Cormac McCarthy - Suttree

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By the author of Blood Meridian and All the Pretty Horses, Suttree is the story of Cornelius Suttree, who has forsaken a life of privilege with his prominent family to live in a dilapidated houseboat on the Tennessee River near Knoxville. Remaining on the margins of the outcast community there-a brilliantly imagined collection of eccentrics, criminals, and squatters-he rises above the physical and human squalor with detachment, humor, and dignity.

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Leonard looked at Suttree. He shook his head. You dont understand, he said.

I understand I’m not getting mixed up in it.

Listen …

Get Harrogate to help you. Loonies ought to stick together.

He aint got a boat. Listen Sut …

The hell he aint got a boat.

You got to be shittin me Sut. I wouldnt set foot in that fuckin thing.

Suttree drained his mug and stood. I’ve got to go, he said. You do what you want but count me out.

In the cool of the mornings he’d run his lines, out with the sun on the foggy river. Afternoons he’d walk in the city but he kept much to himself. He came upon Smokehouse uptown and the old derelict pawed him and begged for a coin. Suttree was holding his pocket with one hand while he reached in with the other but then he looked at Smokehouse and said no. He moved past the old cripple but found him fallen in at his elbow, hobbling along on his twisted legs like a broken disciple. Hey, called Smokehouse, though he wasnt a foot away.

Hey yourself, said Suttree.

Hell fire, let me have somethin. A dime. Goddamn, Bud, you got a dime aint ye?

Mine’s the greater need, said Suttree.

This brought the old man up short. He watched Suttree go on up Market Street. He called out again but Suttree didnt turn. That’s right, called the derelict. That’s the way to treat a old cripple man never done nothin but favors for ye.

He made his way down Vine among blacker mendicants but he kept his silver to himself such as he had of it. An old negress in rags washed up on the paving beneath the Human Furniture Company like a piece of dark and horrid flora ran her wasted leg over the walkway before her and invited whomever to walk upon it. It lay there like a charred treelimb. Whomever smile wanly and look away and she calls down upon them the darker curses of a harried god. Her eyes are red with drink, her geography is immutable. Whereas the quick are subject to the weathers of a varied fate and know not where a newer day will find them she is fixed in perpetuity, steadfast, a paradigm of black anathema impaled upon the floor of the city like a medieval felon.

Suttree passed by, in these days moving through the streets like a dog at large. Such old things strangely new, the city seen through eyes unsealed. The repetition of its own images had washed out and leveled it and he saw upright and arrant on the dead alluvial grimmer shapes, the city of his remembrance a ghost like him and he himself a shape among the ruins, prodding dried artifacts like some dim paleontrope among the bones of fallen settlements where no soul’s left to utter voice at what has passed. A garrulous jocko was miming buggery behind a young black girl passing on the walk and she turned on him with hot eyes and he fled laughing. The gallery of indolents draped among trashcans and curbstones pointed and croaked. Give it to you mammy, she told them, and the black mummer mimed masturbation at her, two hands holding an imagined phallus the size of a lightpole while the watchers hooted and slapped their knees. To Suttree they appeared more sinister and their acts a withershins allegory of anger and despair, clutches of the iniquitous and unshriven howling curses at the gates and calling aloud for redress of their right damnation to a god who need be interceded with bassackwards or obliquely. Some knew him to nod to and nodded but the hand he raised to greet them with seemed held in a gesture of dread. He moved on in the accomplished dusk. Night found him in the B&J with Bucket and J-Bone and he danced with a young girl who slewed against him shamelessly. Blackhaired, her grimestreaked legs fullthighed under the thin dress, she moved with a kind of lyrical obscenity. She had a tooth out in the front and when she smiled she’d poke the tip of her tongue in the gap. When the place closed they rode through the streets in the back of a cab and he cupped her breast in his palm and she put her tongue in his mouth. He clove her damp and naked thighs with his hand, the moist warm pouched everything tucked under his finger in the silk-crotched crevice there. He took her to Ab Jones’s first. An after-hours place, he told her. He’d had them leap from the cab at the sight of his own dark houseboat there on the deserted riverfront. They drank in a corner and he took her down to his shack and lit the lamp and turned the wick low in the glass.

She sat there on the cot in her pale blue drawers while he ran his tongue in her ear. Her drinking her beer, quivering a little. Bitter taste of wax and the weight of her plump young tit naked in his hand. As she lay back he could see her dull hypoplastic doll’s face and her full vapid look for a moment before her head went under the dark of the wall. He fell asleep sprawled against her.

He’d been sleeping he knew not how long when a light flared somewhere and the joints in the shanty wall were lit like a bead curtain. He thought it was the sweep of a barge’s shorelight but he heard a motor running just beyond his door. He thought police. The motor ceased and the lights dimmed to nothing. He heard a car door slam. He sat up in the cot.

What is it? she said.

I dont know.

Steps on the catwalk, a knock at the door.

Who is it? said Suttree.

It’s me.

Who?

Me. Leonard.

Mother of God, said Suttree.

Who is it? said the girl.

Suttree rose from the cot and scrabbled about for his breeches. He got them on and went to the table and turned up the wick in the lampchimney. The girl sat up in the bed with her arms folded across her breasts. Who is it? she said. She was pulling the sheet over herself.

Suttree opened the door. Leonard had not lied. It was himself. Eyes huge and earnest. He spoke in an excited whisper. I got him, he said.

You what?

I got him. He’s in the trunk.

Suttree tried to shut the door.

You’re breakin my goddamned foot, Sut.

Get it out of the fucking door then.

Listen Sut …

I said no, goddamnit.

It’s too late Sut. I got him out here I’m tellin you.

You’re crazy Leonard. You hear me?

I’ll pay ye, Sut.

Get away. Go get one of your faggot friends to do it.

You caint get them motherfuckers to do nothin. Listen, the old lady told me to tell you she never would forget you for it. Listen …

You tell him to watch his mouth, the girl called out. There’s ladies in here if he dont know it.

Who the fuck is that? said Leonard.

Suttree sagged against the jamb. The lamp on the table behind him was smoking and he stood away from the door and adjusted the wick. You son of a bitch, he said.

Leonard came in and shut the door behind him and leaned against it. He smelled peculiar. Whew, he said. I was afraid you might not be home.

Would to God I wasnt, said Suttree. He pushed back a chair and slumped wearily at the table.

Why didnt you tell me they was someone in here? said Leonard. He nodded affably toward the girl in the bed. Hidy, he said.

Why dont you just go away, said Suttree.

Listen. Come on outside where we can talk.

No.

He glanced impatiently at the girl. We caint talk in here, he whispered hoarsely.

I want to go home, the girl said.

Suttree laid his head on the table. Leonard tugged at his elbow. Sut? he said. Hey Sut.

He got up and got his shoes and put them on. He pulled on his shirt.

Where you goin? the girl wanted to know.

I’ll be right back.

I want to go home.

Just wait a minute, will you?

They walked down the plank and out through the weeds and Suttree sat down. It was a warm night and the city behind them drawn upon the dark with its neon geometry seemed somehow truer than the shape it wore by day. The lights on the far side of the river stood recast in the water like torches shimmering inexplicably just beneath the surface.

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