Cormac McCarthy - Suttree

Summer was full on and the nights hot. It was like lying in warm syrup there in the dark under the viaduct, in the steady whine of gnats and nightbugs. Coming up Henley Street one morning he was amazed to see a truck fallen through the paving. Settled on an enormous cracked asphalt plate some five feet below grade with a ring of spectators gathered about it and the driver climbing from the hole swearing and laughing.

I reckon once a feller got in under there he could go anywheres he took a notion right in under the ground there couldnt he?

I dont know, Gene. There’s lots of cave under there. Suttree was pulling a wire minnowbucket from the bottom of the river by a long cord. He swung it dripping to the rail and opened the top and lifted out two beers and let the cage back down. He opened the beers and handed one to Harrogate and leaned back against the houseboat wall.

That goddamned truck like to of fell plumb out of sight.

I saw it.

What if a whole goddamned building was to just up and sink?

What about two or three buildings?

What about a whole block? Harrogate was waving his bottle about. Goddamn, he said. What if the whole fuckin city was to cave in?

That’s the spirit, said Suttree.

He’d sit by night in the light of his red roadlanterns while honeysuckle bloomed in the creek gut. Poring over obsolete city maps, tracing out a course on paper scrawled with incomprehensible runes, strange symbols, squatting, a cherrycolored troll or demon cartographer in the hellish light charting the progress of souls in the darkness below. When Suttree came up the little path through the weeds the city mouse’s cat rose and stretched and went out the other side. Harrogate looked up from his work.

How’s it going? said Suttree.

Hey Sut. Come on in.

He approached, not without a certain wariness here where enormities proliferated. Harrogate was dragging an old chair over the clay and dusting it off for Suttree to sit in. Suttree bent over the charts laid out on the applebox.

How’s it look? said Harrogate.

How’s what look?

My deal there. He gestured with one hand at the maps.

Suttree looked down at the thin pink face, teeth pink and black in the red light. He shook his head and sat in the chair and crossed his legs. Harrogate had taken up one of the charts from the table and was looking at it. I aint got no way of knowin how deep I am, he said.

You’ve got no way of knowing how crazy you are.

I’m goin to have to have some help.

You sure are.

I need somebody to tap or somethin. Where they think I’m at.

Where they think you’re at.

Yeah.

Suttree closed his eyes. He pinched the bridge of his nose and shook his head slowly. Harrogate had bent himself once more to the work. Wielding a plastic protractor, his tongue out at the corner of his mouth, reinventing plane geometry. Suttree soon enough found himself watching over the city mouse’s shoulder. By the time the cat came back he was sitting at the little crate himself, describing angles, formulas, the small face of the apprentice felon nodding at his elbow.

In the damp and alveolar deeps beneath the city he probed with a torch he’d stolen, sighting courses from stone to stone to reckon by and charting with his crazed compass a fix of compounded errors. Down old caverns where carboncolored water leaked from overhead or treacly sipes of sewage. Through a region of ruptured ducting and old clay drains and into a dark stone gullet skewered by a jointed cesspipe. Everywhere a liquid dripping, something gone awry in the earth’s organs to which this measured bleeding clocked a constantly eluded doom.

One afternoon he entered a large vault in which stood from floor to dome and slightly tilted a slender flue of cold white light. Harrogate drew back. There was a scrabbling sound overhead, dirt sifted down. A shadow stained the little figure of light on the stone floor and was snatched away. He advanced cautiously. With the beam of his flashlight he severed the shaft and watched it knit back again. It was only light, a cool bore of it standing moteless in the dark like a phosphorescent rope taut in the black of the sea’s deeps. He balanced it on his palm. Through a small hole in the roof he could see the sky.

Harrogate rose by faults and ledges, the torch in his teeth. He hung by his nails from a seam in the rock, he peered out with a cautious eye. A spray of pine needles stirred against the depthless blue. A lizard scuttled, a bird. He listened. Beyond the drone of insects and the sound of the wind he thought he heard distant traffic but he was not sure. He made his way back down to the floor of the vault and squatted there tapping his fingers against his knee, the shaft of light terminating in the top of his head without apparent pain or power of inspiration.

He unfolded from his pocket the damp and thumblacked map of the city whereon he’d traced with grocer’s crayon deadreckoned reaches, corrected tangents, notes on distance. He held the light above his head and fastened down a mark with his finger.

Shit if I know where I’m at, he said to the silence.

Am at, said a soft stone echo.

He folded his chart and rose. He studied the pale thin probe from the outer world and he finally climbed up and stopped the hole with his rolled map.

He never found it from the outside. After wandering about for days he came back and took the map down again. He’d brought some oily rags filched from a can at the gas station on Henley Street and he lit these in the chamber and went out. All day he looked along the edge of the city and down by the river and anywhere he could see or hope to see a pine tree. He began to suspect some dimensional displacement in these descents to the underworld, some disparity unaccountable between the above and the below. He destroyed his charts and began again.

That year there were locusts. They howled in the green trees like panthers, struggled in their fallen hundreds on the river’s face.

He fell listless and enervated from histoplasmosis.

He feared in the lightless depths great rats, beveltoothed and bare of tail, spiders hairy or naked or lightly downed or partly bald, rope-shaped reptiles, their fangs, their tuningfork tongues. Their memberless economy of design. Bats hung in clusters like bunches of dark and furry fruit and the incessant drip of water echoed everywhere through the spelaean dark like dull chimes. In the pools lay salamanders cold and prone and motionless as terracotta figurines.

The matches that he struck periodically to test the air burned with an acetylene blue and he’d watch the flame draw down the matchstem and wink out and the darkness would hood him almost audibly. Sitting there with his thumb on the button of the flashlight and listening until the terror rose up in his throat and then pushing the button and creating again the filthy basilica in which he sat, the batclotted arches, the high amorphous convolutions of limestone from which scum dripped. Gray sewage percolating down through faults and bedding planes. Dark leachings from the city’s undersides and speleothems accresced out of some grim slime quietly oozing in the dark.

Harrogate stepping from pool to pool of blue sludge in a tunnel where the light of his torch found trace of human work. A few old timbers black with rot, a bucket, a bone. He turned the bone in his hand, inspecting the minute chamfering of miceteeth, vermiculate scrimshaw, the brown and corallike fluting of the marrowed bore. Wherein lay a slick millipede. He dropped it clattering on the rock. The millipede ran like a train. He retrieved the bone and looked it over, holding it for size against various parts of his anatomy. Bet me, he said softly. They’s somebody down here murdered.

He loaded it into a hindpocket and set forth again, his light in one hand and a clawhammer in the other, the channel narrowing, turning. A region of old timbers crossed with chalk, boards laid over the wet red clay of the cave’s floor.