Lydia Davis - The Collected Stories of Lydia Davis

When spring came, the winds died down and the sun was bright. At evening, long shadows fell across our floors, and only the glint of a knife blade could survive the darkness. And the darkness fell across our spirits, too. We no longer had a kind word for anyone. We went to our fields grudgingly. Silently we stared at the strangers who came to see our fountain and our church: we leaned against the lip of the fountain, our boots crossed, our maimed dogs shying away from us.

Then the road fell into disrepair. No strangers came. Even the traveling priest no longer dared enter the village, though the sun blazed in the water of the fountain, the valley far below was white with flowering fruit and nut trees, and the heat seeped into the pink stones of the church at noon and ebbed out at dusk. Cats paced silently over the beaten dirt, from doorway to doorway. Birds sang in the woods behind us. We waited in vain for visitors, hunger gnawing at our stomachs.

At last, somewhere deep in the heart of the cedar trees, our wives stirred and thought of us. And lazily, it seemed to us, carelessly, returned home. We looked on their mean lips, their hard eyes, and our hearts melted. We drank in the sound of their harsh voices like men coming out of the desert.

The problem was the cats in the prison recreation hall. There were feces everywhere. The feces of a cat try to hide in a corner and when discovered look angry and ashamed like a monkey.

The cats stayed in the prison recreation hall when it rained, and since it rained often, the hall smelled bad and the prisoners grumbled. The smell did not come from the feces but from the animals themselves. It was a strong smell, a dizzying smell.

The cats could not be driven away. When shooed, they did not flee out the door but scattered in all directions, running low, their bellies hanging. Many went upward, leaping from beam to beam and resting somewhere high above, so that the prisoners playing Ping-Pong were aware that although the dome was silent, it was not empty.

The cats could not be driven away because they entered and left the hall through holes that could not be discovered. Their steps were silent; they could wait for a person longer than a person would wait for them.

A person has other concerns, but at each moment in its life, a cat has only one concern. This is what gives it such perfect balance, and this is why the spectacle of a confused or frightened cat upsets us: we feel both pity and the desire to laugh. It faces the source of danger or confusion and its only recourse is to spit a foul breath out between its mottled gums.

The prisoners were all small men that year. They had committed crimes that could not be taken very seriously and they were treated with leniency. Now, although small men are often inclined to take pride in their good health, these prisoners began to develop rashes and eczemas. The backs of their knees and the insides of their elbows stung and their skin flaked all over. They wrote angry letters to the governor of their state, who also happened to be a small man that year. The cats, they said, were causing reactions.

The governor took pity on the prisoners and asked the warden to take care of the problem.

The warden had not been inside the hall in years. He entered it and wandered around, sickened by the curious smell.

In the dead end of a corridor, he cornered an ugly tomcat. The warden was carrying a stick and the cat was armed only with its teeth and claws, besides its angry face. The warden and the cat dodged back and forth for a time, the warden struck out at the cat, and the cat streaked around him and away, making no false moves.

Now the warden saw cats everywhere.

After the evening activities, when the prisoners had been shut up in their cell blocks, the warden returned carrying a rifle. All night long, that night, the prisoners heard the sound of shots coming from the hall. The shots were muffled and seemed to come from a great distance, as though from across the river. The warden was a good shot and killed many cats — cats rained down on him from the dome, cats flipped over and over in the hallways — and yet he still saw shadows flitting by the basement windows as he left the building.

There was a difference now, however. The prisoners’ skin condition cleared. Though the bad smell still hung about the building, it was not warm and fresh as it had been. A few cats still lived there, but they had been disoriented by the odors of gunpowder and blood and by the sudden disappearance of their mates and kittens. They stopped breeding and skulked in corners, hissing even when no one was anywhere near them, attacking without provocation any moving thing.

These cats did not eat well and did not clean themselves carefully, and one by one, each in its own way and in its own time died, leaving behind it a different strong smell that hung in the air for a week or two and then dissipated. After some months, there were no cats left in the prison recreation hall. By then, the small prisoners had been succeeded by larger prisoners, and the warden had been replaced by another, more ambitious; only the governor remained in office.

Wife one calls to speak to son. Wife two answers with impatience, gives phone to son of wife one. Son has heard impatience in voice of wife two and tells mother he thought caller was father’s sister: raging aunt, constant caller, troublesome woman. Wife one wonders: is she herself perhaps another raging woman, constant caller? No, raging woman but not constant caller. Though, for wife two, also troublesome woman.

After speaking to son, much disturbance in wife one. Wife one misses son, thinks how some years ago she, too, answered phone and talked to husband’s raging sister, constant caller, protecting husband from troublesome woman. Now wife two protects husband from troublesome sister, constant caller, and also from wife one, raging woman. Wife one sees this and imagines future wife three protecting husband not only from raging wife one but also from troublesome wife two, as well as constantly calling sister.

After speaking to son, wife one, often raging though now quiet woman, eats dinner alone though in company of large television. Wife one swallows food, swallows pain, swallows food again. Watches intently ad about easy-to-clean stove: mother who is not real mother flips fried egg onto hot burner, then fries second egg and gives cheerful young son who is not real son loving kiss as spaniel who is not real family dog steals second fried egg off plate of son who is not real son. Pain increases in wife one, wife one swallows food, swallows pain, swallows food again, swallows pain again, swallows food again.

I stare at four fish in a tank in the supermarket. They are swimming in parallel formation against a small current created by a jet of water, and they are opening and closing their mouths and staring off into the distance with the one eye, each, that I can see. As I watch them through the glass, thinking how fresh they would be to eat, still alive now, and calculating whether I might buy one to cook for dinner, I also see, as though behind or through them, a larger, shadowy form darkening their tank, what there is of me on the glass, their predator.

A woman has written a story that has a hurricane in it, and a hurricane usually promises to be interesting. But in this story the hurricane threatens the city without actually striking it. The story is flat and even, just as the earth seems flat and even when a hurricane is advancing over it, and if she were to show it to a friend, the friend would probably say that, unlike a hurricane, this story has no center.