Hari Kunzru - Transmission

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Transmission: краткое содержание, описание и аннотация

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There's a message in your inbox. Then, a few moments later, your computer crashes. from the fringes of fame into a million inboxes. Arjun Mehta, computer geek, looks up from his screen to find that he does, after all, have a role to play in the world. Guy Swift, marketing executive with his own agency, a beautiful girlfriend and a handle on modern life, is losing his grip. In this age of instant worldwide communication, anything can happen and anything will Valley. Taking in three continents and following the lives of Guy, Arjun and Leela as they make their way in the real world, Transmission is a brilliant and funny take on life at the click of a mouse.

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Hari Kunzru

Transmission

It’s for the Fran

Signal

картинка 1

It was a simple message.

Hi. I saw this and thought of you.

Maybe you got a copy in your inbox, sent from an address you didn’t recognize: an innocuous two-line email with an attachment.

leela.exe

Maybe you obeyed the instruction to

check it out!

and there she was: Leela Zahir, dancing in jerky quicktime in a pop-up window on your screen. Even at that size you could see she was beautiful, this little pixelated dancer, smiling as the subject line promised, a radiant 21-year-old smile

just for you

That smile. The start of all your problems.

It’s not as if you had asked for Leela to come and break your heart. There you were, doing whatever you normally do online: filling in form fields, downloading porn, interacting, when suddenly up she flounced and everything went to pieces. For a moment, even in the midst of your panic, you probably felt special. Which was Leela’s talent. Making you believe it was all just for you.

But there were others. How many did she infect? Thousands? Tens, hundreds of thousands? Impossible to count. Experts have estimated her damage to global business at almost 50 billion US dollars, mostly in human and machine downtime, but financial calculation doesn’t capture the chaos of those days. During Leela’s brief period of misrule, normality was completely overturned. Lines of idle brokers chewed their nails in front of frozen screens. Network nodes winked out of existence like so many extinguished stars. For a few weeks she danced her way around the world, and disaster, like an overweight suburbanite in front of a workout video, followed every step.

Of course the whole thing made her famous, beyond even her mother’s wildest imaginings. Leela was already a rising star, India’s new dream girl, shinnying up the greasy lingam of the Mumbai film world like the child in the conjurer’s rope trick. But while Leela’s mother had thought through most eventualities, she hadn’t factored the march of technology into her daughter’s career plan. Mrs Zahir was decidedly not a technical person.

And so Leela found herself bewitched — the girl with the red shoes, cursed to dance on until her feet bled or the screen froze in messy blooms of ASCII text. Yet despite what her mother may have thought, she was a surface effect. The real action was taking place in the guts of the code: a cascade of operations, of iterations and deletions, an invisible contagion of ones and zeros. Leela played holi and her clinging sari diverted attention from the machinery at work under her skin.

A chain of cause and effect? Nothing so simple in Leela’s summer. It was a time of topological curiosities, loops and knots, never-ending strips of action and inside-out bottles of reaction so thoroughly confused that identifying a point of origin became almost impossible.

Morning through Venetian blinds.

A cinema crowd watches a tear roll down a giant face.

The beep of an alarm. Groans and slow disengagement of limbs.

She shuts down her machine and

They sit together in a taxi

A curvature. A stoop.

swivels her chair towards the window and

Someone in the stalls makes loud kissing noises

poor posture

between the two of them a five-inch gap

she takes another bite of her sandwich

laughter

the posture of a young man standing outside a New Delhi office tower.

An arbitrary leap into the system.

Round-shouldered, he stands for a moment and pokes a finger inside the collar of his new polycotton shirt. It is too tight.

картинка 2

Around him Connaught Place seethed with life. Office workers, foreign backpackers, messengers and lunching ladies all elbowed past the beggars, dodging traffic and running in and out of Palika Bazaar like contestants in a demented game. For a moment Arjun Mehta, consumed by hesitation, was the only stationary figure in the crowd. He was visible from a distance, a skinny flagpole of a boy, hunching himself up to lose a few conspicuous inches before making his entrance. The face fluttering on top wore an expression of mild confusion, partly obscured by metal-framed glasses whose lenses were blurred with fingerprints. Attempting to assert its authority over his top lip was a downy moustache. As he fiddled with his collar, it twitched nervously, a small mammal startled in a clearing.

Finally, feeling himself as small as he would ever get, he clutched his folder of diplomas to his chest, stated his business to the chowkidar, and was waved up the steps into the air-conditioned cool of the office lobby

Marble under his feet. The traffic noise suddenly muffled.

Behind the front desk sat a receptionist. Above her a row of clocks, relic of the optimistic 1960s, displayed the time in key world cities. New Delhi seemed to be only two hours ahead of New York, and one behind Tokyo. Automatically Arjun found himself calculating the shrinkage in the world implied by this error, but, lacking even a best estimate for certain of the variables, his thoughts trailed away. For a moment or two the image hung around ominously in his brain — the globe contracting like a deflating beach ball.

It was punctured by a cleaner pushing a mop over his toes. He frowned at the man, who stared unapologetically back as he continued his progress across the lobby. At the desk the receptionist directed him to a bank of elevators. Stepping out at the eighth floor, he walked up and down a corridor searching, with rising panic, for Office Suite E. Just as he was beginning to think he had been given an incorrect address, he came to a door with a handwritten sign taped over the nameplate: INTERVIEWS HERE. He knocked, received no reply, knocked again, then shuffled about for a while wondering what to do. The shuffling did not seem to help, so he kneeled down and polished his smudged shoes with his handkerchief.

‘Excuse me please?’

He looked up at a prim young woman in a peach-coloured salwar-kameez.

‘Yes?’

‘Would you mind moving out of the way?’

‘Sorry.’

She brushed past him and unceremoniously pulled the door open to reveal a waiting room filled with nervous young people, sitting on orange plastic chairs with the peculiar self-isolating stiffness interview candidates share with criminal defendants and people in STD-clinic reception areas. The woman swept in and announced herself to a clerk, who checked her name on a list and assigned her a number. Consumed by his own inadequacy, Arjun followed.

The candidates squirmed. They coughed and played with their hands. They pretended to flick through magazines and made elaborate attempts to avoid eye contact with one another. All the seats were occupied, so Arjun picked a spot near a window and stood there, shifting his weight from foot to foot and trying to reboot himself in positive mode. Listen, Mehta. You don’t know how many positions Databodies has open. Perhaps there are several. The Americans have a skills shortage. They want as many programmers as they can get. But such a number of applicants? There were at least fifty people in the room.

The air-conditioning system grumbled, failing to counter the heat gain from the mass of sweating job-hungry flesh. Candidates fanned themselves with filled-out forms. Chairs squeaked under moist buttocks. There were three interview rooms in simultaneous operation; and, as people were called in and others arrived, the scene around Arjun changed like a time-lapse photograph of some uncertain natural process, neither generation nor decay. Whenever a seat became free he willed someone else to take it, the illogical hope growing inside his chest that by staying very still and quiet he could preserve himself, would not have to pass through any of the three frosted-glass doors.

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