Eduardo Galeano - The Memory of Fire Trilogy - Genesis, Faces and Masks, and Century of the Wind

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For the first time, you can own all three books of Memory of Fire in a single volume.
Eduardo Galeano’s 
defies categorization — or perhaps creates its own. It is a passionate, razor-sharp, lyrical history of North and South America, from the birth of the continent’s indigenous peoples through the end of the twentieth century. The three volumes form a haunting and dizzying whole that resurrects the lives of Indians, conquistadors, slaves, revolutionaries, poets, and more.
The first book, 
, pays homage to the many origin stories of the tribes of the Americas, and paints a verdant portrait of life in the New World through the age of the conquistadors. The second book, 
, spans the two centuries between the years 1700 and 1900, in which colonial powers plundered their newfound territories, ultimately giving way to a rising tide of dictators. And in the final installment, 
, Galeano brings his story into the twentieth century, in which a fractured continent enters the modern age as popular revolts blaze from North to South.
This celebrated series is a landmark of contemporary Latin American writing, and a brilliant document of culture.

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(205)

1785: Versailles

The Potato Becomes a Great Lady

Two and a half centures ago the Spanish conquistadors brought her from Peru. Since she came so highly recommended by the Indians, Europe destined her for hogs, jailbirds, and the dying. The potato has been jeered and castigated whenever she has tried to escape from pigsties, prisons, and hospitals. In several places she was banned; and in Besançon she was accused of causing leprosy.

Antoine Parmentier got to know the potato in jail. Parmentier was in a Prussian prison and they didn’t provide anything else to eat. At first he thought her stupid, but later he came to love her and discovered her charm and savoriness.

Free again in Paris, Parmentier organizes a banquet. D’Alembert, Lavoisier, American ambassador Benjamin Franklin, and other celebrities attend. Parmentier offers them an all-potato menu: potato bread, potato soup, potato puree, salads of potatoes enlivened with dressings to taste, fried potatoes, potato buns and pastries. For dessert, potato tart. To drink, potato brandy. Parmentier makes a speech in her defense. He extolls her nutritive virtues, proclaims her necessary for the palate and for the blood, and says the potato could conquer hunger in Europe, being invulnerable to hailstorms and easily cultivated. The guests, abrim with potatoes, applaud him with emotion and conviction.

Then Parmentier convinces the king. Louis XVI orders potatoes planted in the Sablons estates near Paris, and has them surrounded by a permanent guard of soldiers. Thus, he excites curiosity and desire for the forbidden fruit.

The definitive consecration takes place at Versailles. Queen Marie Antoinette, decked out like a garden with potato flowers, bestows the royal kiss on the cheek of Antoine Parmentier. King Louis, who has still not lost his head, embraces Parmentier. All the nobility of France attends the apotheosis of the potato, in this kingdom where the art of good cuisine is the only religion without atheists.

(156 and 250)

The Potato Was Born of Love and Punishment, As They Tell It in the Andes

The Inca, they say, condemned two lovers who violated the sacred laws. Let them be buried alive and together, he decided.

She had been a virgin consecrated to the Sun god. She had fled from the temple to give herself to a peasant serf.

Alive and together, the Inca decided. They were buried in a deep pit, tied together, face up; and not a complaint was heard as the dirt covered them.

Night fell and the stars moved in unaccustomed courses. Shortly afterward, gold disappeared from the riverbeds, and the fields of the kingdom became sterile, nothing but dust and stones. Only the soil that covered the lovers was immune to the drought.

The high priests counseled the Inca to disinter the lovers, burn them and scatter their ashes to the wind. So let it be, decided the Inca.

But they could not find them. They dug wide and deep and found nothing but a root. That root multiplied and from then on the potato was the staff of the Andean people.

(248)

1790: Paris

Humboldt

At age twenty, Alexander von Humboldt discovers the ocean and revolution.

At Dunkirk the ocean struck him dumb, and in Calais the moon blossoming from the waves drew a shout of wonder. Astonishment at the sea, revelation of the revolution: in Paris, a year after July Fourteenth, Humboldt lets himself go in the sweet whirlwind of streets in fiesta, merges into the people who dance and sing to their newborn liberty.

He has lived in search of answers and found questions. Without let-up he has inquired of books, of the heavens, and of the earth, pursuing the enigmas of the soul and the mysteries of the cosmos and the secrets of beetles and stones, always in love with the world and with men and women who fill him with dizziness and panic. Alexander will never be happy, says his brother Wilhelm, his mother’s favorite child.

At twenty, fever of living, fever of going places, Humboldt swears eternal fealty to the banners of the French revolution and swears he will cross the ocean, like Balboa and Robinson Crusoe, to the lands where it is always noon.

(30 and 46)

1790: Petit Goâve

The Missing Magic

The heft of the purse can at times achieve more than the color of the skin. In Haiti, poor mulattos are blacks, and free blacks who have accumulated enough cash are mulattos. Rich mulattos pay immense fortunes to become white, although few obtain the magic document that permits the offspring of master and slave to become a doctor, to style himself Monsieur, to wear a sword, or to touch a white woman without losing an arm.

From a gallows hangs the mulatto who claimed the rights of a citizen, recently proclaimed in Paris, and high on a pike through the town of Petit Goâve rides the head of another mulatto who wanted to be a deputy.

(115)

1791: Bois Caiman

The Conspirators of Haiti

The old slave woman, intimate of the gods, buries her machete in the throat of a black wild boar. The earth of Haiti drinks the blood. Under the protection of the gods of war and of fire, two hundred blacks sing and dance the oath of freedom. In the prohibited voodoo ceremony aglow with lightning bolts, two hundred slaves decide to turn this land of punishment into a fatherland.

Haiti is based on the Creole language. Like the drum, Creole is the common speech of those torn out of Africa into various Antillean islands. It blossomed inside the plantations, when the condemned needed to recognize one another and resist. It came from African languages, with African melody, and fed on the sayings of Normans and Bretons. It picked up words from Caribbean Indians and from English pirates and also from the Spanish colonists of eastern Haiti. Thanks to Creole, when Haitians talk they feel that they touch each other.

Creole gathers words and voodoo gathers gods. Those gods are not masters but lovers, very fond of dancing, who convert each body they penetrate into music and light, pure light of undulating and sacred movement.

(115 and 265)

Haitian Love Song

I burn like firewood.

My legs shake like sugarcanes.

No dish tempts my mouth.

The strongest drink becomes water.

When I think of you,

my eyes brim up

and my reason falls vanquished

by my pain.

Isn’t it very true, my beauty,

that soon you will be back?

Oh, come back to me, my ever faithful!

Believing is less sweet than feeling!

Don’t delay too much.

It hurts a lot.

Come and free from his cage

the hungry bird.

(265)

1792: Rio de Janeiro

The Conspirators of Brazil

Barely half a century ago the mines of Brazil were expected to last as long as the world, but the gold and the diamonds steadily grow less, and the tributes that must be paid to the queen of Portugal and her court of parasites weigh ever more heavily.

Since that time, many voracious bureaucrats have been sent in from Portugal, and not a single mining technician. From there they have stopped the cotton looms producing anything but clothing for slaves, and from there they have banned both the exploitation of iron, which lies at arm’s reach, and the production of gunpowder.

To break with Europe, which sucks us like a sponge, a handful of gentlemen entered a conspiracy. Three years ago, owners of mines and haciendas, monks, poets, doctors, veteran smugglers, organized a rising which aimed to convert this colony into an independent republic, in which blacks and native-born mulattos would be free and everyone would wear Brazilian clothes.

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