Carlos Fuentes - Adam in Eden

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Adam in Eden: краткое содержание, описание и аннотация

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In this comic novel of political intrigue, Adam Gorozpe, a respected businessman in Mexico, has a life so perfect that he might as well be his namesake in the Garden. But there are snakes in this Garden too, and in order to save his relationship, his marriage, his life, and the soul of his country, he may have to call upon the wrath of the angels to expel all these serpents from his Mexican Eden.
In this comic novel of political intrigue, Adam Gorozpe, a respected businessman in Mexico, has a life so perfect that he might as well be his namesake in the Garden of Eden — but there are snakes in this Eden too. For one thing, Adam’s wife Priscila has fallen in love with the brash director of national security — also named Adam — who uses violence against token victims to hide the fact that he’s letting drug runners, murderers, and kidnappers go free. Another unlikely snake is the little Boy-God who’s started preaching in the street wearing a white tunic and stick-on wings, inspiring Adam’s brother-in-law to give up his job writing soap operas to follow this junior deity and implore Adam to do the same. Even Elle, Adam’s mistress, thinks the boy is important to their salvation — especially now that it seems the other Adam has put out a contract on Adam Gorozpe. To save his relationship, his marriage, his life, and the soul of his country, perhaps Adam will indeed have to call upon the wrath of the angels to expel all these snakes from his Mexican Eden.

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“What if you and I, my namesake, support an impossible candi-date for the country’s presidency? How do you like that?”

“How do you like that?” I reply. “You’re saying you could improve the wheel by making it round.”

“No, I’m serious, what if you, who are the economic force, and I, who am law enforcement, come together to back an impossible candidate? How do you like that?”

I doubt that I’ll like the plan. “What do you mean impossible ?” I ask. “Impossible because the candidate is a blockhead, dishonest, or. .?”—I have to think before I can conclude my question—“Or because he is unthinkable?”

Góngora tries to smile. He can’t say what he’s thinking. He runs his hand over his head, adjusting his borrowed hair.

“No, impossible only so the possible one can thank him. How do you like that?”

I admit that Góngora’s mental carousel makes me dizzy. When I recover my senses, I also recover logic.

“And who, then, would be the possible one?”

“Whoever is the power behind the throne. How do you like that?”

“You know, Góngora, we already had a Maximato , and back then the president lived in the Palace and the guy in charge lived across the street.”

“Sure. Calles was the Supreme Boss, and the presidents were his puppets.”

“So, history repeats itself? Is that what you believe?”

“Nuh-uh, counselor. Not at all. Because this time whoever occupies the chair owes it not just to one Supreme Boss, but to two. How do you like that?”

Pregnant pause!

“To you and me. You are the impossible one so that we can both be possible. . How do you like that?”

“And who will be the president?”

“You, of course, my dear counselor. It couldn’t be otherwise. How do you like that? I’m not trying to trick you.”

Góngora leaves, imagining that he has, if not convinced me, at least intrigued me enough that I will consider his proposition. He’s dead wrong. In less than two minutes I figure out that this idiot thinks he’s smart, that he has become drunk on the sweet nectar of power, that he has no idea with whom he’s dealing — Adam Gorozpe — and that perhaps, this stone-age Don Juan believes that forming an alliance with me transforms his love affair with Priscila into, I don’t know, a ménage-à-trois , which would not stop it anyway from being a ridiculous burlesque.

P.S. I invite Abelardo Holguín to lunch at the Bellinghausen. He arrives, as usual. But there is something different about him, something about him that I don’t recognize.

Chapter 29

I don’t know. Not knowing disturbs me. It’s even more disturbing not to know what I thought I knew. Why are my business associates wearing dark sunglasses? I’ve been clear on this issue: I am not going to lower myself to their level; I’m not going to ask them. If they want to put on little blind-man faces, that’s a reflection on them.

My family relations wear, if not sunglasses, then blinders, like the ones coachmen fit on their horses’ heads to block their peripheral vision, so they can trot straight ahead without being frightened, as though all were well with their world.

My relationship with L is looking ugly, pretty ugly.

Priscila is on cloud nine. She floats. She still talks nonsense, and now she looks more stunned than ever, as if her new situation had left her bedazzled. Before, her indifference to cause and effect was spontaneous — a part of her — but now it seems, paradoxically, tied to some reality that I try to understand as she walks up the stairs, arms raised, her robe trailing, while she proclaims, “I am the Queen of Spring,” then pauses on the landing to slap the new maid who is descending with a stack of clean towels.

On another day, I catch Góngora in the small living room, kneeling before Priscila, as if a dwarf like him would need to get down on bended knee to declare his love. Even standing, that measly little man seems to be kneeling.

He could have been saying anything, because she kept whispering, “Go on, tell me more. . Tell me more. .”

This idiotic request makes me think that Góngora and Priscila are still experiencing the first blush of love. Perhaps he’s still courting her, and while she lets herself be loved by him, they’ve yet to jump each other’s bones or into bed. But there is ample room for doubt: What about Priscila’s lies when she disappears for the afternoon? Does she sleep with Góngora, or do they drink milkshakes at Sanborns, a saintly couple like Mickey Rooney and Judy Garland in some of the movies I like to discuss with Abelardo?

Whatever their relation, Góngora straightens up when he hears my footsteps and, because he is no fool, he greets me politely. But Priscila, who is one, exclaims, “Oh, Mr. Góngora was only tying his shoe. Brazil, Brazilian, land of samba and. .”

I stare at Góngora’s shoes with a disdain that turns to admiration when I remember that he doesn’t wear cuban heels.

I greet him with a nod of the head and leave, thinking that, after all, I would be hard-pressed to give a flying fuck what Priscila and Góngora are up to. That’s their problem; I can’t think of a better punishment for both than to become each other’s lovers. I realize, with a disappointed sigh, that I have no interest in them.

What really has me upset is the situation with L.

We’ve never been as distant as we are now. My problems at my office (the mystery of the dark sunglasses) and at home (the transparent relationship of Góngora and Priscila) are minor.

L, however, has been my life . This is easily said but — at the risk of sounding redundant — nobody can prove or give meaning to the expression unless he lives that life . My relationship with L, interrupted by my ill-conceived remark the other day (“You have to understand, we need to take a break for a while.”), brings me back to earth, in the sense that, until now, I have always been the winner . Do my readers understand me? Everything has gone well for me, without my even wishing for it; whatever I do, things turn out in my favor.

You can call me King Midas or Rothschild or Trimalchio and even defame my profession (“The first thing we do,” said a real dick, “let’s kill all the lawyers”), but the truth is that I put effort into what I do, and I realize that my actions only succeed because of some unforeseen element in them, an element of chance, a fortune that favors me without my having to imagine it.

My good fortune is understood publicly, and that’s fine. What nobody but me knows is the source of my good luck. My good luck, the source of my good luck, has a name and a voice: L. Without L, everything else would fall apart. Or if everything existed, it wouldn’t be worth a pile of beans. I’m not saying anything that the reader doesn’t know. Each of us understands that there is a private value that affects the external value of things. Having money, professional success, friends, and all the good things in life is ultimately based on the existence of a fundamental loving relationship. Be it with one’s father or mother; with both; with one’s children; with one’s closest friends; with some teacher (Filopáter). Nothing grows without that seed. To love and to know that one is loved. To understand that, even if we lack everything and the world is falling apart, if we end up in the street, whatever happens , we have the ground from which to start over again. No man — and John Donne probably meant no person —is an island. We have to share our island with someone we love, or else we live alone. The Robinson Crusoes of this world don’t grow on trees; most of us rely on the basic affection of one person or two or five people. But as long as just one person loves us, we won’t perish completely.

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