buenos Aires, 1928.

Meine Kleine Gedichte , by Franz Zwickau, Caracas, 1982 and Berlin, 1990.

Memoirs of a Libertarian , by Ernesto Pérez Masón, New York, 1977.

The Miracle of Peralvillo , play by Irma Carrasco, premiered at the Teatro Guadalupe, Mexico City, 1951.

Montevideo — Buenos Aires , by Carlos Hevia, Buenos Aires, 1998.

Motorists , by Franz Zwickau, Caracas, 1965.

The Moon in Her Eyes , play by Irma Carrasco, premiered at the Teatro Principal, Madrid, 1946.

The Mute Girl , by Amado Couto, Rio de Janeiro, 1978.

My Ethics , by Silvio Salvático, Buenos Aires, 1924.

Neck in a Noose , by Curzio Zabaleta, Santiago, 1993.

Noah’s Ark , by Rory Long, Los Angeles, 1980.

Nothing to Say , by Amado Couto, Rio de Janeiro, 1978.

The New Spring , by Edelmira Thompson, Buenos Aires, 1931.

New York Revisited , by Jim O’Bannon, Los Angeles, 1990.

Night Signals , by Segundo José Heredia, Caracas, 1956.

Occult Poets of Argentina , anthology of “odd” poetry compiled and annotated by Federico González Irujo, Buenos Aires, 1995.

The Ostrich , by Argentino Schiaffino, Buenos Aires, 1988.

Our Friend B ., by Zach Sodenstern, Los Angeles, 1996.

Pain and Image , by Silvio Salvático, Buenos Aires, 1922.

The Paradox of the Cloud , by Irma Carrasco, Mexico City, 1934.

The Path to Glory , by Italo Schiaffino, Buenos Aires, 1972.

Pedrito Saldaña of Patagonia , by Juan Mendiluce, Buenos Aires, 1970.

“Philosophy of Furniture,” by Edgar Allan Poe, Collected Works , Cambridge and London, 1978.

Poems of the Absolute , by Max Kasimir, Port-au-Prince, 1974.

Poe’s Room , by Edelmira Thompson, Buenos Aires, 1944. Various editions, a few translations, and a mixed reception. E.T.’s most important work.

Poor Man’s Soup , by Ernesto Pérez Masón, Havana, 1965.

The Presidential Summit , by Argentino Schiaffino, Buenos Aires, 1974.

Prison Camping , by Franz Zwickau, Caracas, 1970.

Railway and Horse , by Silvio Salvático, Buenos Aires, 1925.

The Reducers , by J.M.S. Hill, New York, 1933.

Refutation of Voltaire , by Luiz Fontaine, Rio de Janeiro, 1921.

Refutation of Diderot , by Luiz Fontaine, Rio de Janeiro, 1925.

Refutation of D’Alembert , by Luiz Fontaine, Rio de Janeiro, 1927.

Refutation of Montesquieu , by Luiz Fontaine, Rio de Janeiro, 1930.

Refutation of Rousseau , by Luiz Fontaine, Rio de Janeiro, 1932.

Refutation of Hegel, followed by a Brief Refutation of Marx and Feuerbach , by Luiz Fontaine, Rio de Janeiro, 1938.

Return to Force City , by Gustavo Borda, Mexico City, 1995.

Revolution , by Zach Sodenstern, Los Angeles, 1991.

The Rivers and Other Poems , by Jim O’Bannon, Los Angeles, 1991.

A Room in the Tropics , by Max von Hauptman, Paris, 1973. Enlarged edition, Port-au-Prince, 1976.

The Ruins of Pueblo , by Zach Sodenstern, Los Angeles, 1998.

Sad Eyes , by Silvio Salvático, 1929.

Saturnalia , by Segundo José Heredia, Caracas, 1970.

Seas and Offices , by Carlos Hevia, Montevideo, 1979.

Sergeant P ., by Segundo José Heredia, Caracas, 1955.

Shadows of Lost Children , by J. M. S. Hill, New York, 1930.

The Simbas , by Zach Sodenstern, Los Angeles, 2003.

A Simple Philosophy , by Rory Long, Los Angeles, 1987.

Sinking Islands , by Juan Mendiluce, Buenos Aires, 1986. Published posthumously.

Sleepless Night , by Silvio Salvático, Buenos Aires, 1921.

Snow-Trekkers , by J.M.S. Hill, New York, 1928.

Solitariness , by John Lee Brook, 1986.

Solitude , by Argentino Schiaffino, Buenos Aires, 1987.

The Soul of the Waterfall , by Mateo Aguirre, Buenos Aires, 1936.

Spain’s Gift , by Irma Carrasco, Madrid, 1940.

Spectacle in the Sky , by Argentino Schiaffino, Buenos Aires, 1974.

Springtime in Madrid , by Juan Mendiluce, Buenos Aires, 1965.

The Staircase of Heaven and Hell , by Jim O’Bannon, Los Angeles, 1986.

Stale Hearts and Young Hearts , by Julián Rico Anaya, Buenos Aires, 1978.

The Storm and the Youths , by Mateo Aguirre, Buenos Aires, 1911.

A Story Heard in the Delta , by Argentino Schiaffino, New Orleans, 2013.

A Tableau of Volcanoes , by Irma Carrasco, Mexico City, 1934.

Talking with America , by Rory Long, Los Angeles, 1992. Book, audio CD and CD-Rom.

Tangos of Buenos Aires , by Luz Mendiluce, Buenos Aires, 1953.

Terra Autem Erat Inanis , by Argentino Schiaffino, Buenos Aires, 1996.

Three Poems to Argentina , by Silvio Salvático, Buenos Aires, 1923.

The Time of Argentinean Youth , a manifesto by Italo Schiaffino, Buenos Aires, 1969.

A Toast to the Boys , by Italo Schiaffino, Buenos Aires, 1978.

A Tranquil Night in Burgos , play by Irma Carrasco, premiered at the Teatro Principal, Madrid, December 1940.

To Daddy , by Edelmira Thompson, Buenos Aires, 1909.

The Treasure , by Argentino Schiaffino, Miami, 2010.

The Triumph of Virtue or the Triumph of God , by Irma Carrasco, Salamanca, 1939.

The True Son of Job , by Harry Sibelius, New York, 1996.

Twelve , by Pedro González Carrera, Cauquenes, 1955.