Gilbert Sorrentino - The Moon In Its Flight

These young men know that Allah is pleased that thousands of infidels will soon be slaughtered, and since they are unbelievers, there will be no virgins for them. No halvah or falafel or lamb with rice either. Who knows what becomes of infidel dogs? On the other hand, there may be a shock in store for those soldiers of jihad, if, by some unutterable metaphysical quirk, they are made aware, in the smallest fraction of time, before oblivion, that can still be thought of as time, that “Allah” is a congeries of letters, a linguistic notion, if you will, like “flogiston” or “aporia” or “quark,” and that their deaths are — not to put too fine a point on it — meaningless. Oh, oh. Peace be upon them.

Regard this salesman, a meat-cutting-machine salesman, standing at an ice-crusted window in a room of a so-so hotel in Ohio or Pennsylvania, perhaps somewhere in the Poconos, the land, for so many years, of ga-ga honeymooners delirious in their heart-shaped bathtubs. He is looking out on the semicircular gravel drive that leads to Mohawk Boulevard and thence to the interstate; where, even now, as he smokes and tries to ignore the fact of his appalling boredom and small, regular failures, his petty defeats and debts, his emptiness and dismay, overpriced cars slam down this suicide alley, their drivers — let me be blunt — wholly uncaring about God in any of his disguises or costumes. They want to get home alive, just once more, peace be upon them. God can look after himself.

The salesman puts out his cigarette, his mind turning over darkly and heavily, and, with Barney Miller playing soundlessly and in washes of anemic color on the Korean swivel television in the corner, he takes off his pants and Hanes briefs, removes from his worn bag a pair of black sateen panties with nylon lace trim at the leg openings, pulls them on, and begins to masturbate. He is careful to keep his erect penis confined, the feel of the sateen on his throbbing phallus always does the trick for him. His shadowed mind with its sketchy and occulted thoughts of love and success, of his wife and the women at the branch office in Philadelphia, is concentrated in this solitary act; his secret self finds some succor in the physical world in which he tries his best to live and live each day. And he may thus soothe, for a quarter hour, his persistent malaise, he may find some small fugitive peace.

This act, tawdry as it is, may be thought of as strange and even perverse behavior, but only because, perhaps, I point it out to you, so that you may realize that you know, casually, this salesman. You both buy the paper every morning at the same store, the paper and Tic Tacs and cigarettes. “’Morning,” you both say. I agree that it’s hard to think of this man, with his balding head and scuffed L.L. Bean moccasins, whacking off, far from home, in a pair of cheap black panties. All secrets are dark.

The salesman, for whatever reason, has told himself that his wife has permitted him to use her panties for this cloistered act, whereas he bought them, of course, a few days earlier in a Wal-Mart outside Wilkes-Barre. Oddly, he is thinking of Mickey Rooney in the film My Name Is Aram, at the moment of his orgasm, which arrives blissfully but unexpectedly. As he surrenders completely to the weirdly thrilling and bridelike feelings that overwhelm him, gouts of semen spurt through the panties and onto the coarse bedspread.

The salesman lights a cigarette, and after depositing the soaked panties in the bathroom sink and cleaning himself off with toilet paper and a hand towel, he begins to scrub, nervously, at the soiled bedspread with tap water, the towel, and, for reasons beyond his comprehension, one of his worn, unfashionable ties. He is horrified at the possibility of the maid discovering his onanism when she comes in to make up the bed in the morning. The fucking maid, Oh Jesus, the fucking maid, he says to himself, and then suffers a massive coronary infarction and falls dead, bashing his head on the little writing desk that holds his wallet, keys, change, notebook, cigarettes, lighter, all the now useless junk of his life. Later in the week, his wife, faced with the fact of the semen-clotted panties in the sink, prefers to think that her dead husband was cruelly and disturbingly unfaithful to her with a perverted slut of a whore tramp of the Ohio or Pennsylvania evening. Otherwise — what to think? Peace be upon her.

It is quite possible, perhaps even probable, that one of the dedicated martyrs-to-be performed precisely the same hidden act — Allah notwithstanding — that the dead infidel salesman did, save, of course, for the heart attack. Let’s place the intense youth in a Great Western motel during, oh, his fifth or sixth week in the land of the Great Satan. He is standing in front of the mirror in his black sateen panties. Black panties! Evil and foul and cursed underwear made for depraved American women who, half-naked, are everywhere before one’s eyes. This young warrior had never even seen a picture of these sinful garments before he arrived in Duluth, he could not even imagine them, and here they were, by the hundreds, the thousands, in black, white, and colors, colors. They hang in plain view in Target and Sears, Penney’s and Wal-Mart, Macy’s and Ward’s, there, right there, so that anyone, even this young unsmiling zealot may buy them. Even this gloomy, rigid, sincere man, purified of all desire save the desire for a martyr’s death, may buy them. He thinks that he might buy a pair or two so as to have before his eyes a proof of American corruption and evil. His mind goes black, the truth of his apostate lust is therein buried, and, flushed, holding two pairs of these impossible wisps before him, he says to the salesgirl: “I like to buy this pretty things for my wife now please.” He takes the plastic bag, turns and leaves, burning, his closeted scenario forming in his mind, dark and silent and obscure, hidden from the decrees of the stern faithful, peace be upon them. The flesh is weak, weak, the mind a sequestered vault, airless and without light.

The young man is standing in front of the mirror in his degenerate garment, dizzy with pleasure, trembling, half-mad with fear of God’s wrath; but God, in whatever mournful guise, is, as always, nowhere to be discovered.

I knew some of the minor details of the following narrative — if I may so distinguish the somewhat rickety account that follows — but its basic elements were told me, casually and indifferently, by three or four people, no one of whom knew the whole story. This did not prevent them from attempting to fill in its sudden blanks, so as to make the story cohere, so to say, or, at any rate, achieve a sort of balance — despite the fact that there seems little balance to its particulars. And although its meanderings, its often sad climaxes and anticlimaxes, are often banal, there is a pathos, I think, at the story’s center, that attracted me, so much so that I found myself also manipulating its events by elaborating its lapses, clarifying its obscurities. I flatter myself that I have somewhat improved the tale, which may be another way of saying that I think I have made it representatively “American,” although I’d be hard put to define what I mean by that. There are scenes in this account that may strike the reader as fantastic or melodramatic, or, more often, absurdly convenient to the unfolding needs or desires of the people involved. These incidents are sometimes, but by no means always, my inventions; many are details given me by my “witnesses.” Which is not to say that they are not their inventions. At one point, I considered employing a simple gimmick whereby I could differentiate, for the reader, those elements of the story given me by others from those I invented or adorned. But this, or so I thought, would needlessly clutter the narrative with literary impedimenta.