Nuruddin Farah - Knots

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From the internationally revered author of Links comes "a beautiful, hopeful novel about one woman's return to war-ravaged Mogadishu" (
)
Called "one of the most sophisticated voices in modern fiction" (
), Nuruddin Farah is widely recognized as a literary genius. He proves it yet again with
, the story of a woman who returns to her roots and discovers much more than herself. Born in Somalia but raised in North America, Cambara flees a failed marriage by traveling to Mogadishu. And there, amid the devastation and brutality, she finds that her most unlikely ambitions begin to seem possible. Conjuring the unforgettable extremes of a fractured Muslim culture and the wayward Somali state through the eyes of a strong, compelling heroine,
is another Farah masterwork.

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Nuruddin Farah

Knots

To Abyan, my daughter,

and

Kaahiye, my son,

with all my love

KNOTS

ONE

Zaak says to Cambara, “Who do you blame?”

“Blame?” Cambara asks tetchily, as she goes ahead of him taking the lead, although she has no idea where to go. As it happens, she arrived in Mogadiscio earlier today after a long absence and does not know her way about, the city’s landmarks having been savagely destroyed in the ongoing civil war to the extent where, based on what she has seen of the city so far, she doubts if she will recognize it.

Cambara has had the proclivity to keep a safe, polite distance, the better to avoid Zaak’s bad breath, diagnosed as chronic gingivitis. When both were younger and growing up in the same household, the dentist would prescribe special toothpaste with antiseptic and aromatic qualities, in addition to a medicinal mouthwash, and a very soft toothbrush with which he was to clean his teeth. Cambara remembers his gums bleeding prolifically and receding wastefully at a phenomenal rate, the inflammation, combined with the irritation on account of the tartar deposits, causing the loosening of several of his teeth. She remembers his suffering from persistent indigestion ever since Arda, her mother, who is also his paternal aunt, brought him from a nomadic hamlet during his early teens as her charge in order to facilitate his receiving proper schooling in Mogadiscio.

Cambara waits for him to push the door shut, which he does with a squeak, and she watches him as he turns the wobbly handle a couple of times in a futile effort to secure it, notwithstanding its state of malfunction. Meanwhile, she reminds herself that it has been years since she last set eyes on him or was in touch with him directly. Arda has carried words back and forth from one to the other and has persuaded her daughter to put up with him, at least for the first few days, since Cambara informed her of her wish to go to Mogadiscio. At her mother’s cajoling, Cambara acquiesced to stay with “her blood,” as she put it, for the first few days, until, perhaps, she has made her own contacts with a close friend of a friend living in Toronto. No doubt, Cambara cannot expect her mother to recall her nephew’s malodorous breath, nor is it fair to assume that this is reason enough to warrant her daughter’s not wanting to share the same space. But how on earth could she, Cambara, have forgotten the awfulness of it, so vile it is sickening? Nor had she known him to be a chain-smoker or a constant chewer of qaat , the mild narcotic to which urban Somalis are highly addicted.

“Surely someone is to blame?” Zaak insists.

“Who?”

Zaak lets her go past him and out the side gate — she almost six feet, he a mere five-foot-seven. Scarcely have they left the compound and walked a hundred meters when she slows down, covers her head more appropriately with a plain scarf as the Islamic tradition dictates, and stays ten or so meters behind Zaak. Her eyes downcast — again, as expected of women in Mogadiscio these days — she reaches into one of the inner pockets of her custom-made caftan to make certain that she has brought along her knife, her weapon of choice, if it comes to self-defense. A glance in her direction will prove that she is bracing her courage in preparation for an ugly surprise, to which anyone in a civil war city is vulnerable. Herself, she looks in consternation from the dilapidated tarmac road to Zaak, as she releases her stiff grip around the handle of the knife. Then she tightens her lips and moistens them, her head sending two contradictory messages: the one advising that she remain wary, the other declining, as per her mother’s suggestion, to put all her trust in Zaak, because he has firsthand knowledge of how things are likely to pan out. Adopting an indifferent posture as she focuses for a moment on Zaak, she studies his expressions or lack of them, and remarks, with surprise, that he does not appear as if he is expecting an untoward occurrence: the telltale advent on the scene of armed youths intent on launching a virulent mayhem that might end in either of them being shot or killed. She tries to relax into a high state of alert, if that is at all possible, and then picks up Zaak’s pungent body odor, the unwashed detritus of a qaat -chewer’s unhealthy living. The power of the stench hits her forcefully, and she comes close to fainting.

In a belated answer to her question “Who?” Zaak mumbles an unintelligible remark she is unable to make out. With so angry a face, she nervously scans the horizon, as they turn a sharp corner and are suddenly face to face with several sarong-and-flip-flop-wearing youths armed with AK-47s. Her instinct tells her to prepare, her hand making renewed, abrupt contact with the knife, even though two of the youths appear indifferent to her and are religiously chewing qaat and arguing, bansheelike, about yesterday’s match between Arsenal and Manchester United, and agreeing that the referee made a balls-up of the game by unfairly red-carding the Gunners’ captain. Her sense of caution remains relentless until they are well out of danger.

Zaak asks, “Et tu?”

She is in no mood to answer such a question early in her visit, not until she comes to grips with the complexity of what is in store for her. In fact, she is delighted that she has refrained from engaging him in a serious talk so far, worried that this might give him the license to zero in on her scant preparedness for what she intends her visit to achieve beyond perhaps getting reacquainted with the country of her birth and maybe reacquiring the family property now in the hands of a minor warlord. She is consumed with doubt, wondering if it is possible to accomplish such a feat without a lot of help from a lot of people. Of course, she is well aware that the warlord will give her kind no quarter whatsoever, it being not in the nature of these brutes to show mercy to anyone. What about Zaak, her cousin and current host? Will he extend a protective hand to her if she makes the resolve to confront the warlord? How will he react when she puts his loyalty to the test?

Whatever else she might do, she must not afford Zaak free access to her affairs, at least not before she has consolidated her position and fortified it against its inherent weaknesses, which might come to light after she sets the confrontation with the minor warlord and his armed minions into motion. At any rate, she must not allow Zaak to make her question the motives of her visit, what has prompted her to leave her peaceful life, husband, and job in Toronto, where she has been resident for three-quarters of her life, and come to the war-torn country. She could see questions forming in his head when he met her at the airport, sensing that he wants to ask if she has moved house and relocated to Somalia. Why has she brought so many hefty suitcases filled with all her movable assets?

That she has been unhappy in her marriage to Wardi is no secret — everybody has been aware of this for a long time. Moreover, having once been Cambara’s “husband” on paper and having “lived” with her in confined spaces, first as children growing up, then as a couple who entered into a contract of the marriage-of-convenience kind, Zaak has his partisan views. He thinks of her as a woman capable of exemplary generosity, most loyal, above all, to her mother, very devoted to her close friends, especially to Raxma. But she also cuts the figure of an impulsive woman, difficult to please, harder still to pin down, and known, lately, to be off her rocker, understandably so, because of her son’s death. Cambara blames Wardi, her husband, and his Canadian mistress for her son’s drowning.

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