Ismail Kadare - The Ghost Rider

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"Ismail Kadare is one of Europe's most consistently interesting and powerful contemporary novelists, a writer whose stark, memorable prose imprints itself on the reader's consciousness." — Los Angeles Times
An old woman is awoken in the dead of night by knocks at her front door. The woman opens it to find her daughter, Doruntine, standing there alone in the darkness. She has been brought home from a distant land by a mysterious rider she claims is her brother Konstandin. But unbeknownst to her, Konstandin has been dead for years. What follows is chain of events which plunges a medieval village into fear and mistrust. Who is the ghost rider?

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At the moment the army was swathed in darkness but at the crack of dawn it would shimmer like a Persian carpet as it spread itself out in all directions. Plumes, tents, manes, white and blue flags, and crescents — hundreds and hundreds of brass, silver, and silk crescents — would burst into flower. The pageant of colour would make the citadel look even blacker beneath its symbolic instrument of torture, the cross. He had come to the end of the earth to topple that sign.

In the deepening silence the sound of the azabs at work on the ditches became more noticeable. He was well aware that many of his officers were cursing through their teeth and hoping that as he was himself half-dead from fatigue he would give the order to halt work on the drains. He clenched his jaw just as he had when he had first spoken about latrines at a meeting of the high command. An army, he said, before it was a marching horde, or a swathe of flags, or blood to be spilled, or a victory or a defeat — an army was in the first place an ocean of piss. They had listened to him open-mouthed as he explained that in many cases an army may begin to fail not on the field of battle, but in mundane details of unsuspected importance, details no one thought about, like stench and filth, for instance.

In his mind’s eye he saw the drains moving ever closer to the river, which would wake in the morning looking dull and yellow … In fact, that was how war really began, and not as the hanums in the capital — the ladies of high society — imagined it.

He almost laughed at the thought of those fine ladies, but oddly, a sense of nostalgia stopped him. It was the first time he’d noticed himself having feelings of that kind. He shook his head as if to make fun of his own plight. Yes, he really did miss the hanums of Bursa, but that was only part of it. What he missed was his distant homeland, Anatolia. He had often thought of its peaceful, lazy plains during the long march through the Balkans. He had thought of it most of all when his army had entered the land of the Shqipetars and first seen its fearsome peaks. One morning before noon, when he was drowsing on horseback, he had heard the cry from all around: “ daglar, daglar ”, but said in a special way, as if expressing fear. His officers raised their heads and looked to the left, then to the right, as if they were trying to get a better view. He too gazed at the mountains at length. He’d never seen any like them before. They reminded him of ghastly nightmares unrelieved by waking up. The ground and the rocks seemed to be scrambling madly towards the sky in mockery of the laws of nature. Allah must have been very angry when he created this land, he thought, and for the hundredth time since the start of the campaign he wondered if his leadership of the army had been won for him by his friends, or by his enemies.

In the course of the journey he had noticed that the mere sight of these mountains could make his officers agitated. They spoke more and more often of the plain they hoped to see before them as soon as possible. The army moved slowly, for now it hauled not only its arms and supplies, but also the heavy shadow of the Albanian mountains. The worst of it was that there was nothing he could do to be rid of it. His only resource was to summon the campaign chronicler and to ask him how he was going to describe the mountainous terrain. Trembling with fear, the chronicler had said that in order to portray the Albanian landscape he had assembled a series of terrifying epithets. But they hadn’t met with the Pasha’s approval, and he ordered the scribbler to think again. Next morning, the historian appeared before him, his eyes bloodshot from the sleepless night he had spent, and read him out his new description. High mountains, he declaimed, that reached even higher than crows can fly; the devil himself could barely climb up them, the demon would rip his sandals on their rocks, and even hens had to have their claws shod with iron to scale them.

The Pasha had found these images pleasing. The march was now over, night had fallen, and he tried to recall the phrases used, but he was tired and his weary mind could think of nothing but rest. It had been the longest and most exhausting expedition of his soldiering life. The ancient road, which was impassable in several places and which his engineers had repaired as fast as they could, bore the strange name of Egnatia. It went back to Roman times, but seemed to go on for ever. Sometimes, in the narrow gorges, his troops had stayed stuck until sappers cut a detour. Then the road became passable once more, and his army resumed its slow and dusty advance, as it had on the first, third, fifth and eighth day prior. Even now, when it was all over, that thick and unpleasant layer of grey dust still hung over his memory.

He heard horses neigh behind him. The closed carriage which had brought four women from his harem was still there, parked beside his tent.

Before leaving he had wondered several times whether he should bring his wives with him. Some of his friends had advised against it. It was a well-known fact, they said, that women bring ill fortune to a military campaign. Others took the opposite view and said that he should take them with him if he wanted to feel calm and relaxed and to sleep well (insofar as anyone can sleep well during war). Usually pashas did not take women with them in similar circumstances. But this expedition aimed to reach a very distant land; in addition, according to all forecasts, the siege was likely to last a long time. But those weren’t the real reasons, because on all campaigns, however far-flung or long-drawn-out they might be, captives were always taken, and women won at the cost of soldiers’ blood were indisputably more alluring than any member of a harem. However, friends had warned him that where he was going it would be difficult to take any female prisoners. The girls there were certainly very beautiful, but in the words of a poet who had accompanied an earlier raid into those lands, they were also as enticing and, alas! as unattainable as a dream. To escape from pursuit they would often throw themselves off a cliff. That’s just poetic licence, some said, but the Pasha’s closest friends shook their heads to say it was no such thing. In the end, as he was taking his leave, the Grand Vizier had noticed the small carriage with barred windows, and asked him why he was taking women to a land famed for the beauty of its own. Avoiding the Vizier’s sly glance, he replied that he didn’t want to have any share in the prisoners his valiant soldiers would take by their own efforts and blood.

During the march he hadn’t had a thought for his wives. They must now surely be asleep in their lilac-coloured tent, worn out by the length of the journey.

Before feeling them on his own skin, he heard the raindrops falling on the tent. Then, after a short while, from somewhere inside the camp there rose the familiar sound of the rain drum. Its ominous roll, so different from the banging of heavy crates or the blare of the trumpets of war, summoned up the image of his soldiers who, despite their exhaustion, had to haul out the heavy tarpaulins to cover up the equipment, cursing at the weather as they laboured. He had heard it said that no foreign army except the Mongols had a special unit, as theirs did, whose job was to announce the coming of rain. Everything that’s any use in the art of war, he said to himself, comes from the Mongols. Then he went inside his tent.

Orderlies had set up the Pasha’s bed, placed the divans around it, and were now laying carpets on the floor. A strip of cloth embroidered with verses from the Koran had been hung at the entrance. Hooks had been hung in the customary manner from the top of the main pole so he could stow his scabbard and his cape. Contrary to what he had always expected, the more he rose in rank, the more gloomy his tent became.

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