Lydia Davis - Varieties of Disturbance

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Lydia Davis has been called “one of the quiet giants in the world of American fiction” (
), “an American virtuoso of the short story form” (
), an innovator who attempts “to remake the model of the modern short story” (
). Her admirers include Grace Paley, Jonathan Franzen, and Zadie Smith; as
magazine observed, her stories are “moving. . and somehow inevitable, as if she has written what we were all on the verge of thinking.”
In
, her fourth collection, Davis extends her reach as never before in stories that take every form from sociological studies to concise poems. Her subjects include the five senses, fourth-graders, good taste, and tropical storms. She offers a reinterpretation of insomnia and re-creates the ordeals of Kafka in the kitchen. She questions the lengths to which one should go to save the life of a caterpillar, proposes a clear account of the sexual act, rides the bus, probes the limits of marital fidelity, and unlocks the secret to a long and happy life.
No two of these fictions are alike. And yet in each, Davis rearranges our view of the world by looking beyond our preconceptions to a bizarre truth, a source of delight and surprise.
Varieties of Disturbance

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I have learned a lesson Mrs. D and I’ll never lie to you again. I would be the happiest person, if you would give me another chance to work at the Maples. I want to very much because you wouldn’t have to give me any money then. I hate to ask you for it, and I do need it. I don’t like you to have to pay my cleaning bills, & money for the bus & things like that, that I have to ask you for all the time. You wouldn’t even have to give me an allowance. I promise you with my whole heart that you wouldn’t regret it. If you say be home at six-thirty I’d be home if I had to leave everything in a mess. Ray told me when he called today that the girls who work there said they never missed anyone as they missed me sunday. I couldn’t get a job anywhere and make as good money as I do there, one day a week. I only want to work on Sundays, & no other place would want a person who could work just that time. Beckmann’s only pay 45 ¢ an hr. & the Walkers pay 60 ¢ besides the tips. Lots of the kids from high school came down that sunday, because I was working & it certainly helps the business. It is hard work but I love it, and would never complain about being tired. Ray also told me that Dixie wasn’t putting anyone on steady for Sundays, because he was waiting to see if I could come back. Dixie knows why I can’t do it anyway, because I told him why I’m here. He would be willing to help me, I know. I’m begging you for this one chance, and if it doesn’t work, I’ll go back to the school. I’d hate to but I would be willing to go if I knew I did something wrong.

Shirley

Shirley is Forgiven, but Eventually Leaves Mrs. D of Her own Accord After Shirley, there is Joan Brown, Though Not for Long

From her new job, Joan sends a note to Mrs. D’s little boy:

Everyone has their ups and downs. At our house, they are nearly all downs. I guess its the same at yours.

I really enjoyed working at your house, and I didn’t really understand myself, for more or less wanting to leave. But it is much more pleasant working at a store.

You shall never know how I feel about doing housework all the time, as you shall probably never experience it.

How Many Maids Will Mrs. D Have in Her Lifetime?

Mrs. D will have at least one hundred maids in her lifetime. At a certain point she stops calling them maids and begins to call them cleaning women. They don’t live in her house, but come in from outside.

After Joan is Long Gone, Mrs. D Writes to a Friend

What I am doing is trying to start a new cleaning woman digging out some of the accumulations of this and that.

Names of Some Later Maids, With Characteristics

Ingrid from Austria, with them for a year: moved to Switzerland

Doris: came to clean twice a week

Mrs. Tuit, pronounced “Toot”: was hit on the head by a music stand

Anne Foster: lost a ring at the beach

Mrs. Bushey: deaf as a doorpost

20 Sculptures in one Hour

1.

The problem is to see 20 sculptures in one hour. An hour seems like a long time. But 20 sculptures are a lot of sculptures. Yet an hour still seems like a long time. When we calculate, we discover that one hour divided by 20 sculptures gives us three minutes a sculpture. But though the calculation is correct, this seems wrong to us: three minutes is far too little time in which to see a sculpture, and it is also far too little to be left with, after starting with a whole hour. The trouble, we suppose, is that there are so many sculptures. Yet however many sculptures there are, we still feel we ought to have enough time if we have an hour. It must be that although the calculation is correct, it does not represent the situation correctly, though how to represent the situation correctly in terms of a calculation, and why this calculation does not really represent it, we can’t yet discover.

2.

The answer may be this: one hour is really much shorter than we have become accustomed to believe, and three minutes much longer, so that we may eventually reverse our problem and say that we start with a fairly short period of time, one hour, in which to see 20 sculptures, and find after calculation that we will have a surprisingly long period of time, three minutes, in which to look at each sculpture, although at this point it may begin to seem wrong that so many periods lasting so long, three minutes each, can all be contained in so short a period, one hour.

Nietszche

Oh, poor Dad. I’m sorry I made fun of you.

Now I’m spelling Nietszche wrong, too.

What You Learn About the Baby

Idle

You learn how to be idle, how to do nothing. That is the new thing in your life — to do nothing. To do nothing and not be impatient about doing nothing. It is easy to do nothing and become impatient. It is not easy to do nothing and not mind it, not mind the hours passing, the hours of the morning passing and then the hours of the afternoon, and one day passing and the next passing, while you do nothing.

What You Can Count on

You learn never to count on anything being the same from day to day, that he will fall asleep at a certain hour, or sleep for a certain length of time. Some days he sleeps for several hours at a stretch, other days he sleeps no more than half an hour.

Sometimes he will wake suddenly, crying hard, when you were prepared to go on working for another hour. Now you prepare to stop. But as it takes you a few minutes to end your work for the day, and you cannot go to him immediately, he stops crying and continues quiet. Now, though you have prepared to end work for the day, you prepare to resume working.

Don’t Expect to Finish Anything

You learn never to expect to finish anything. For example, the baby is staring at a red ball. You are cleaning some large radishes. The baby will begin to fuss when you have cleaned four and there are eight left to clean.

You Will Not Know What is Wrong

The baby is on his back in his cradle crying. His legs are slightly lifted from the surface of his mattress in the effort of his crying. His head is so heavy and his legs so light and his muscles so hard that his legs fly up easily from the mattress when he tenses, as now.

Often, you will wonder what is wrong, why he is crying, and it would help, it would save you much disturbance, to know what is wrong, whether he is hungry, or tired, or bored, or cold, or hot, or uncomfortable in his clothes, or in pain in his stomach or bowels. But you will not know, or not when it would help to know, at the time, but only later, when you have guessed correctly or many times incorrectly. And it will not help to know afterward, or it will not help unless you have learned from the experience to identify a particular cry that means hunger, or pain, etc. But the memory of a cry is a difficult one to fix in your mind.

What Exhausts You

You must think and feel for him as well as for yourself — that he is tired, or bored, or uncomfortable.

Sitting Still

You learn to sit still. You learn to stare as he stares, to stare up at the rafters as long as he stares up at the rafters, sitting still in a large space.

Entertainment

For him, though not usually for you, merely to look at a thing is an entertainment.

Then, there are some things that not just you, and not just he, but both of you like to do, such as lie in the hammock, or take a walk, or take a bath.

Renunciation

You give up, or postpone, for his sake, many of the pleasures you once enjoyed, such as eating meals when you are hungry, eating as much as you want, watching a movie all the way through from beginning to end, reading as much of a book as you want to at one sitting, going to sleep when you are tired, sleeping until you have had enough sleep.

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