Nuruddin Farah - Crossbones

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Crossbones: краткое содержание, описание и аннотация

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A gripping new novel from today's "most important African novelist". (
)
A dozen years after his last visit, Jeebleh returns to his beloved Mogadiscio to see old friends. He is accompanied by his son-in-law, Malik, a journalist intent on covering the region's ongoing turmoil. What greets them at first is not the chaos Jeebleh remembers, however, but an eerie calm enforced by ubiquitous white-robed figures bearing whips.
Meanwhile, Malik's brother, Ahl, has arrived in Puntland, the region notorious as a pirates' base. Ahl is searching for his stepson, Taxliil, who has vanished from Minneapolis, apparently recruited by an imam allied to Somalia's rising religious insurgency. The brothers' efforts draw them closer to Taxliil and deeper into the fabric of the country, even as Somalis brace themselves for an Ethiopian invasion. Jeebleh leaves Mogadiscio only a few hours before the borders are breached and raids descend from land and sea. As the uneasy quiet shatters and the city turns into a battle zone, the brothers experience firsthand the derailments of war.
Completing the trilogy that began with
and
is a fascinating look at individuals caught in the maw of zealotry, profiteering, and political conflict, by one of our most highly acclaimed international writers.

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They pick up Jeebleh from Bile’s house. Malik sits in the back and brings him up to speed, mentioning how much less the computer cost than it would have in New York. He notes with satisfaction that Dajaal has registered this comment, and hopes that it will ease his displeasure with and suspicion of Qasiir.

Jeebleh is neither surprised nor shocked to learn that they bought the machine from a shop presumably owned by BigBeard. After all, he thinks, Somalis are incestuous by nature, inseparable by temperament, and murderous by inclination; and such is their internecine closeness that quarreling is the norm — like twins fighting.

Malik asks, “What is your news?”

The news Jeebleh brings from his conversations with Bile and Cambara and from having watched the coverage on TV is just as unnerving as the sight of the hordes they are now passing along the roads, blocking traffic as they head out of the city, afraid of being caught in the impending war. He says, “There is a report of a most exasperating action of a Shabaab operative, who is leading a convoy of a dozen or so gun-mounted battlewagons to Buur Hakaba.” Buur Hakaba is the town nearest Baidoa, where the president, the Federal Forces, and the parliament have their bases. “When asked why he needed to provoke a confrontation between the forces of the Courts and the FedForces,” Jeebleh continues, “he said he meant nothing sinister by his actions, certainly not to do any harm to the ongoing peace talks between the two sides. He was paying a visit to one of his four wives. She lives in Buur Hakaba, as it happens.”

It takes a minute or so for the significance of this report to sink in. Jeebleh tells them that the incident has set off alarm bells in a number of far-flung cities: in Baidoa, of course, where not only the interim president of Somalia, but the provisional prime minister and the cabinet are based; in Addis Ababa, where Ethiopia’s prime minister has called an emergency meeting of his cabinet and his military advisers; in Washington, D.C., where top functionaries at the Department of Defense and Department of State have called in those manning the Somali desk to brief them on the significance of this latest provocation. In Somalia, panic is everywhere, with everyone assuming that the garrison town of Baidoa will be attacked, if it hasn’t been already.

“War jitters, wherever you turn,” Malik says.

Jeebleh says, “Where will it all end? Will someone persuade the two parties to move away from the precipice, continuing with their peace negotiations instead of plunging this nation into an unnecessary, murderous war?”

“It’s war, war — not if, but when,” Dajaal says.

15

IT IS WITH TREMENDOUS WORRY, INEXPLICABLE THOUGH IT MAYseem, that Jeebleh stirs in his sleep, dreaming, and registers horses neighing, donkeys braying, cows mooing, the night darkening just before dawn breaks, the muezzin calling. In the dream, Malik and he are, surprisingly, among the worshippers. Malik sticks close to Jeebleh, looking anxious, as if he is suddenly unsure what to do, whether to place the right hand upon the left below or above the navel when standing; whether, with head and body inclined and hands placed upon the knees, he should separate the fingers a little or not at all. He is aware there are differences among the sects as to what to do when. But having not set foot in a mosque or prayed for almost twenty years, he is uncertain, and watches Jeebleh with intent so as not to embarrass his father-in-law.

A man standing nearby speaks of “morning madness reigning.” Jeebleh doesn’t understand what he is talking about. Nor is he bothered by the fact that he doesn’t know who the man is until he discovers that Malik, with notebook in hand and pen ready to scribble away, is interviewing the man. Billows of dust stir in the distance, beckoning, and Jeebleh wanders away in the general direction of the vortex of sand, over the hills, farther east.

Then Jeebleh finds himself in a neighborhood with which he is unfamiliar, where virtually all the houses are leveled, the roads gutted, the pavements reduced to rotted ravines, with unexploded mines scattered in the rubble. In a gouged spot past a massive ruin that must have been caused by a bomb with the force of a meteor, there is a Technical, its mounted gun smeared with the blood of its victims; the Technical is still emitting smoke. When he touches it, it is as warm as a living body. Somewhere nearby are corpses left where they have fallen, some of them Ethiopians, from the look of their uniforms, others of them young Somalis. Then several of the dead Somali youths come to life and go into a huddle, as sports teams do. The huddle breaks and they take what appear to be prearranged positions, speaking in the manner of actors rehearsing a badly scripted play. Dressed in immaculate white and donning colorful keffiyehs, they sport long beards. Several women come out of nowhere, uniformly pretty, gazelle eyed, the very image of the houris of Paradise, to tend to the youths.

Now the youths separate themselves into units. One unit digs up an arms cache from the rubble: rocket-propelled grenades, light and heavy machine guns, semiautomatic weapons, an array of homemade explosives. A second unit waits by the roadside, bantering. But they go quiet when several armor-plated pickup trucks mounted with antiaircraft guns approach, and the youths get in an orderly fashion. A third unit, composed of the youngest, receives training in explosives from a short man with thick glasses, who consults a manual every time one of the pupils asks him a question.

Jeebleh has the feeling that he is not in a city but in a village somewhere in the hinterland. But he is not sure; Mogadiscio has lost whatever shape it used to have and is now as featureless as a ground-down cog in a broken machine. He is deeply disturbed that it is no longer the metropolis with which he is familiar, its current residents imported to raise a fighting force. Everywhere he looks, destitute men, women, and children in near rags wearily trudge by, many of them emaciated, their bellies swollen with undiagnosed illnesses, their eyes hosts to swarms of roaming flies. They seem exhausted, inarticulate with fear and vigilance, which imposes a further formlessness.

A mine detonates in the vicinity. Many people die and many more are injured. Jeebleh checks to see if any of his limbs are gone. Luck spares him this time. But he looks about in horror. Most of the dead and injured are young. There is little he can do to help. He meets a man as old as he is. When Jeebleh wonders aloud why the elderly have been spared, the old man says, “We are alive for a reason.”

“Why have you been spared?” Jeebleh asks.

“Because I recruit the martyrs,” the man says.

“You recruit them, they die, and you live on?”

“I blood the young brood of martyrs, suicides.”

“The young die as martyrs and the old live on?”

The old man replies, “That’s right.”

“But that is absurd,” Jeebleh says.

“On the contrary,” the man says, “it is exemplary to die for one’s country. There is nothing as honorable as martyring oneself, when young, for one’s nation.”

“Ultimately, it depends on the martyr, doesn’t it?” Jeebleh challenges. “Has it ever occurred to you to give the young the choice whether to live on or to die for a religious cause in which they may not believe?”

The old man quips, “It is the martyrs’ blood that helps keep the nation alive. Without that, there will be no country.”

The old man walks away and sits nearby, pretending to pray. Jeebleh assists the wounded and then buries the dead in a mass grave, with no help from the recruiter of the martyrs. Then he leaves, and walks past a house caving in. He can spot human figures hanging from the rafters. He wonders if anyone will be charged with this mindless mass murder, if anyone will be made to answer for these crimes.

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