William Gaddis - A Folic Of His Own

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With the publication of the "Recognitions" in 1955, William Gaddis was hailed as the American heir to James Joyce. His two subsequent novels, "J R" (winner of the National Book Award) and "Carpenter's Gothic," have secured his position among America's foremost contemporary writers. Now "A Frolic of His Own," his long-anticipated fourth novel, adds more luster to his reputation, as he takes on life in our litigious times. "Justice? — You get justice in the next world, in this world you have the law." So begins this mercilessly funny, devastatingly accurate tale of lives caught up in the toils of the law. Oscar Crease, middle-aged college instructor, savant, and playwright, is suing a Hollywood producer for pirating his play Once at Antietam, based on his grandfather's experiences in the Civil War, and turning it into a gory blockbuster called The Blood in the Red White and Blue. Oscar's suit, and a host of others — which involve a dog trapped in an outdoor sculpture, wrongful death during a river baptism, a church versus a soft drink company, and even Oscar himself after he is run over by his own car — engulf all who surround him, from his freewheeling girlfriend to his well-to-do stepsister and her ill-fated husband (a partner in the white-shoe firm of Swyne & Dour), to his draconian, nonagenarian father, Federal Judge Thomas Crease, who has just wielded the long arm of the law to expel God (and Satan) from his courtroom. And down the tortuous path of depositions and decrees, suits and countersuits, the most lofty ideas of our culture — questions about the value of art, literature, and originality — will be wrung dry in the meticulous, often surreal logic and language of the law,leaving no party unscathed. Gaddis has created a whirlwind of a novel, which brilliantly reproduces the Tower of Babel in which we conduct our lives. In "A Frolic of His Own" we hear voices as they speak at and around one another: lawyers, family members, judges, rogues, hucksters, and desperate

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— But I still don't see what the, why did he call you, why would Mudpye call you and make up something like…

— Did I say that? You don't listen, did I say he'd called me? Trish called, it was Trish more muddled than ever babbling away with a drink or two because dear Jerry lost the appeal and is losing his bonus and may lose his job till I had to hang up, babbling on about appeals and briefs she doesn't know a brief from a, from a banana it's all nonsense. It's all perfect nonsense.

— But maybe, listen Christina maybe Harry can find out what it's all about couldn't he? Can you call him and…

— My God if he was in town do you think I'd be sitting here with you two? He's in a motel up in Westchester standing by at these idiotic conferences doing exactly nothing but running up the client's billings and…

— Listen…

— propping up Bill Peyton in the cocktail lounge with some topless…

— I said listen! Will you listen to me? can't you see what happened? that he did it himself, can't you see? That Father exploded when he got hold of that lower court decision and tore their case to pieces in a brief he sent some local lawyer up here to the appeals court with? He didn't even, there didn't have to be any conspiracy he just did it! God that's what he's like isn't it? He doesn't conspire he doesn't have to conspire with anybody even with me, I told you he'd read it didn't I? my play, I always knew he'd really read it but never told me, he never really told me anything even when I, when he knew I was digging in the chair cushions for change that fell out of his pockets, I know he knew but he never said anything and that made it worse, I'd just see him looking at me sometimes like he did that terrible day with the birch tree and that made it worse listen, listen I've got to call him. I've got to call him I, how badly I…

— Oscar wait, will you just sit down and try to think it through before you do anything? But he was already up punching numbers, spilling the phone, muttering broken syllables into it and finally standing there intent, his shoulders fallen hanging it up. — Why don't you sit down and make sure of the number while you…

— Of course it was the right number, after all these years? It was just some, his law clerk's out sick and that was some bailiff or something, he's in court, he's on the bench says this loafer and just hangs up before I can leave a message, it was always like that. Even when I'd leave a message I never knew if Father got it, even back then when I'd call and call I never knew if he heard me and now, and now…

— And now will you please just sit still and try to collect yourself? I mean after all you're just guessing aren't you? Will you wait till you can find out what really happened? wait till Harry's turned loose and can take time to get it all straight before you…

— But I've waited! Waiting on Harry waiting on Sam I thought it was some lawyer of Sam's but then Harry said no, no that's what's so terrible I've waited! Mudpye and Harry and Sam and, yes and Basic all of them with some patched up ideas while Father's been there standing by me all the time! He's kept his faith in me when I'd lost mine in him and, and the things I've said, a lot on his plate of course he's got a lot on his plate when I thought he'd turned his back on me because I wasn't worth his, because I wasn't, I wasn't was I! his face gone suddenly buried in his hands — God I, I'm just so ashamed.

— Oscar… both of them at once, but he broke away from their hands on him, one on a wrist, one seized on a quivering shoulder.

— Listen! We'll get it produced. Did I tell you? I didn't tell you did I, in yesterday's paper this project of his has fallen through, the School for Scandal because Nipples wanted to use the English actor from the London production they'd called splendid and unforgettable over there but American Actors' Equity said he was too obscure to merit a work permit for Broadway and he'd have to use an American actor so he quit, he just canceled the whole thing that means he's free! That means the biggest director in the whole English speaking theatre and with his name we won't have any trouble renting a theatre and getting it produced, that's a nice irony isn't it? Mudpye himself out here telling me it should be up there on the stage just the way I wrote it before they turned it into that cheap parody on the screen?

— Cheap? And what makes you think the backers for this classic English revival will put their money into some Civil War hodgepodge by somebody they've never…

— We don't need them! We don't need their money Christina and don't call it a hodgepodge! I can put up the backing myself can't I? All those dreams I had of taking Father to opening night, we talked about it once remember? when I told you why I wrote it in the first place? why I wanted to do something that would please him, that would make him proud of me sitting there together on opening night the way I wrote it celebrating our history and Grandfather getting to the heart of everything we, of everything and all this time, all this time he's had more faith than I have and now I can make it up, all my miserable doubts in him I can atone for all of it, this whole glorious production up there on the stage with Quantness and the stars glittering over the battlefield for Bagby's soliloquy at the second act curtain, with a Giulielma who's not some slut but the desolate girl the way I wrote her all of it, all of it the way I wrote it and the prison scene in the last act, Kane in prison in the last act not some Jewish peddler but man's whole shattered conscience, the moral imperative the way I wrote him before they stole it, all the profits! That's the irony, that's the delicious irony, the profits from this revolting travesty backing this whole real spectacle of justice and war and destiny and human passion, not the passion of a gang rape or…

— Speaking of delicious irony, what are we doing about dinner. — What do you, Christina I'm talking about something! — So am I Oscar. I mean my God it's turning into a lecture, it's a shame you can't see the movie yourself and join that panel of distinguished Americans in constant demand for speaking engagements to ladies' clubs in Des Moines on the corruption of lust and language and true human passion in a movie you haven't even seen?

— I don't have to see it! I'm talking about the passion of ideas not her hands down there unbuttoning his trousers making a man of him, the passion of the whole riddle of human existence and… — So are they Oscar.

— And why can't I see it, I told you I'm getting a car didn't I? a new car? If it's not showing out here we can drive into town and see it, Harry's not there we can all stay at your place while I look up John Nipples and…

— You can't stay there Oscar, Harry may be through any day and you can't see the movie, neither can your ladies in Des Moines, nobody can. — What do you mean, it's the biggest box office success in… — The injunction against exhibitors distributors Kiester and all of them from showing it till this mess is… — What injunction, what…

— Your injunction Oscar. You got all the profits you also got an injunction against showing it till this whole mess is cleaned up.

— But the, wait what about my, if it's not showing anywhere what about my profits!

— Exactly. Now why don't you sit down and collect yourself before you ride off in all directions renting theatres and buying new cars till you know what you're doing, get things straightened out with Father. That's what you've been carrying on about isn't it?

— Yes and Oscar it's not the money anyway is it, it's like Daddy coming up here for us to get reconciled after everything got all screwed up with these misunderstandings where everything just kept getting worse like you and your daddy and maybe even he and Daddy could get together and we could all have this wonderful recon…

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