Nuruddin Farah - Hiding in Plain Sight

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From an acclaimed African writer, a novel about family, freedom, and loyalty. When Bella learns of the murder of her beloved half brother by political extremists in Mogadiscio, she’s in Rome. The two had different fathers but shared a Somali mother, from whom Bella’s inherited her freewheeling ways. An internationally known fashion photographer, dazzling but aloof, she comes and goes as she pleases, juggling three lovers. But with her teenage niece and nephew effectively orphaned — their mother abandoned them years ago — she feels an unfamiliar surge of protective feeling. Putting her life on hold, she journeys to Nairobi, where the two are in boarding school, uncertain whether she can — or must — come to their rescue. When their mother resurfaces, reasserting her maternal rights and bringing with her a gale of chaos and confusion that mirror the deepening political instability in the region, Bella has to decide how far she will go to obey the call of sisterly responsibility.
A new departure in theme and setting for “the most important African novelist to emerge in the past twenty-five years” (
)
, is a profound exploration of the tensions between freedom and obligation, the ways gender and sexual preference define us, and the unexpected paths by which the political disrupts the personal.

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Nuruddin Farah

Hiding in Plain Sight

For Nicole Aragi

with much affection

PROLOGUE

On his desk in the office, Aar has three photographs, one of each of his two teenage children and a third, the photo of a very beautiful woman, which occupies center stage. Unless he tells them who the woman is, nearly everyone assumes she is his wife, the mother of his children. But if they ask and he tells them that she is his sister, their faces turn sad, as if they are sorry that she is not his woman.

In a dream just before dawn, Aar keeps trying to corral a dozen ground squirrels into his apartment. Time and again, he fails miserably. In spite of this, he doesn’t give up, and eventually he rounds up quite a few of them. But just as he attempts to shut the door on the last of the lot, he discerns in the hallway the presence of a familiar figure: Valerie, whom he thinks of as his former wife, although they have never actually divorced. But what on earth is she doing here? And why are the ground squirrels gathering around her, looking eagerly up at her as if she might offer them treats?

Indeed, Valerie is wearing an apron with huge pockets, from which she begins extracting seeds, nuts, dead insects, and other tidbits that she feeds to the rodents. Enraged, he utters a few choice expletives under his breath. Then he resumes his efforts to rally those nearest him, but he feels he hasn’t a chance in hell to lure away the ones that are happily feeding around her. He doubts if he will succeed in doing what he has set out to do.

Aar hasn’t set eyes on Valerie since she disappeared from his life and that of their children’s a decade ago. Why would she make this sudden reappearance here in Mogadiscio, where he is living for only a short while — or, rather, in his dream there? And come to think of it, what have ground squirrels to do with her, or with either of them, for that matter? He watches in bemusement as some of the creatures, having eaten their fill, pirouette for the others, who applaud as squirrels do, rising on their hind legs and touching their palms together. Why is Valerie back in his life at just the point when he no longer misses her?

Aar’s heart expands with great sorrow, yet he won’t admit defeat. He triples his endeavor to pen in as many squirrels as he can, singling out the sated ones, who surrender more easily to his will. But when no more snacks are forthcoming, they look confused, and some manage to give him the slip while others come and go, entering the room at his behest and departing again at Valerie’s insistence. In the ensuing chaos, with neither Valerie nor Aar willing to back down, frenzy sets in, and the poor things begin pushing and shoving one another, looking helpless and lost.

Just then, Aar feels the quiet presence of someone else on the periphery of his vision. A woman, elegantly dressed all in black, is placing a tripod within shooting distance and mounting a compact digital camera on it. Busy attending to the squirrels, Valerie does not take notice of her, but Aar recognizes Bella and wonders how come his sister did not bother to e-mail or phone to alert him to her arrival. How bizarre, and how unlike her! They had last met in Istanbul, when he was on his way to his current posting in Somalia. She had flown in from Brazil and they had spent nearly a week together. But here she is, in her birth city, where she hasn’t set foot since 1991, when the two of them fled the fighting in Mogadiscio with their mother, first to Nairobi and then to Rome.

Silent, he watches Bella as she approaches and adjusts the position of her camera, her shadow lengthening, her face widening in a knowing grin as her eyes encounter Aar’s. He is relaxed, no longer worried. Bella, more than anyone, gives him comfort. And Bella, more than anyone, discomfits Valerie, because if there is anything Valerie hates, it is having her picture taken when she hasn’t prepared for it.

And lo and behold: The minute Valerie’s eyes fix on Bella’s camera and its attendant paraphernalia, she begins to make ponderous, ungainly movements. Hardly has another moment passed before she beats the undignified retreat of a vanquished rival, slinking away without so much as a word of self-justification or apology.

And Aar herds all the squirrels in.

Unsettled, his confidence shaken, Aar waits for his breathing to even out. He rubs his eyes until they are sore. For a moment, he has no idea whether it is night and he is still dreaming, or whether it is daytime and he is coming out of a deep reverie. He looks at the ceiling and studies the walls. Then his eyes focus on his feet, and he notices the jagged edges of his badly trimmed toenails. He looks at them as if for instructions as to what to do, as if they might tell him the answers to his many questions.

Aar has been in Mogadiscio for three months, seconded to the UN office in Somalia as logistics officer, charged with the task of facilitating moving the UN’s Somalia staff back to Mogadiscio for the first time since Somalia collapsed into civil anarchy. In the interim, UN personnel assigned to Somalia have been operating out of Nairobi, flying up in the morning and returning before nightfall once or twice a month. Not surprisingly, it’s been impossible to achieve viable results this way, and yet the staff is resistant to leaving Nairobi, where they and their families feel safe. Even Aar, Somali by birth, is happy to have his children boarding in a school in one of the Nairobi suburbs, and these days he too feels more secure in Nairobi than he does in Mogadiscio.

Yet his home here is a spacious studio apartment with a view of the sea and much of the international airport. At first, Aar lived in a sublet, but when his continued presence became necessary, he rented this apartment in a well-guarded, recently built complex, twenty apartments in all, each with two access points, one serving as a fire exit with steps leading down to a basement shelter in the event of a terrorist attack, the other facing a parking lot. Three-quarters of the occupants of the complex are foreign, and the remainder of them are of Somali descent, albeit with alien passports. A number of the studios accommodate multiple part-time residents who take turns living here. It makes sense to share because the cost of living in a secure place like this comes to an exorbitant two hundred U.S. dollars daily, including breakfast, buffet lunch, and a simple evening meal delivered to one’s room. Residents of the larger apartments pay considerably more. And lately the UN and some of the embassies based in neighboring Kenya have taken to paying heavy retainers so they can have rooms, suites, or apartments of their choice available on short lets, sometimes for only half a day, where they can conduct a meeting and leave and not risk an overnight stay.

Hounded by the memory of his dream, Aar feels disconsolately hot one moment, and in the next, despondently cold, as if a life-threatening chill coursed through his blood. His life unfurls before him like a straw mat curling at the edges. But when he tries to smooth it out, his hands shake, and he hears a thunderclap in his head. Aar is a man a little past his midpoint in life and therefore unable to decide in which direction to move. He knows this is what the dream was about.

He makes an attempt to push his worry aside, walling off the nightmare and sidestepping his disorienting sense of dread. But what emerges instead is a memory from the evening before, when one of the UN drivers passed him a sealed envelope as he got out of the car. He’d thought nothing of it at the time, simply accepting it and stuffing it into the back pocket of his jeans. Undoubtedly it contained a request for a loan or a salary advance, he imagined, this being something of a daily occurrence with the workers. Often they ask Aar, as the only Somali of high rank here, to intercede with the Indian moneyman to facilitate these transactions.

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