Nuruddin Farah - Crossbones

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Crossbones: краткое содержание, описание и аннотация

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A gripping new novel from today's "most important African novelist". (
)
A dozen years after his last visit, Jeebleh returns to his beloved Mogadiscio to see old friends. He is accompanied by his son-in-law, Malik, a journalist intent on covering the region's ongoing turmoil. What greets them at first is not the chaos Jeebleh remembers, however, but an eerie calm enforced by ubiquitous white-robed figures bearing whips.
Meanwhile, Malik's brother, Ahl, has arrived in Puntland, the region notorious as a pirates' base. Ahl is searching for his stepson, Taxliil, who has vanished from Minneapolis, apparently recruited by an imam allied to Somalia's rising religious insurgency. The brothers' efforts draw them closer to Taxliil and deeper into the fabric of the country, even as Somalis brace themselves for an Ethiopian invasion. Jeebleh leaves Mogadiscio only a few hours before the borders are breached and raids descend from land and sea. As the uneasy quiet shatters and the city turns into a battle zone, the brothers experience firsthand the derailments of war.
Completing the trilogy that began with
and
is a fascinating look at individuals caught in the maw of zealotry, profiteering, and political conflict, by one of our most highly acclaimed international writers.

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“What about your son? He had the possibility of a successful future ahead of him. Do you know what made him leave Minneapolis to return to this desolate place?”

“I wish I knew,” Ahl mumbles.

They enter another enclave. The sea breeze is now stronger as they pass men sitting around or lying in the scanty shade of the trees, chewing qaat .

“Who are they?” asks Ahl, pointing out a group of young migrants, half lying and half sitting, as if they are too tired even to sit all the way up.

“Migrants exhausted from waiting.”

“What are they waiting for?”

But Fidno does not answer Ahl’s question. “We’re here,” he says instead, and he turns in and stops at a metal gate guarded by armed men in khaki uniforms. A young man with large eyes and a thin, half-trimmed mustache comes forward. Fidno waves his hand in greeting, and the youth acknowledges him with a broad smile.

One side of the gate opens, and the young man steps out, just as another youth with a small head and wearing huge spectacles emerges from the gatehouse and stands by a second barrier that needs to be removed manually. The first young man approaches the car to check out Ahl.

“We’re expected,” Fidno says.

The gate opens, and Fidno drives in.

картинка 57

The grounds on which the villa is built are extensive and surrounded in all directions by a high fence. The house itself, set far back, is two stories high, with French windows and a glassed-in balcony large enough for a sumptuous party. The sea is visible behind the house. An awning extends almost to the gates, providing shade as they drive in. Fidno parks, and Ahl picks up his laptop and follows him toward the pair of uniformed young men who wait in front of the awning. The entire structure looks new and well made; the railing on the upper story is shiny with fresh paint. The loud humming of a heavy-duty generator comes from the back.

There is order here, the order of a corrupt autocrat imposed through coercion, Ahl thinks. One of the uniformed men leads them up to the house, his pace measured. He knocks on the door in a rhythmic knock, presumably a code. The door opens. Fidno and Ahl enter; the uniformed youth stays behind, bowing.

“Welcome, AhlulKhair. I am your host.”

The voice Ahl hears has something magisterial about it: distant, assertive. He identifies it as belonging to a little, lean man of advanced years sitting in what looks like a child’s high chair, with a full, graying beard and penetrating eyes. How very odd that such a small man, almost a midget, can produce such a commanding voice, Ahl thinks. He can’t be more than four feet tall. He reminds Ahl of pictures he has seen of Emperor Haile Selassie, and because of this, he somehow expects a Chihuahua to be imperiously perched on No-Name’s lap. Ahl wonders if No-Name is a cripple.

“How have things been?” he says to Ahl, in a tone of surprising familiarity.

“Everything has been good so far,” Ahl says, although this is not what he feels inside.

“What about you, Fidno?” No-Name asks, his voice sounding a notch more authoritative, its timbre more full-bodied.

Fidno says, “Everything is according to plan.”

“Excellent.”

“How have you been yourself?” Fidno asks.

No-Name appears a little offended. He says to Fidno, “Give us a few minutes, will you? You may join the others outside. You know your way around here.”

The caller of tunes, No-Name expects to be obeyed, and Fidno takes his leave. “Thank you for seeing my friend,” he says.

“We’ll see you later.” Ahl notes the royal we .

When Fidno opens the door to leave, the hall is awash in the intense brightness of the midday sun. And once again Ahl wonders if he is doing the right thing, liaising with criminals.

As Ahl approaches, No-Name frowns, like someone used to wearing spectacles. It’s plain he’s not accustomed to anyone doing anything without his say-so. The closer Ahl gets to the high chair No-Name is sitting in, the weirder it all looks. Almost hilarious.

No-Name says, “Please sit.”

But there is nowhere to sit, save a lounge area at the other end of the hall, furnished with an ottoman and a plush carpet dotted with cushions propped up against the walls. Is this where No-Name chews qaat with his pals? Does an emperor have pals?

What a day and what humiliation! Ahl crouches down, knees creaking, wondering if children have any notion what troubles one goes through for them.

With a trace of a grin around his lips, No-Name says, “Tell me everything about your nephew.”

“My son, actually.”

“I am sure Fidno described him as your nephew,” No-Name says.

“That may be so, but he is my son.”

“That changes my perspective on things.”

“I am not his father. His mother is my wife. But I raised him.”

No-Name takes all this in. His right foot shakes as though it has its own mind.

“What else did Fidno get wrong, before we move on?”

Ahl shrugs his shoulders in a search-me gesture.

“Tell me about your son, all that I need to know.”

Ahl tells him.

“Have you a photo of the runaway youth?”

Ahl produces it.

“What’s his date and place of birth?”

Ahl tells him.

“What are his mother’s and your full three names?”

Ahl supplies him with these, wondering how No-Name can possibly remember such details without taking notes or having a secretary do so. Is he being made a fool of, or does No-Name already know where and who Taxliil is?

“What is the name of the imam at the mosque in Minnesota who recruited him?”

Ahl answers the question fully, with details.

“Do you know the names of his fellow jihadis?”

Ahl shakes his head.

“He didn’t know the twenty other recruits from Minnesota and nearby?”

Ahl says, “I don’t know; we don’t know.”

“How do we reach you if we wish to do so?” No-Name asks, and Ahl provides him with a host of phone numbers.

“How long have you been here?”

Ahl tells him.

“When do you leave?”

Ahl shrugs. “It all depends on my success.”

“Or lack of it,” No-Name says. Then, “Fidno has mentioned that Malik, a journalist, is in Mogadiscio.”

“What about Malik?”

“Is he likely to come here?”

“Why do you ask?”

“Because I’d like to meet him.”

“He hasn’t said he will come and visit here, but I will make sure to introduce you to him if he does.”

“I look forward to that.”

Ahl finds himself sitting uncomfortably forward, supporting his body on his knees, like a devotee at an ashram.

He says, “If I may ask a question, please?”

“Go ahead.”

A current of worry goes through his body, lodging for a moment or so in his heart, then in his head. One indiscreet question from him might jeopardize everything. Nonetheless, he asks it. “Why did you agree to see me?”

No-Name presses his forehead and winces, as if thinking of the reasons or sharing them with Ahl is causing him pain. His eyes closed, he says, “One, because I am doing Fidno, my pal, a favor.”

“That’s very good of you.”

“Two, because sometime in the past few days someone spoke three names in my presence — I cannot recall in what context. But Taxliil’s name was one of them, and the name stuck, as I have never known anyone else with it. So when Fidno came to me, I agreed to step in and to assist. I’ll do all I am able to help you find Taxliil.”

As if on cue, a mobile phone rings in another room. No-Name shifts in his high chair in a manner that suggests to Ahl that their conversation is at an end. The uniformed young man enters from the back, and offers Ahl a hand to help him straighten up. Then he leads him out to where Fidno is waiting in the jalopy.

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