Denis Johnson - Tree of Smoke

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Tree of Smoke: краткое содержание, описание и аннотация

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Once upon a time there was a war. . and a young American who thought of himself as the Quiet American and the Ugly American, and who wished to be neither, who wanted instead to be the Wise American, or the Good American, but who eventually came to witness himself as the Real American and finally as simply the Fucking American. That’s me. This is the story of Skip Sands — spy-in-training, engaged in Psychological Operations against the Vietcong — and the disasters that befall him thanks to his famous uncle, a war hero known in intelligence circles simply as the Colonel. This is also the story of the Houston brothers, Bill and James, young men who drift out of the Arizona desert into a war in which the line between disinformation and delusion has blurred away. In its vision of human folly, and its gritty, sympathetic portraits of men and women desperate for an end to their loneliness, whether in sex or death or by the grace of God, this is a story like nothing in our literature.
is Denis Johnson’s first full-length novel in nine years, and his most gripping, beautiful, and powerful work to date.
Tree of Smoke

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The four dogs last night—they’d been the Four Noble Truths, dogging his lies into the darkness.

— Losing track. He returned his awareness to the movement of his

breath. Again he wondered why he’d asked Hao for money. Hao’s face when he saw me: like the puppy I played with too roughly.

The little thing came to fear me. I loved it. Ah, no —

— Sooner or later the mind grasps at a thought and follows it into the labyrinth, one thought branching into another. Then the labyrinth caves in on itself and you find yourself outside. You were never inside —it was a dream.

He returned his attention to the breath.

Morning—a mist hiding the river and a cloud caught on the peaks beyond. He heard the boys stirring within, waking to the earth’s richest triumph, another day outside the grave. Groggy-eyed, everyone shuffled forth, blankets wrapped around them, to pee. “Young men, while you live,” he told them, “find out how to wake up from this nightmare.” They looked at him with sleepy faces.

1965

A s had become the weekly routine, on Monday night William “Skip” Sands of the U.S. Central Intelligence Agency tested his energies by accompanying a patrol of the combined Philippine Army and Philippine Constabulary in a fruitless search for invisible people among dark mountain places. This time his friend Major Aguinaldo couldn’t come along, and nobody else had any idea what to do with the American. They drove the rutted roads all night wordlessly, noisily, in a convoy of three jeeps, looking for any sign of Huk guerrillas, as was the routine, and seeing none, as was the routine, and just before dawn Sands came back to the staff house to find the lights dead and the air conditioners silent. For the third time this week the local power had failed. He opened his bedroom to the jungle and sweltered in his bedclothes.

Four hours later the window unit came to life, and he woke quickly and completely in sheets damp from sweat. He’d overslept, had probably missed breakfast and would have to omit his morning calisthenics. He showered quickly, dressed himself in khaki pants and a native box-cut shirt, a gauzy dress item called a barong tagalog, a gift from his Filipino friend Major Aguinaldo.

Downstairs he found a place set for him at the otherwise bare mahogany dining table. The ice had melted in his water glass. Beside it lay the morning’s newspapers, which were actually yesterday’s, delivered in a courier pouch from Manila. The houseboy Sebastian came out of the kitchen and said, “Good morning, Skeep. The barber is coming.”

“When?”

“He’s coming now.”

“Where is he?”

“He’s in the kitchen. You want breakfast first? You want egg?”

“Just coffee, please.”

“You want bacon and egg?”

“Can you stand it if I just have coffee?”

“What kind of egg? Over easy.”

“Bring it on, bring it on.”

He sat at the table before a wide window that looked onto the insane spectacle of a two-hole golf course surrounded by overripe jungle. This tiny resort—a residence, servants’ quarters, a shed, and a workshop—had been built to serve vacationing staff of the Del Monte Corporation. Sands hadn’t yet met anybody from Del Monte and by now no longer expected to. Only two other men appeared to be staying here, one an English specialist on mosquitoes and the other a German whom Sands suspected of being a more sinister kind of specialist, perhaps a sniper.

Bacon and eggs for breakfast. Tiny eggs. The bacon was always tasty. Rice, no potatoes. A soft bread roll, no toast. Filipinos moved around the place in white uniforms, with mops and cloths, keeping the grime and mildew at bay. A young man wearing only black boxer shorts skated past the archway to the main room on the downturned halves of a coconut husk, polishing the wooden floor.

Sands read the front page of the Manila Times. A gangster named Boy Golden had been slain in the living room of his apartment. Sands studied the photo of Boy Gulden’s corpse, in a bathrobe, limbs flung crazily and the tongue lolling from between the jaws.

The barber appeared, an old man toting a wooden box, and Skip said, “Let’s go out back.” They stepped through French doors onto the patio.

The day was clear and looked harmless. Still he feared the sky. Rain six weeks straight, from the moment of his arrival in Manila in mid-June, and then one day it just shuts off. This was his first trip beyond the borders of America. He’d never resided outside of Kansas until he’d taken himself and a red-orange suitcase on the bus to Bloomington, Indiana, for the university; but several times as a child and once again in his teens he’d visited Boston to stay with his father’s side of the family, boarding almost a whole summer the last time among a gauntlet of relations, an Irish horde of big cops and veteran soldiers like mastiff guard dogs, and their worried poodle wives. They’d overwhelmed him with their unselfconscious vulgarity and loud gregariousness, embraced him, loved him, uncovered themselves as the family he’d never found among his mother’s midwestern group, who treated one another like acquaintances. He had scant memory of his father, a casualty of Pearl Harbor. His Boston Irish uncles had shown Skip who to become, had marked out the shape he’d fill someday as a grown man. He didn’t think he was filling it. It only set off how small he was.

Now from these Filipinos he felt the same warmth and welcome, from these charming miniature Irishmen. He’d just begun his eighth week in the Philippines. He liked the people, he hated the climate. It was the start of his fifth year serving the United States as a member of its Central Intelligence Agency. He considered both the Agency and his country to be glorious.

“I just want you to cut the sides,” he told the old man. Under the influence of the late President Kennedy he’d begun to let his crew cut grow out, and also just recently—under the influence, maybe, of the region’s Spanish vestiges—he’d started a mustache.

As the old man clipped at his head Sands consulted a second oracle, the Manila Enquirer: the biggest front-page article announced itself as the first of a series devoted to reports by Filipino pilgrims of startling miracles, including asthma cures, a wooden cross that turned to gold, a stone cross that moved, a plaster icon who wept, another icon who bled.

The barber held an eight-by-five-inch mirror before his face. It was good he didn’t have to show this head around the capital. The mustache existed only as a hope and the hair had reached a middle state, too long to go unnoticed, too short to be controlled. How many years had he kept his crew cut?—eight, nine—since the morning of his interview with the Agency recruiters who’d come to the campus in Bloomington. Both men had worn business suits and crew cuts, as he’d observed the previous afternoon, spying on their arrival at the faculty guest residence—the arrival of the crew-cut recruiters from Central Intelligence. He’d liked the word Central.

He felt, here, a day’s drive from Manila on terrible roads, central to nothing. Reading superstitious newspapers. Staring at the vines on the stucco walls, the streaks of mildew on the walls, the lizards on the walls, the pimples of mud on the walls.

From his perch here on the patio Sands detected tension in the air, some sort of suppressed quarrel among the workers—he didn’t like to think of them as “servants”—of the house. It pricked his curiosity. But having been raised in the American heartland he was dedicated to steering clear of personal controversy, to ignoring scowls, honoring evasiveness, fending off voices raised in other rooms.

Sebastian came out onto the patio looking quite nervous and said, “Somebody here to see you.”

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