Gao Xingjian - Soul Mountain

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In 1983, Chinese playwright, critic, fiction writer, and painter Gao Xingjian was diagnosed with lung cancer and faced imminent death.B ut six weeks later, a second examination revealed there was no cancer — he had won "a second reprieve from death." Faced with a repressive cultural environment and the threat of a spell in a prison farm, Gao fled Beijing and began a journey of 15,000 kilometers into the remote mountains and ancient forests of Sichuan in southwest China. The result of this epic voyage of discovery is
.
Bold, lyrical, and prodigious,
probes the human soul with an uncommon directness and candor and delights in the freedom of the imagination to expand the notion of the individual self.
“Chinese literature [of the future] will have to contend with the creative energy and the daring of Gao Xingjian.”
— “It is a relief to come to a book that celebrates the pleasures of literature with such gusto and knowingness.”
—  “His largest and perhaps most personal work…Gao has created a sui generis work, one that, in combining story, reminiscence, meditation and journalism, warily comes to terms with the shocks of both Maoism and capitalism.”
— 

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Right.

He doesn’t want to see or even to return to the room again.

Doesn’t he have an apppointment?

An appointment, that’s right, he does have to go out but he’s already an hour late, he’s missed the appointment. No-one would foolishly wait for an hour and he can’t remember where the appointment is or who it is with.

It’s an appointment with a girl friend, she says softly.

Maybe, maybe it is. He says he really can’t remember, but he has to go out, he can’t put up with the mess any longer.

Without locking the door?

He’s got no choice but to go out and leave the door unlocked and he goes down the stairs and out onto the street. People are coming and going as usual and there’s an endless stream of traffic, it’s always busy like this but he can’t work out why. No-one knows he has lost his key, no-one knows he has left his door unlocked so of course no-one will go in and take his things. Anyone who comes would be at least someone he knows if not a friend. When they see there isn’t anywhere to put a foot, they will either sit on the books and browse through them while waiting for him or if they can’t wait they will leave, and there’s really no need for him to worry about it. However he can’t help worrying about this room of his which isn’t worth robbing. There are only some books and some very ordinary clothes and shoes — his best pair of shoes are on his feet — but other than that there are only those unfinished manuscripts which he already hates. At this point he starts feeling happy, there’s no need to worry about his room or the damn key, and he just wanders aimlessly around the streets. Usually he’s always busy rushing about either for some matter or for some person or else for himself but right now he’s not doing anything for any purpose and he’s never been so happy. Normally it’s hard for him to slow his pace but this time he manages; he puts out his left leg there’s no hurry to lift his right leg, but this is quite hard. He’s forgotten how to walk slowly, how to stroll. He begins to stroll, his entire sole coming in contact with the ground and his whole body and mind relaxing.

He feels odd walking like this and people passing by all seem to be looking at him, thinking he’s odd. He surreptitiously observes some of them and discovers that those many pairs of eyes looking straight ahead are actually focused upon themselves. Sometimes they look in shop windows but when they do their minds are working out whether these are good prices. He suddenly realizes that on this street full of people it’s only he who is looking at people and no-one is taking any notice of him. He also discovers that it’s only he who is walking like a bear with the whole of his foot. The others are all walking with their heels striking the ground and, day after day and year in year out, jarring their bodies, and, making themselves tense, anxious and stressed.

Yes.

As he goes along this busy street he feels more and more lonely and begins to sway as if he were sleepwalking. In the interminable noise of the traffic, in the glare of gaudy neon lights, he is squashed in the thronging crowds on the pavement. He wants to slow his pace but can’t and is all the time being knocked and jostled by the people behind. If you look at him from an upstairs window over the street, he looks just like a discarded cork swirling helplessly as it floats down the gutter after the rain, together with dry leaves, cigarette packs, ice-cream wrappers, used take-away plastic plates and the paper wrappings from all sorts of snacks.

I can see it.

What?

The cork floating in the thronging crowd of people.

It’s him.

It’s you.

It isn’t me it’s a state of being.

I know. Go on with what you were saying.

What about?

About the cork.

It’s a discarded cork.

Who threw it away?

He had thrown himself away. He tries to remember but can’t. He struggles to remember, he struggles to recall the relationships he has had with other people, why he has come to this street. It’s clearly a street he knows well, this big, ugly, grey department store. The building is all the time being extended and all the time being made higher, it’s always thought to be too small. It’s only the little tea shop across the street that hasn’t ever been renovated, it still has an old-style upstairs room. A bit further on is a shoe shop and opposite that is a stationery shop and a bank, he has been into all of these. He seems to have had dealings with the bank, made deposits or withdrawals, but that was a long time ago. He seems also to have had a wife but then they separated, he no longer thinks about her, nor does he want to.

But he once loved her.

It seems that he once loved her but it’s all very hazy. In any case he feels there has been a relationship with a woman.

And not just with one woman.

That seems to be the case. There must have been some good things in his life but they seem to be very remote and only a few pale impressions remain. They are like negatives where there wasn’t enough light and no matter how long you soak them in fixer, there are still only faint outlines.

But there must also have been a woman who deeply moved him, who left some details worth remembering.

He only remembers she had a small mouth with clearly defined lips and that she blushed when she said no. And when she said no, her body was yielding.

And?

She asked him to turn off the light, she said she was afraid of the light…

She didn’t.

She did.

All right, forget about whether or not she said it, next comes whether or not he finds the key.

He then remembers the appointment he has to go to, in fact he doesn’t have to go to it. When they meet they only talk about trivialities, then go on to talk about people they know — who’s going through a divorce, who’s with who, and what new books, new plays and new movies are on. The next time they meet, these new books, new plays and new movies will be old and be of no interest anyway. They also talk about a speech some important official has given, the content is stale and obsolete and has been recycled many times over the years. He goes simply because he can’t bear the loneliness, after that he still has to return to that chaotic room of his.

Isn’t the door unlocked?

Yes, he pushes open the door and stops in front of all the books on the floor. There next to the wall at the side of the desk is the key without the key ring. It is blocked from view by a letter waiting to be answered propped against the lamp stand. However when he walks over the piles of books right into the room it can no longer be seen.

62

I had planned to go to Dragon Tiger Mountain to visit Profound Sky, the famous Daoist, but when the train stops at Guiqi I don’t get off straightaway. People are sitting on the floor in the passageway of the hot and stuffy carriage and I will have to pick my way through, stepping over legs, and it will take several minutes just to get to the end of the carriage by which time I will be soaked in sweat. Right now I am lucky to be sitting in the middle section, at a window seat on the left, and there is a cup of strong tea on the little table in front of me. While I am procrastinating, the carriage shudders and the train slowly leaves the station.

Then there is the rythmic sound of shaking, and the lid on my cup begins to gently rattle. A breeze blows in my face, so it’s quite cool. I want to have a nap but can’t fall asleep. This east-west train is always overloaded, day or night. Whichever little station it is, people are always squeezing on or off and there are always large numbers of people in a desperate hurry for some unknown reason. The words of Li Bai’s poem could be changed to: “Getting out of doors is hard, harder than ascending the blue sky.” It is only in the few carriages with soft sleeping berths that the pleasures of travel are enjoyed, but only by foreigners with their foreign currency and by leadership cadres above a cerain rank with their public expense accounts. I must calculate how much more time I can last on the bit of money I have at my disposal. My savings were used up long ago and I am living off a loan. A kind-hearted editor of a publishing house paid me several hundred yuan as advance royalty for the manuscript of a book he might not be able to publish for many years. I don’t know yet if I will be able to write the book but I have already spent more than half of the royalty. It is a debt of friendship, but who can tell what will happen in a few years time? In any case, I must try hard not to stay at inns anymore and to seek lodgings which cost nothing or else very little. However, I have already missed the chance of getting off at Guiqi, where a girl promised I could stay in her home.

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