Eduardo Galeano - The Memory of Fire Trilogy - Genesis, Faces and Masks, and Century of the Wind

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For the first time, you can own all three books of Memory of Fire in a single volume.
Eduardo Galeano’s 
defies categorization — or perhaps creates its own. It is a passionate, razor-sharp, lyrical history of North and South America, from the birth of the continent’s indigenous peoples through the end of the twentieth century. The three volumes form a haunting and dizzying whole that resurrects the lives of Indians, conquistadors, slaves, revolutionaries, poets, and more.
The first book, 
, pays homage to the many origin stories of the tribes of the Americas, and paints a verdant portrait of life in the New World through the age of the conquistadors. The second book, 
, spans the two centuries between the years 1700 and 1900, in which colonial powers plundered their newfound territories, ultimately giving way to a rising tide of dictators. And in the final installment, 
, Galeano brings his story into the twentieth century, in which a fractured continent enters the modern age as popular revolts blaze from North to South.
This celebrated series is a landmark of contemporary Latin American writing, and a brilliant document of culture.

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(181, 278, and 449)

1973: Santiago de Chile

Allende

He likes the good life. He has said many times that he doesn’t have what it takes to be an apostle or a martyr. But he has also said that it’s worthwhile to die for that without which it’s not worthwhile to live.

The rebel generals demand his resignation. They offer him a plane to take him out of Chile. They warn him that the presidential palace will be bombarded.

Together with a handful of men, Salvador Allende listens to the news. The generals have taken over the country. Allende dons a helmet and readies his rifle. The first bombs fall with a shuddering crash. The president speaks on the radio for the last time:

“I am not going to resign …”

(449 and 466)

1973: Santiago de Chile

Great Avenues Will Open Up, Announces Salvador Allende in His Final Message

I am not going to resign. Placed in a critical moment of history, I will pay with my life for the loyalty of the people. And let me tell you that I am sure the seed we sowed in the dignified conscience of Chileans will definitely not be destroyed. They have the force. They might be able to overcome us, but social processes cannot be stopped with crime or force. History is ours and the people make it …

Workers of my country: I have faith in Chile and its destiny. Other men will surmount this gray and bitter moment when treason seeks to impose itself. Rest assured that, much sooner than later, great avenues will once again open up through which free mankind shall pass to build a better society. Long live Chile, long live the people, long live the workers! These are my last words. I am certain that my sacrifice will not be in vain .

1973: Santiago de Chile

The Reconquest of Chile

A great black cloud rises from the flaming palace. President Allende dies at his post as the generals kill Chileans by the thousands. The Civil Registry does not record the deaths, because the books don’t have room enough for them, but General Tomás Opazo Santander offers assurances that the victims do not exceed.01 percent of the population, which is not, after all, a high social cost, and CIA director William Colby explains in Washington that, thanks to the executions, Chile is avoiding a civil war. Señora Pinochet declares that the tears of mothers will redeem the country.

Power, all power, is assumed by a military junta of four members, formed in the School of the Americas in Panama. Heading it is General Augusto Pinochet, professor of geopolitics. Martial music resounds against a background of explosions and machinegun fire. Radios broadcast decrees and proclamations which promise more bloodshed, while the price of copper suddenly rises on the world market.

The poet Pablo Neruda, dying, asks for news of the terror. At moments he manages to sleep, and raves in his sleep. The vigil and the dream are one great nightmare. Since he heard Salvador Allende’s proud farewell on the radio, the poet has begun his death-throes.

(278, 442, and 449)

1973: Santiago de Chile

The Home of Allende

Before attacking the presidential palace, they bombarded Allende’s house.

Afterward, the soldiers wiped out whatever remained. With bayonets they ripped up paintings by Matta, Guayasamín, and Porto-carrero; with axes they smashed furniture.

A week has passed. The house is a garbage heap. Arms and legs from the suits of armor that adorned the staircase are littered everywhere. In the bedroom a soldier snores, sleeping off a hangover, his legs flung apart, surrounded by empty bottles.

From the living room comes a moaning and panting. There, in a big yellow armchair, torn apart but still standing, the Allendes’ bitch is giving birth. The puppies, still blind, grope for her warmth and milk. She licks them.

(345)

1973: Santiago de Chile

The Home of Neruda

Amid the devastation, in a home likewise chopped to bits, lies Neruda, dead from cancer, dead from sorrow. His death isn’t enough, though, Neruda being a man so stubbornly alive, so the military must kill his things. They splinter his happy bed and happy table, they disembowel his mattress and burn his books, smash his lamps and his colored bottles, his pots, his paintings, his seashells. They tear the pendulum and the hands off his wall clock; and with a bayonet gouge out the eye of the portrait of his wife.

From his devastated home, flooded with water and mud, the poet leaves for the cemetery. A cortege of intimate friends escorts him, led by Matilde Urrutia. (He once said to her: It was so beautiful to live when you were living .)

Block by block, the cortege grows. On every street corner it is joined by people who fall into step despite the military trucks bristling with machineguns and the carabineros and soldiers who come and go on motorcycles and in armored cars, exuding noise and fear. Behind some window, a hand salutes. High on some balcony a handkerchief waves. This is the twelfth day since the coup, twelve days of shutting up and dying, and for the first time the Internationale is heard in Chile — the Internationale hummed, groaned, wept, but not sung until the cortege becomes a procession and the procession a demonstration, and the people, marching against fear, break into song in the streets of Santiago, at the top of their lungs, with all their voices, to accompany in a fitting way Neruda, the poet, their poet, on his last journey.

(314 and 442)

1973: Miami

Sacred Consumerism Against the Dragon of Communism

The bloodbath in Chile inspires fear and disgust everywhere, but not in Miami: A jubilant demonstration of exiled Cubans celebrates the murder of Allende and all the others.

Miami now has the greatest concentration of Cubans in the world, Havana excepted. Eighth Street is the Cuba that was. The dreams of bringing down Fidel have faded, but walking down Eighth Street one returns to the good old lost days.

Bankers and mafiosi run the show here; anyone who thinks is crazy or a dangerous Communist, and blacks still know their place. Even the silence is strident. Plastic souls and flesh-and-blood automobiles are manufactured. In the supermarkets, things buy people.

(207)

1973: Recife

Eulogy of Humiliation

In the capital of northeast Brazil, Gilberto Freyre attends the opening of a restaurant named for his famous book, Great House and Slave Quarters . Here, the writer celebrates the fortieth anniversary of the book’s first edition.

The waiters serving the tables are dressed as slaves. Atmosphere is created by whips, shackles, pillories, chains, and iron collars hanging from the walls. The guests feel they have returned to a superior age when black served white without any joking, as the son served the father, the woman her husband, the civilian the soldier, and the colony the motherland.

The dictatorship of Brazil is doing everything possible to further this end. Gilberto Freyre applauds it.

(170 and 306)

1974: Brasília

Ten Years after the Reconquest of Brazil

the economy is doing very well. The people, very badly. According to official statistics, the military dictatorship has made Brazil an economic power, with a high growth index for its gross national product. They also show that the number of undernourished Brazilians has risen from twenty-seven million to seventy-two million, of whom thirteen million are so weakened by hunger that they can no longer run.

(371, 377, and 378)

1974: Rio de Janeiro

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