A. Yehoshua - Friendly Fire - A Duet

"But of course," interrupts the expert vigorously. "What does he care? He's stingy over every turn of a screw that doesn't bring him any income. I've known him since childhood; he's sort of my stepfather."

"Gottlieb is your stepfather?" The elder Ya'ari trembles with astonishment and futilely attempts to edge his wheelchair closer to her. The rain clatters on the roof of the ambulance; the small windows are steamed up.

"You didn't know? He never gave a hint?"

"Nothing."

"It's just like him to conceal our family relationship. My father worked for him in the factory, and after he died, Gottlieb advised my mother to send me off to a kibbutz, to save money and also so he could get close to her. Whenever I came back on holiday, he would go into a funk and disappear from the house, to avoid any responsibilities. I was always abnormal in his opinion, for one thing because I remained short and skinny. At first he disapproved totally of my working in the regional auto repair shop. This didn't fit his view of women. He thought it was more appropriate for me to work in the kitchen or the kibbutz laundry. But when it turned out I had this talent for hearing technical flaws, and I proved it with elevators he was making, he got all excited and invited me to work for him. And yet to this day it's hard for him to admit openly that I'm also a member of the family. I think I frighten him a little."

"Why?" Ya'ari inquires.

"What do I know? I think he's a little scared of things that seem irrational to him, mystical stuff. To him it's as if I heard voices, and people like him are afraid that even if they can make good use of it, one day it'll come back to haunt them and they'll lose all their money."

Old Ya'ari bursts out laughing and squeezes her hand with affection.

"But really, how did you get to be such an expert? Moran was also impressed by you."

"It may surprise you, but my hearing was discovered by way of music."

"What kind of music, my dear?" asks the old man, apparently enchanted by this childlike woman.

"Maybe you've heard of the musical celebrations at Kfar Blum, the chamber music festival that Israel Radio puts on every year at the kibbutz? Civilized people come there from all over the country to hear performances of classical music, hoping it will turn them into classy people. The kibbutz is responsible for all the administration, operations, and housing, and it's a good business. And there're a lot of jobs, too. Ticket-takers, ushers, staff to organize the rehearsal rooms, set up chairs and music stands, move pianos, see to the lighting. The public at the festival is invited to attend rehearsals, and those who know best say that this is the peak experience. There are even connoisseurs who don't go to any concerts at all, only to the rehearsals. After the army I began to work in the support staff, and I ended up at a lot of those rehearsals, where I would hear comments about tempo and tone color, the subtleties of vibrato and half-muted crescendi, and mischievous glissandi, and also how not to screech and play out of tune. And really, since Bach fugues and Mozart sonatas have been played for a few hundred years, can anything new be added to them in the social hall of Kfar Blum, except maybe some tiny nuance of interpretation? So I would sit there, fascinated, my ears wide open, and when they showed me how music is written, I discovered that I had not only good hearing but also perfect pitch, meaning that I can not only hear the intervals between notes but also identify every note by name, and even sing music from the page in the right register."

"Perfect pitch without ever studying music?"

"Yes, apparently I was born with it. And when I learned that I had hearing like this, I started to listen to sounds at the garage too, to put my sensitive ears to use finding the connection between grating noises and other weird sounds in trucks and tractors and malfunctions in their engines, and it turned out I could hear tiny noises, and if you took care of them in time, you could avoid a whole lot of trouble later. I mean, in this country, until something actually breaks down or falls apart, nobody pays attention or takes preventive measures. Even right now I can hear the automatic transmission in this ambulance scraping when it changes gears, and our driver, when we get to Jerusalem, ought to check the oil in the gearbox so we don't get stuck in the rain on the way back."

DANIELA CANNOT REMEMBER the ages of the rock fragments that were laid out beside her dinner plate four days ago, on that unforgettable evening at the dig, but she did grasp the archaeologist's explanation of evolutionary "transmission" and believes that when the time comes she will be able to summarize it for Amotz. Her Ugandan visitor is the only member of the research team who holds a Ph.D., and from the archaeology department of the University of London, no less, and this strengthens his self-confidence and his independence, as he boldly invites himself into the chamber of a foreign lady to make a highly unusual request.

"I am sorry for the disturbance and invasion of your privacy," apologizes the slender black man, as he seats himself on the stool at the foot of the bed, "but since we know that tomorrow you are returning to your country, and we are returning this evening to our excavations, we have decided to speak with you in private even before getting Jeremy's approval. It is very important to us that you will hear our request first, so you may consider it on your own, before consulting with your brother-in-law. You see that I am not speaking only for myself but also for my friends, who are happy for your short visit and your very generous interest. But first of all I wish to ask you, is there any chance that you will return to Tanzania or to Africa within the next year?"

"Return to Africa in the next year?" She smiles. "I don't think so. More likely I will never come back. This is a private visit, sort of a visit of consolation for me and my brother-in-law, and it has fulfilled its purpose. I also don't think my husband will agree to another separation from me. We visited Tanzania together three years ago, when my sister was still alive, and together with her and her husband we went to the nature preserves. If Jeremy decides to stay with you, he will have to come to see us."

Despite the archaeologist's appreciation of her presence now, Daniela senses that he is pleased that she has no intention of making another trip, as if his request were dependent upon her leaving here forever.

"By the way, Jeremy also will not be able to stay with us a long time."

"Why?" she inquires, a bit concerned.

"Because the research team has a budget for only one more year, and after that we will return to our respective countries. But I believe Jeremy is already looking for another position."

"Where?" she asks, scowling. "He'd be better off coming back to Israel."

"But he doesn't think your country has a chance."

"Nonsense… don't listen to what he says."

Dr. Kukiriza is surprised by the sudden storminess of the Israeli woman, which is followed by a long silence. Only slowly does he overcome his hesitancy, and in a gentle voice begins in a roundabout fashion to explain his request. He starts with the plight of the African scientist, who for all his personal boldness and independence is still officially dependent upon the evaluations of the white researcher who controls the official archival record and the state-of-the-art laboratories. There are members of the team who correspond by e-mail with scholars in America and Europe who study the great apes of Africa, and who report to their colleagues what we have discovered here and hope to find in the future, but even if these whites encourage Africans, they cannot confer final scientific verification on their work until they see and feel the actual evidence, and this verification is essential not only for our confidence and feelings of self-worth but also to increase our funding.