Eduardo Galeano - The Memory of Fire Trilogy - Genesis, Faces and Masks, and Century of the Wind

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For the first time, you can own all three books of Memory of Fire in a single volume.
Eduardo Galeano’s 
defies categorization — or perhaps creates its own. It is a passionate, razor-sharp, lyrical history of North and South America, from the birth of the continent’s indigenous peoples through the end of the twentieth century. The three volumes form a haunting and dizzying whole that resurrects the lives of Indians, conquistadors, slaves, revolutionaries, poets, and more.
The first book, 
, pays homage to the many origin stories of the tribes of the Americas, and paints a verdant portrait of life in the New World through the age of the conquistadors. The second book, 
, spans the two centuries between the years 1700 and 1900, in which colonial powers plundered their newfound territories, ultimately giving way to a rising tide of dictators. And in the final installment, 
, Galeano brings his story into the twentieth century, in which a fractured continent enters the modern age as popular revolts blaze from North to South.
This celebrated series is a landmark of contemporary Latin American writing, and a brilliant document of culture.

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The sea is littered with coconut husks and boughs of sweet basil, and a breeze of voices sings as night falls:

Opa ule, opa ule ,

opa é, opa é ,

opa opa, Yemayá.

The black Virgin of Regla is also the African Yemayá, silvered goddess of the seas, mother of the fish and mother and lover of Shangó, the womanizing and quarrel-picking warrior god.

(68 and 82)

1697: Cap Français

Ducasse

Gold escudos in hard cash, doubloons, double doubloons, big-shot gold and little-shot gold, gold jewelry and dishes, gold from chalices and crowns of virgins and saints: Filled with gold are the arriving galleons of Jean-Baptiste Ducasse, governor of Haiti and chief of the French freebooters in the Antilles. Ducasse has humbled Cartagena with his gun salvos; he has reduced to dust the cliff ramparts of the fortress, colossal lions of rock that rear up from the sea, and has left the church without a bell and the governor without rings. To France goes the gold of the sacked Spanish colony. From Versailles, Ducasse receives the title of admiral and a bushy wig of snow-white rolls worthy of the king.

Before becoming governor of Haiti and admiral of the royal fleet, Ducasse operated on his own, stealing blacks from Dutch slave ships and treasure from galleons of the Spanish fleet. Since 1691, he has been working for Louis XIV.

(11 and 61)

1699: Madrid

Bewitched

Although the herald has not blown his trumpet to announce it, the news flies through the streets of Madrid. The inquisitors have discovered who bewitched King Charles. The witch Isabel will be burned at the stake in the main plaza.

All Spain has been praying for Charles II. On waking, the monarch has been taking his posset of powdered snake, infallible for giving strength, but in vain: The penis has continued in a state of stupefaction, unable to make children, and from the royal mouth froth and foul breath have continued to emerge, and not one word worth hearing.

The curse did not come from a certain cup of chocolate with gallows bird’s testicles, as some witches of Cangas had claimed; nor from the talisman that the king wore round his neck, as the exorcist Fray Mauro believed. Someone suggested that the king had been bewitched by his mother with tobacco from America or benzoin pills; and it was even rumored that the palace maître d’hôtel, the duke of Castellflorit, had served the royal table a ham larded with the fingernails of a Moorish or Jewish woman burned by the Inquisition.

The inquisitors have at last found the mess of pins, hairpins, cherrystones, and His Majesty’s blond hairs that the witch Isabel had hidden near the royal bedroom.

The nose hangs down, the lip hangs down, the chin hangs down; but now that the king has been debewitched, his eyes seem to have lit up somewhat. A dwarf raises the candle to look at the portrait Carreño did of him years ago.

Meanwhile, outside the palace there is no bread or meat, fish or wine, as if Madrid were a besieged city.

(64 and 201)

1699: Macouba

A Practical Demonstration

To put some gusto into his slaves’ work in this land of sluggishness and drowsiness, Father Jean-Baptiste Labat tells them he was black before coming to Martinique and that God whitened him as a reward for the fervor and submission with which he served his masters in France.

The black carpenter of the church is trying to make a difficult dovetailing of a beam and cannot get the angle right. Father Labat draws some lines with a ruler and compass, and he orders: “Cut it here.”

The angle is right.

“Now I believe you,” says the slave, looking him in the eyes. “No white man could do that.”

(101)

1700: Ouro Prêto

All Brazil to the South

In the old days, the map showed Bahia close to the newly discovered mines of Potosí, and the governor general reported to Lisbon that this land of Brazil and Peru are all one. To turn the Paranapiacaba Mountains into the Andes cordillera, the Portuguese brought two hundred llamas to São Paulo and sat down to wait for the silver and gold to appear.

A century and a half later, the gold has turned up. The riverbeds and streams on the slopes of the Espinhaço Mountains are full of shiny stones. The Sāo Paulo mamelukes found the gold when they were out hunting Cataguaz Indians.

The wind spread the news all through Brazil, and a multitude responded. To get gold in the Minas Gerais region, all you had to do was gather a handful of sand or pull up a tuft of grass and shake it.

With gold has come hunger. The price of a cat or a dog in the camps is 115 grams of gold, which is what a slave gets for two days’ work.

(33 and 38)

1700: St. Thomas Island

The Man Who Makes Things Talk

Lugubrious bells and melancholy drums are sounding in this Danish island of the Antilles, a center for contraband and piracy. A slave walks up to the execution stake. Vanbel, the big boss, has condemned him because this black fellow turns on rain when he feels like it, kneeling before three oranges, and because he has a clay idol that answers all his questions and clears him of all doubts.

Smiling from ear to ear and with his eyes fixed on the stake surrounded by firewood, the condemned man approaches.

Vanbel intercepts him: “So you won’t be chatting with your doll anymore, you black sorcerer!”

Without looking at him, the slave answers softly: “I can make that cane of yours talk.”

“Stop!” Vanbel cries to the guards. “Unbind him!”

And before the waiting crowd he throws him his cane.

“Do it,” he says.

The slave kneels. With his hands, he fans the cane stuck in the ground, makes a few turns around it, kneels again, and strokes it.

“I want to know,” says the master, “whether the galleon that’s due here has sailed yet. When it will arrive, who is aboard, what has happened …”

The slave takes a few steps backward.

“Come closer, sir,” he suggests. “It will tell you.”

His ear close to the cane, Vanbel hears that the ship sailed some time ago from Helsingør, in Denmark, but that on reaching the tropics a storm broke its small topsail and carried off the mizzensail. Vanbel’s neck quivers like a frog’s belly. The onlookers see him turn white.

“I don’t hear anything,” says Vanbel as the cane proceeds to tell him the names of the captain and the sailors.

“Nothing!” he screams.

The cane whispers to him: The ship will arrive in three days. Its cargo will make you happy, and Vanbel explodes, tears off his wig, shouts: “Burn that Negro!”

He roars: “Burn him!”

He howls: “Burn that sorcerer!”

(101)

Bantu People’s Song of the Fire

Fire that men watch in the night,

in the deep night.

Fire that blazest without burning, that shinest

without blazing.

Fire that fliest without a body.

Fire without heart, that knowest not

home nor hast a hut.

Transparent fire of palm leaves:

a man invokes thee without fear.

Fire of the sorcerers, thy father, where is he?

Thy mother, where is she?

Who has fed thee?

Thou art thy father, thou art thy mother,

Thou passest and leavest no trace.

Dry wood does not engender thee,

thou hast not cinders for daughters.

Thou diest and diest not.

The errant soul turns into thee, and no one

knows it.

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