Roberto Bolano - Nazi Literature in the Americas

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Nazi Literature in the Americas was the first of Roberto Bolaño's books to reach a wide public. When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition.Nazi Literature in the Americas is composed of short biographies, including descriptions of the writers' works, plus an epilogue ("for Monsters"), which includes even briefer biographies of persons mentioned in passing. All of the writers are imaginary, although they are all carefully and credibly situated in real literary worlds. Ernesto Perez Mason, for example, in the sample included here, is an imaginary member of the real Oriacute;genes group in Cuba, and his farcical clashes with Joseacute; Lezama Lima recall stories about the spats between Lezama Lima and Virgilio Pintilde;era, as recounted in Guillermo Cabrera Infante's Mea Cuba. The origins of the imaginary writers are diverse. Authors from twelve different countries are included. The countries with the most representatives are Argentina and the USA.

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Steel Garden . One of the Aryan Brotherhood’s magazines.

Strategy & Tactics . War games magazine to which Harry Sibelius contributed.

Texan Church of the Last Days. Religious congregation in which Rory Long was a preacher.

Virginia Wargames . War games magazine to which Harry Sibelius contributed.

White Rebels . One of the Aryan Brotherhood’s magazines.

With Boca . Magazine founded by Italo Schiaffino. 1976–1983.

The Wounded Eagle. Publishing house founded by Luz Mendiluce.

3. BOOKS

A , by Zach Sodenstern, Los Angeles, 2013.

About the Lost Star , by John Lee Brook, Los Angeles, 1989.

The Advocate of Cruelty , by Pedro González Carrera, Santiago, 1980.

Air Writing , collection of photographs of Carlos Ramírez Hoffman’s aerial poems, published without the author’s permission, 1985.

All My Life , Edelmira Thompson’s first autobiography, Buenos Aires, 1921.

The Amazons , by Daniela de Montecristo, Buenos Aires, 1966.

Ana, the Peasant Redeemed , by Edelmira Thompson, Buenos Aires, 1935. Opera libretto.

Anita , by Zach Sodenstern, Los Angeles, 2010.

Anthology of the Best Argentinean Jokes , by Argentino Schiaffino, Buenos Aires, 1972.

Apocalypse in Force City , by Gustavo Borda, Mexico City, 1999.

Apples on the Stairs , by Jim O’Bannon, Atlanta, 1979.

Appointed Time , by Silvio Salvático, Buenos Aires, 1929.

The Argentinean Horseman , by Juan Mendiluce, Buenos Aires, 1960.

Argentinean Hours , by Edelmira Thompson, Buenos Aires, 1925.

Argentinean Painting , by Luz Mendiluce, Buenos Aires, 1959. A torrential 1,500-line poem.

The Arrival , by Zach Sodenstern, Los Angeles, 2022. A posthumous novel.

The Baseball Field , by Silvio Salvático, Buenos Aires, 1925.

The Bat Gangsters , by Zach Sodenstern, Los Angeles, 2004.

The Best of Argentino Schiaffino , by Argentino Schiaffino, Buenos Aires, 1989.

The Best Poems of Jim O’Bannon , by Jim O’Bannon, Los Angeles, 1990.

The Birth of New Force City , by Gustavo Borda, Mexico City, 2005.

Bitch Luck , by Silvio Salvático, Buenos Aires, 1923.

Candace , by Zach Sodenstern, Los Angeles, 1990.

Carlota, Empress of Mexico , by Irma Carrasco. Play premiered at the Teatro Calderón, Mexico City, 1950.

The Cave Cowboys , by J.M.S. Hill, New York, 1934.

Center Forward , by Silvio Salvático, Buenos Aires, 1927.

The Century as I Have Lived It , by Edelmira Thompson in collaboration with Aldo Carozzone, Buenos Aires, 1968.

The Cephalopods , by Zach Sodenstern, Los Angeles, 1999.

Champions , by Argentino Schiaffino, Buenos Aires, 1978.

Checking the Maps , by Zach Sodenstern, Los Angeles, 1993.

The Children of Jim O’Brady in the American Dawn , by Jim O’Bannon, Los Angeles, 1993.

Chimichurri Sauce , by Argentino Schiaffino, Buenos Aires, 1991.

Churches and Cemeteries of Europe , by Edelmira Thompson, Buenos Aires, 1972.

The Clan of the Bleeding Stigmata , by J.M.S. Hill, New York, 1929.

Complete Poems , by Edelmira Thompson, Buenos Aires, two volumes, 1962 and 1979.

Complete Poems I, by Pedro González Carrera, Santiago, 1975.

Complete Poems II, by Pedro González Carrera, Santiago, 1977.

The Confession of the Rose , by Segundo José Heredia, Caracas, 1958.

The Conflict of Opposites , by Luiz Fontaine, Rio de Janeiro, 1939.

Conversation with Jim O’Brady , by Jim O’Bannon, Chicago, 1974.

Correspondence , by Pedro González Carrera, Santiago, 1982.

Cosmogony of the New Order , by Jesús Fernández-Gómez, Buenos Aires, 1977.

The Countess of Bracamonte , by Jesús Fernández-Gómez, Cali, 1986.

Cower, Hounds! by Italo Schiaffino, Buenos Aires, 1985.

Crazy Blunders , by Argentino Schiaffino, Buenos Aires, 1985.

Creatures of the World , by Edelmira Thompson, Paris, 1922.

Cross of Flowers , by Ignacio Zubieta, Bogotá, 1950.

Cross of Iron , by Ignacio Zubieta, Bogotá, 1959.

Critique of Being and Nothingness , vol. I, by Luiz Fontaine, Rio de Janeiro, 1955.

Critique of Being and Nothingness , vol. II, by Luiz Fontaine, Rio de Janeiro, 1957.

Critique of Being and Nothingness , vol. III, by Luiz Fontaine, Rio de Janeiro, 1960.

Critique of Being and Nothingness , vol. IV, by Luiz Fontaine, Rio de Janeiro, 1961.

Critique of Being and Nothingness , vol. V, by Luiz Fontaine, Rio de Janeiro, 1962.

The Crystal Cathedral , by Zach Sodenstern, Los Angeles, 1995.

Dawn , by Rory Long, Phoenix, 1972.

Death Row , by John Lee Brook, Los Angeles, 1995.

The Definitive San Martín , by Carlos Hevia, Montevideo, 1972.

The Destiny of Pizarro Street , by Andres Cepeda Cepeda, Arequipa, 1960. Revised and enlarged edition, Lima, 1968.

The Destiny of Women , by Irma Carrasco, Mexico City, 1933.

The Devil’s River , by Mateo Aguirre, Buenos Aires, 1918.

Diana’s Dream , by Silvio Salvático, Buenos Aires, 1920.

Don Juan in Havana , by Ernesto Pérez Masón, Miami, 1979.

The Doomed Expedition , by J.M.S. Hill, New York, 1932.

The Early Saga , by J.M.S. Hill, New York, 1926.

The Egotists , by Juan Mendiluce, Buenos Aires, 1940.

Les Enfants , by Edelmira Thompson, Paris, 1922.

The Enterprise of the Masons , by Ernesto Pérez Masón, Havana, 1942.

European Hours , by Edelmira Thompson, Buenos Aires, 1923.

Evening in Porto Alegre , by Luiz Fontaine, Rio de Janeiro, 1964.

The Fall of Troy , by J.M.S. Hill, Topeka, 1954.

Fervor , by Edelmira Thompson, Buenos Aires, 1985. Juvenilia not included in her Complete Works .

Fields of Honor , by Silvio Salvático, Buenos Aires, 1936.

The Fighting Years of an American Falangist in Europe , by Jesús Fernández-Gómez, Buenos Aires, 1972.

The Fingerprint Thieves , by J.M.S. Hill, New York, 1935.

The First Great Republic , by Max Kasimir, Port-au-Prince, 1972.

Footprints on the Beach , by Silvio Salvático, Buenos Aires, 1922.

Four Haitian Poets: Mirebalais, Kasimir, Von Hauptman and Le Gueule , by Max Mirebalais, Port-au-Prince, 1979.

The Fourth Reich in Denver , by Zach Sodenstern, Los Angeles, 2002.

The French Lady , by Silvio Salvático, Buenos Aires, 1949.

Geometry , by Willy Schürholz, Santiago, 1980.

Geometry II , by Willy Schürholz, Santiago, 1983.

Geometry III , by Willy Schürholz, Santiago, 1984.

Geometry IV , by Willy Schürholz, Santiago, 1986.

Geometry V , by Willy Schürholz, Santiago, 1988.

The Gallows Tree , by Ernesto Pérez Masón, Havana, 1958.

The Great Buenos Aires Restaurant Novel , by Argentino Schiaffino, Buenos Aires, 1987.

Health and Strength , by Rory Long. Los Angeles, 1984.

Heartless , by Ernesto Pérez Mason, Havana, 1930.

The Horsemen of Repentance , by Argentino Schiaffino, Miami, 2007.

Impenitent Memoirs , by Argentino Schiaffino, 1984.

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