After dusk when the few tourists have all gone, I like the solitude and austerity of the lower courtyard of the Palace of Three Purities. I sit alone on the stone threshold at the centre of the palace gate and look at the big rooster of inlaid ceramic tiles directly in front of me. The four round pillars in the centre of the palace hall are each inscribed with couplets. The outer couplet is:
The Way gives birth to one, one gives birth to two, two gives birth to three, three gives birth to the myriad things
Man follows earth, earth follows heaven, heaven follows the Way, the Way follows Nature
This is the source of what I had heard from the old botanist in the primitive forest. The inner couplet is:
Invisible and inaudible, mystical indeed is its imperceptibility, joining the trinity of jade purity, superior purity and supreme purity
Know its workings, observe its profundity, pure indeed is its tranquillity, forming the principle of the Way of heaven, the Way of earth and the Way of man
The old head Daoist tells me about the two couplets. “The Way is both the source and the law of the myriad things, when there is mutual respect of both subject and object there is oneness. This source gives birth to existence from non-existence, and to non-existence from existence. The union of the two is innate and with the union of heaven and man there is the attainment of unity in one’s view of the cosmos and of human life. For Daoists, purity is the principle, non-action the essence and spontaneity the application; it is a life of truth and a life requiring absence of self. To put it simply, this is the general meaning of Daoism.”
As he is expounding the Way to me, the young disciples, men and women, crowd around to listen and sit all huddled together. One of the young nuns even puts her arm on the shoulders of one of the young men as she listens intently and wholeheartedly. I doubt that I would be able to attain this realm of purity where there is an absence of self and lust.
One evening after dinner the men and women, old and young alike, all come into the lower courtyard to see who can make the porcelain frog in the hall whistle by blowing into it. It is bigger than a dog and some get it to whistle while others don’t. They amuse themselves doing this for quite some time and then disband to do their evening studies. I am left on my own and again sit on the stone threshold, looking at the temple rooftop with its intricate decorations of benevolent dragons, snakes, turtles and fish.
The flying eaves curling upwards are lines of pure simplicity and the majestic forests on the mountain behind soundlessly sway in the night breeze. Suddenly the myriad things turn silent and the sound of pure pipes can be heard, serene and flowing, then abruptly vanishing. Then, beyond the gates of the temple complex, the noisy surging of the river under the stone bridge and the soughing of the night wind all seem to be flowing from my heart.
The next time she comes, her hair is cropped short, and this time you see her clearly.
“Why have you cut your hair?” you ask.
“I’ve cut off the past.”
“Is that possible?”
“It had to be cut off even if it’s impossible. For me it has been cut.”
You laugh.
“What’s funny?” She goes on to say softly, “I still feel some regret, you know, all that wonderful hair.”
“It looks good like this and it’s less trouble. You don’t have to blow it off your face all the time, it’s a nuisance having to blow at it.”
It’s her turn to laugh.
“Stop going on about my hair. How about talking about something else?”
“What shall I talk about?”
“Talk about that key of yours. Didn’t you lose it?”
“I’ve found it. Of course you can put it that way, but if it’s lost it’s lost, if it’s lost why look for it?”
“Once it’s been cut off, it’s been cut off.”
“Are you talking about your hair? I was talking about my key.”
“I was talking about memories. You and I are really a natural couple,” she says pursing her lips.
“But there’s always that little difference.”
“What do you mean ‘that little difference’?”
“I wouldn’t presume to say that you aren’t as good as me, I am saying that we are always just passing by one another.”
“Haven’t I come?”
“You could suddenly just get up and leave.”
“I could also stay and not leave.”
“That of course would be wonderful.” But, you feel awkward.
“You’re all talk but you never do anything.”
“Do what?”
“Make love, I know that’s what you need.”
“Make love?”
“A woman, you need a woman.” She’s quite blunt.
“Then what about you?” You stare into her eyes.
“It’s the same, I need a man.” Her eyes flash provocatively.
“I don’t think one would be enough.” You feel hesitant.
“Then let’s say I need men.” She is more direct than you.
“That’s more like it.” You relax.
“When a man and a woman are together—”
“The world no longer exists.”
“And there is only lust,” she adds.
“I surrender.” You really mean this. “Then right now a man and a woman are together here—”
“Then let’s do it,” she says. “Draw the curtains.”
“You still want to be in darkness.”
“I can forget myself.”
“Haven’t you forgotten everything, why are you afraid of yourself?”
“You’re such a wimp, you want to but don’t dare. I’ll have to help you.”
She comes up to you and starts stroking your hair. You bury your head in her bosom and say softly, “I’ll draw the curtains.”
“No need.”
She shakes herself, looks down and pulls down the zip of her jeans. You see a vortex in the firm white flesh at the edge of her floral underpants, you put your face to it and kiss her soft belly.
She stays your hand, saying, “Don’t be so impatient.”
“Will you manage by yourself?”
“Yes, won’t it be more exciting?”
She pulls off her sweater and shakes her head from habit even though she doesn’t need to with her short hair. She stands before you in a pool of clothing, exposing a mound of tangled black hairs lustrous like the hair on her head. She has removed everything but the bra enclosing her full breasts. She puts her arms behind her and frowning says resentfully, “Why can’t you do even this?”
She has you in a state of shock and you don’t immediately catch on.
“How about being a bit helpful!”
You get up right away, go behind her and undo it for her.
“Okay, now it’s your turn,” she says heaving a sigh of relief as she goes and sits in the chair facing you. Her eyes are riveted on you and there is a hint of derision on her lips.
“You’re a demon!” You angrily throw down the clothes you take off.
“I am a goddess,” she corrects you.
Stark naked she is majestic and unmoving as she waits for you to approach. Afterwards she closes her eyes, lets you kiss her all over. You mumble, trying to say something.
“Don’t, don’t say anything!”
She holds you in her embrace and you silently merge with her body.
Half an hour, maybe an hour later, she sits up in the bed and asks, “Do you have any coffee?”
“On the bookshelf.”
She makes a big cup, and stirring it with a spoon comes and sits on the edge of the bed. She has a mouthful of the hot coffee as she looks at you and says, “Now, wasn’t that good?”
You are at a loss for words. She is enjoying her coffee as if nothing has happened.
“You’re a strange woman,” you say, looking at the veins radiating outwards on her breasts.
“There’s nothing strange about me, everything was very natural, you just need a woman’s love.”
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