Lydia Davis - Varieties of Disturbance

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Varieties of Disturbance: краткое содержание, описание и аннотация

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Lydia Davis has been called “one of the quiet giants in the world of American fiction” (
), “an American virtuoso of the short story form” (
), an innovator who attempts “to remake the model of the modern short story” (
). Her admirers include Grace Paley, Jonathan Franzen, and Zadie Smith; as
magazine observed, her stories are “moving. . and somehow inevitable, as if she has written what we were all on the verge of thinking.”
In
, her fourth collection, Davis extends her reach as never before in stories that take every form from sociological studies to concise poems. Her subjects include the five senses, fourth-graders, good taste, and tropical storms. She offers a reinterpretation of insomnia and re-creates the ordeals of Kafka in the kitchen. She questions the lengths to which one should go to save the life of a caterpillar, proposes a clear account of the sexual act, rides the bus, probes the limits of marital fidelity, and unlocks the secret to a long and happy life.
No two of these fictions are alike. And yet in each, Davis rearranges our view of the world by looking beyond our preconceptions to a bizarre truth, a source of delight and surprise.
Varieties of Disturbance

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You look forward to a party as you never used to look forward to a party, now that you are at home alone with him so much. But at this party you will not be able to talk to anyone for more than a few minutes, because he cries so constantly, and in the end he will be your only company, in a back bedroom.

Questions

How do his eyes know to seek out your eyes? How does his mouth know it is a mouth, when it imitates yours?

His Perceptions

You learn from reading it in a book that he recognizes you not by the appearance of your face but by your smell and the way you hold him, that he focuses clearly on an object only when it is held a certain distance from him, and that he can see only in shades of gray. Even what is white or black to you is only a shade of gray to him.

The Difficulty of a Shadow

He reaches to grasp the shadow of his spoon, but the shadow reappears on the back of his hand.

His Sounds

You discover that he makes many sounds in his throat to accompany what is happening to him: sounds in the form of grunts, air expelled in small gusts. Then sometimes high squeaks, and then sometimes, when he has learned to smile at you, high coos.

Priority

It should be very simple: while he is awake, you care for him. As soon as he goes to sleep, you do the most important thing you have to do, and do it as long as you can, either until it is done or until he wakes up. If he wakes up before it is done, you care for him until he sleeps again, and then you continue to work on the most important thing. In this way, you should learn to recognize which thing is the most important and to work on it as soon as you have the opportunity.

Odd Things You Notice about Him

The dark gray lint that collects in the lines of his palm.

The white fuzz that collects in his armpit.

The black under the tips of his fingernails. You have let his nails get too long, because it is hard to make a precise cut on such a small thing constantly moving. Now it would take a very small nailbrush to clean them.

The colors of his face: his pink forehead, his bluish eyelids, his reddish-gold eyebrows. And the tiny beads of sweat standing out from the tiny pores of his skin.

When he yawns, how the wings of his nostrils turn yellow.

When he holds his breath and pushes down on his diaphragm, how quickly his face turns red.

His uneven breath: how his breath changes in response to his motion, and to his curiosity.

How his bent arms and legs, when he is asleep on his stomach, take the shape of an hourglass.

When he lies against your chest, how he lifts his head to look around like a turtle and drops it again because it is so heavy.

How his hands move slowly through the air like crabs or other sea creatures before closing on a toy.

How, bottom up, folded, he looks as though he were going away, or as though he were upside down.

Connected by a Single Nipple

You are lying on the bed nursing him, but you are not holding on to him with your arms or hands and he is not holding on to you. He is connected to you by a single nipple.

Disorder

You learn that there is less order in your life now. Or if there is to be order, you must work hard at maintaining it. For instance, it is evening and you are lying on the bed with the baby half asleep beside you. You are watching Gaslight . Suddenly a thunderstorm breaks and the rain comes down hard. You remember the baby’s clothes out on the line, and you get up from the bed and run outdoors. The baby begins crying at being left so abruptly half asleep on the bed. Gaslight continues, the baby screams now, and you are out in the hard rainfall in your white bathrobe.

Protocol

There are so many occasions for greetings in the course of his day. Upon each waking, a greeting. Each time you enter the room, a greeting. And in each greeting there is real enthusiasm.

Distraction

You decide you must attend some public event, say a concert, despite the difficulty of arranging such a thing. You make elaborate preparations to leave the baby with a babysitter, taking a bag full of equipment, a folding bed, a folding stroller, and so on. Now, as the concert proceeds, you sit thinking not about the concert but only about the elaborate preparations and whether they have been adequate, and no matter how often you try to listen to the concert, you will hear only a few minutes of it before thinking again about those elaborate preparations and whether they have been adequate to the comfort of the baby and the convenience of the babysitter.

Henri Bergson

He demonstrates to you what you learned long ago from reading Henri Bergson — that laughter is always preceded by surprise.

You Do Not Know When He Will Fall Asleep

If his eyes are wide open staring at a light, it does not mean that he will not be asleep within minutes.

If he cries with a squeaky cry and squirms with wiry strength against your chest, digging his sharp little fingernails into your shoulder, or raking your neck, or pushing his face into your shirt, it does not mean he will not relax in five minutes and grow heavy. But five minutes is a very long time when you are caring for a baby.

What Resembles His Cry

Listening for his cry, you mistake, for his cry, the wind, seagulls, and police sirens.

Time

It is not that five minutes is always a very long time when you are caring for a baby but that time passes very slowly when you are waiting for a baby to go to sleep, when you are listening to him cry alone in his bed or whimper close to your ear.

Then time passes very quickly once the baby is asleep. The things you have to do have always taken this long to do, but before the baby was born it did not matter, because there were many such hours in the day to do these things. Now there is only one hour, and again later, on some days, one hour, and again, very late in the day, on some days, one last hour.

Order

You cannot think clearly or remain calm in such disorder. And so you learn to wash a dish as soon as you use it, otherwise it may not be washed for a very long time. You learn to make your bed immediately because there may be no time to do it later. And then you begin to worry regularly, if not constantly, about how to save time. You learn to prepare for the baby’s waking as soon as the baby sleeps. You learn to prepare everything hours in advance. Then your conception of time begins to change. The future collapses into the present.

Other Days

There are other days, despite what you have learned about saving time, and preparing ahead, when something in you relaxes, or you are simply tired. You do not mind if the house is untidy. You do not mind if you do nothing but care for the baby. You do not mind if time goes by while you lie in the hammock and read a magazine.

Why He Smiles

He looks at a window with serious interest. He looks at a painting and smiles. It is hard to know what that smile means. Is he pleased by the painting? Is the painting funny to him? No, soon you understand that he smiles at the painting for the same reason he smiles at you: because the painting is looking at him.

A Problem of Balance

A problem of balance: if he yawns, he falls over backward.

Moving Forward

You worry about moving forward, or about the difference between moving forward and staying in one place. You begin to notice which things have to be done over and over again in one day, and which things have to be done once every day, and which things have to be done every few days, and so on, and all these things only cause you to mark time, stay in one place, rather than move forward, or, rather, keep you from slipping backward, whereas certain other things are done only once. A job to earn money is done only once, a letter is written saying a thing only once and never again, an event is planned that will happen only once, news is received or news passed along only once, and if, in this way, something happens that will happen only once, this day is different from other days, and on this day your life seems to move forward, and it is easier to sit still holding the baby and staring at the wall knowing that on this day, at least, your life has moved forward; there has been a change, however small.

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