Nadine Gordimer - The Lying Days

“Where you off to, miss?”

I would never admit I was tired, never admit I had had enough. It was never too early for me to get up, never so late that I would want to go to bed. At night when Mrs. Koch had gone to her room, Ludi and I went out onto the veranda and talked in the dark. As it got later, the talk got easier, until it seemed to me that if one could go on talking and talking as the night went deeper one would finally get to the other person; just before morning I would find what Ludi really was. … But instead I would find myself going quietly past the closed doors of the passage in the settled silence of one o’clock, lying at last in my bed with all the disparate images of him flashing in and out like lights in my mind. Half-sentences that did not connect, this mouth opening to say something I lost …? And then, before sleep, a sudden desire to move, to turn face down on my breasts in the bed. And all night, under my sleep, an alertness for morning.

In my absorption, as if I moved in a trance of excitement, my eyes always on a vision of Ludi, I did not see and so believed that Mrs. Koch did not see any change in the air between Ludi and me. But of course this was not possible. Where for the first part of my stay, he had come and gone with his customary self-sufficiency, now he spent his time at home and wherever he went, took me with him. Yet she accepted this shift of emphasis in the relationship between the three of us with evident placidity; I believe now that she considered it only natural that I should become a disciple of her worship for Ludi, and that, partly out of kindness, partly out of an acceptance of his due, Ludi would let me worship him. She did not fear any woman in what she knew of Ludi, so she certainly feared nothing from so young a girl, a child in comparison with him. I think she was touched by what she saw in me; as someone who has been in the faith a long time is moved by the ecstatic face of the new convert.

“Did you enjoy yourself, Nell?” she would say to me. — We went to the beach in the morning on our own; perhaps because we hadn’t asked her, or because she had forestalled this by saying that she could not come. We had walked a long way, past the rocks where no one but Ludi himself came to fish, and he had unfastened the halter of my wet bathing suit and peeled it down from my breasts. Neither he, nor anyone else, had ever touched or seen me before. I let him do this in stillness, looking down at myself as if we made the discovery together. I thought the skin of my breasts too white against the brown of my neck and arms; damp and cold from the sea they turned out away from each other and the left one trembled jerkily with the nervous beat of my heart beneath. Round the nipples tiny fragments of shell and pebble, worn membrane-thin by the water, stuck, shiny, pinkish-pearly to the skin. I lay so still I might have been waiting for a dagger. But Ludi, with a tone of delight that astonished me, smiled, “Look, the sea has been here. … You’re all gritty.”

— Yet I found it perfectly easy to answer Mrs. Koch: “Lovely. It wasn’t so windy today. We saw that sister of Mrs. Meintjes’ on the road. She expects them sometime on Thursday, because the old father’s been ill, and Davey had a cold, and goodness knows what else. …” It was only when I took off my bathing suit to dress in my room that I paused, catching sight of myself in the greenish, watery mirror that fronted the old wardrobe, and thought, not with shame but with a sense of unreality, of Mrs. Koch’s question that was not a question and my answer that was not an answer. And I understood that almost all of my life at home, on the Mine, had been like that, conducted on a surface of polite triviality that was insensitive to the real flow of life that was being experienced, underneath, all the time, by everybody. The fascination of the gap between the two came to me suddenly; I remembered, even out of childhood, expressions on faces, the tone of a commonplace sentence spoken unimportantly, the look of a person’s back as he left on some unquestioned excuse. It was not the knowledge of a secret life beneath so much as the maintenance of the unruffled surface itself that was exciting. Now it seemed to me that every casual explanation might, not conceal, but simply float above, like the reflection of the sky which the water shows rather than its own depths, happenings as strange and wordless as the time I had just spent with Ludi.

Since he had caressed me, Ludi’s physical presence overcame me like a blast of scent; the smell of his freshly ironed shirt sleeve, as he leaned across me at the table, made me forget what I was saying to Mrs. Koch; the pulse beating beneath the warm look of the skin on his neck where there was no beard held my eyes; the contact of his bare leg against mine in the car almost choked me as something opened up inside my body, pressing against my heart and opening, opening. When somebody spoke to him my heart pounded slowly, as if the significance of talking to him was something they could not understand as I did. When Matthew called Master Ludi! Master Lu-di! across the garden, I smiled alone with warm pleasure. And I began to watch anxiously every young woman who knew the Kochs and who came to the house or was visited or merely met with in the village. I began to be terribly afraid that someone else might feel Ludi’s presence as suffocatingly as I did. I ran over names anxiously in my mind. I even began to worry about the things he wore. I noticed that he had two pairs of hand-knitted socks, and remembered that Mrs. Koch had told me that the one piece of knitting she would never attempt was the knitting of socks. I went to the trouble of planning and rehearsing a whole dialogue in my mind that would lead up naturally to the name of the giver of the socks. When I put it into practice, Mrs. Koch’s innocent digressions led the conversation away from instead of toward the subject of the socks, and I was left with the question unanswered and suddenly more urgent than ever. Ludi was putting water in the car. I went straight out to him. I walked round the car once and then stopped.

“Ludi, who made those socks for you?”

“What socks?”

I faltered—“You know. Your mother’s darning them, a sort of light blue pair, and some gray ones.”

“Why, what’s wrong with them? Mrs. Plaskett made them for old Plaskett and they were too big. What’s wrong about them?”

But to my dismay I found that the sense of security is something that is constantly in danger in love. A day later, when Ludi was clearing out an ottoman full of old clothes, he came upon a pullover that he had evidently believed lost. He came into the kitchen, holding it up. “Look what’s here. …”

Mrs. Koch left the tap running. “Maud’s pull-over! But where was it?”—Then it reminded her, she rubbed her wet hands reproachfully down her apron—“Ludi, you should have gone over there, you know. They would so like to have seen you. You really should. …”

“No harm came to it.” Ludi was holding the pull-over up to the light, carefully. “Not even a moth. I told you that stuff was jolly good, Mother. Look, it’s been in that ottoman mixed up with a lot of rubbish for months, and there’s not even a pinhole.” Now they went on to argue about the name of the insecticide that had been used to spray the ottoman, and the pull-over was forgotten. Later I said, as if I had just remembered: “What did you do with that pullover you found, Ludi?”—It was discovered that it was lost all over again, because he’d put it down in the kitchen and left it there. Then Matthew found it in the linen basket.

“How all the old ladies look after you,” I said. “Everyone seems to contribute to your wardrobe.”

“She’s not an old lady.”

“But your mother said, ‘Maud’s pull-over.’ ”