Across the river, in Avellaneda, the Conservative Party sticks to honest shooting for its politics and business. Don Alberto Barceló, senator, makes and breaks lives from his throne there. Outcasts line up to receive from Don Alberto some small gratuity, fatherly advice, a chummy embrace. His brother, One-Arm Enrique, takes care of the brothel department. Don Alberto’s responsibilities are lotteries and social peace. He smokes with a holder, spies on the world from beneath swollen lids. His henchmen break strikes, burn libraries, wreck printshops, and make short work of trade unionists, Jews, and all who forget to pay up and obey in this hour of crisis so conducive to disorder. Afterward, the good Don Alberto will give a hundred pesos to the orphans.
(166 and 176)
The Last Rebel Gaucho
on the Argentine pampa is called Bairoletto, the son of peasants from Italy. He became an outlaw quite young, after shooting in the forehead a policeman who had humiliated him, and now he has no choice but to sleep outdoors. In the desert, beaten by the wind, he appears and disappears, lightning or mirage, riding an inky-black stallion that jumps seven-strand wire fences without effort. The poor protect him, and he avenges them against the powerful who abuse them and then swallow up their land. At the end of each raid, he engraves a B with bullets into the wings of the estancia’s windmill, and seeds the wind with anarchist pamphlets foretelling revolution.
(123)
The Hurricane
beats down with a roar, smashing ships against piers, shredding bridges, uprooting trees and whirling them through the air. Tin roofs, flying like crazy hatchets, decapitate people. This island is being leveled by winds, raked by lightning, drowned by rain and sea. The hurricane strikes as if revenging itself, or executing some fantastic curse. One might think that the Dominican Republic had been condemned, alone, to pay a debt due from the entire planet.
Later, when the hurricane moves on, the burning begins. Corpses and ruins have to be incinerated or plagues will finish off whatever remains alive and standing. For a week a vast cloud of black smoke hangs over the city of Santo Domingo.
So go the first days of the government of General Rafael Leónidas Trujillo, who has come to power on the eve of the cyclone, borne by a no less catastrophic fall in the international price of sugar.
(60 and 101)
Miguel at Twenty-Five
The crisis also knocks the price of coffee for a loop. Beans spoil on the trees; a sickly odor of rotten coffee hangs in the air. Throughout Central America, growers put their workers out on the road. The few who still have work get the same rations as hogs.
In the worst of the crisis the Communist Party is born in El Salvador. Miguel, now a master shoemaker who works wherever he finds himself, is one of the founders. He stirs people up, wins recruits, hides and flees, the police always on his heels.
One morning Miguel, in disguise, approaches his house. It seems not to be watched. He hears his little boy crying and he enters. The child is alone, screaming his lungs out. Miguel has begun changing his diapers when he looks up and through the window sees police surrounding the place.
“Pardon me,” he says to his shitty little half-changed boy, and springs up like a cat, slipping through a hole between some broken roof tiles just as the first shots ring out.
And so occurs the fourth birth of Miguel Mármol, at twenty-five years of age.
(126 and 404)
Daily Life in the Crisis
Unpleasantly, like a series of rude slaps in the face, the crisis wakes up North Americans. The disaster at the New York Stock Exchange has pricked the Great Dream, which promised to fill every pocket with money, every sky with planes, every inch of land with automobiles and skyscrapers.
Nobody is selling optimism in the market. Fashions sadden. Long faces, long dresses, long hair. The roaring twenties come to an end, and with them, the exposed leg and bobbed hair.
All consumption drops vertically. Sales are up only for cigarettes, horoscopes, and twenty-five-watt bulbs, which don’t give much light, but don’t draw much current. Hollywood prepares films about giant monsters on the loose: King Kong, Frankenstein, as inexplicable as the economy, as unstoppable as the crisis that sows terror in the streets of the city.
(15 and 331)
Shrinking the Rainbow
Nicaragua, a country condemned to produce cheap desserts — bananas, coffee, and sugar — keeps on ruining the digestion of its customers.
The Sandinista chief Miguel Ángel Ortez celebrates the new year by wiping out a Marine patrol in the muddy ravines of Achuapa, and on the same day another patrol falls over a precipice in the vicinity of Ocotal.
In vain, the invaders seek victory through hunger, by burning huts and crops. Many families are forced to take to the mountains, wandering and unprotected. Behind them they leave pillars of smoke and bayonetted animals.
The campesinos believe that Sandino knows how to lure the rainbow to him; and as it comes it shrinks until he can pick it up with just two fingers.
(118 and 361)
The Trumpets Will Sound
By the light of aromatic pitch-pine chips, Sandino writes letters, orders, and reports to be read aloud in the camp on the military and political situation in Nicaragua ( Like a firecracker, the enemy will soon burn himself out …), manifestos condemning traitors ( They will find no place to live, unless under seven spans of earth …), and prophesies announcing that soon war trumpets will sound against oppressors everywhere, and sooner than later the Last Judgment will destroy injustice so that the world may at last be what it wanted to be when there was was still nothing.
(237)
Sandino Writes to One of His Officers: “We won’t be able to walk for all the flowers …”
If sleep, hunger, or petty fears overtake you, ask God to comfort you … God will give us this other triumph, which will be the definitive one, because I am sure that after this battle they won’t come back to get their change, and you will be covered with glory! When we enter Managua, we won’t be able to walk for all the flowers …
(361)
Santos López
Whoever joins the liberating army gets no pay, no pay ever, only the right to be called brother . He has to find a rifle on his own, in battle, and maybe a uniform stripped from some dead Marine, to wear once the pants have been properly shortened.
Santos López has been with Sandino from day one. He had worked for the farmers who owned him since he was eight. He was twelve at the time of the San Albino mine rebellion, and became a water boy and messenger in Sandino’s army, a spy among drunken or distracted enemies, and along with his other buddies, specialized in setting ambushes and creating diversions with cans and whatever noisy odds and ends he could lay his hands on to make a few people seem like a crowd.
Santos López turns seventeen on the day Sandino promotes him to colonel.
(236, 267, and 361)
Tranquilino
In Sandino’s rickety arsenal the finest weapon is a Browning machine-gun of the latest model, rescued from a North American plane downed by rifle fire.
In the hands of Tranquilino Jarquín, this Browning shoots and sings.
Tranquilino is the cook. He shows one tooth when he smiles, sticks an orchid in his hat, and as he stirs the big steaming pot, meat-poor but rich in aroma, he tosses down a good swig of rum.
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