Hari Kunzru - Transmission

Здесь есть возможность читать онлайн «Hari Kunzru - Transmission» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2005, Издательство: Penguin Books, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Transmission: краткое содержание, описание и аннотация

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There's a message in your inbox. Then, a few moments later, your computer crashes. from the fringes of fame into a million inboxes. Arjun Mehta, computer geek, looks up from his screen to find that he does, after all, have a role to play in the world. Guy Swift, marketing executive with his own agency, a beautiful girlfriend and a handle on modern life, is losing his grip. In this age of instant worldwide communication, anything can happen and anything will Valley. Taking in three continents and following the lives of Guy, Arjun and Leela as they make their way in the real world, Transmission is a brilliant and funny take on life at the click of a mouse.

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He had just beaten his high score.

Guy Swift, thirty-three years old, UK citizen, paper millionaire and proud holder of platinum status on three different frequent-flyer programmes. Guy Swift, twice Young British Market Visionary of the Year and holder of several Eurobrand achievement awards. Guy Swift, charter member of a Soho club, a man genetically gifted with height, regular features, sandy-blond hair which tousled attractively, relatively inactive sweat glands, clear skin and a cast-iron credit rating. For two years he had lived with the reputedly unattainable Gabriella Caro, voted the most fanciable girl in her class every year of her studies at the International School of Fine Art and Cuisine in Lausanne. He had the number of the door-picker at the Chang Bar on his speed dial. You would have thought he was untouchable.

Guy’s seat had eight different parameters, all of which could be adjusted for his comfort and well-being. The airline had provided a pouch of toiletries, a sleeping mask and a pair of disposable slippers embroidered with their new logo. He rifled through the pouch, ignoring everything but the slippers, which he turned over and over in his hands. A recent trend report had hinted that the airline was about to break the taboo on yellow-accented greens in the cabin. But the slippers and accompanying items were still presented in the conservative blue colourway. Was this, he wondered, a failure of nerve?

‘More champagne, sir? A drink of water?’

He took a glass from the smiling female attendant, unselfconsciously bathing in the soft-porn ambience of the moment. Mentally he noted the experience as a credit on the airline’s emotional balance sheet. He enjoyed the attendant’s android charm, the way this disciplined female body reminded him that it was just a tool, the uniformed probe-head of the large corporate machine in which he was enmeshed. He (or rather his company) was paying this machine to administer a calculated series of pleasures and sensations. Respectful of its efforts, he had for the last four hours been sitting as immobile as a hospital patient, relishing them one by one. The heft of china and glass, the frogspawn dampness of a miniature pot of eyegel.

The flight was well into its nocturnal phase. The cabin lights had been dimmed. His fellow passengers had put aside their complimentary copies of the Wall Street Journal and settled into various states of trance. They fell within the standard demographic, these first-class people, balding business pates anaesthetized by meetings and conference-centre hospitality, glossy retirees occupying the stewards with long lists of requests. He settled a pair of headphones into his ears and pressed play on his current favourite personal soundtrack, a mix by DJ Zizi, the resident at Ibiza superclub Ataxia. Zizi, who bestrode the Uplifting Ambient scene like a tight-t-shirted colossus, had chosen to call his mix ‘Darker Shade of Chill’. It was, Guy thought, a good name, because although dark, the music was still chill. Breaking surf, feminine moaning and fragmented strings were countered by foghorns and echoing piano. DJ Zizi was comfortingly committed to the centre ground.

The music trickled into Guy’s brain, slowly clearing his mental space like an elderly janitor stacking up chairs. He had a sense of angelic contentment. Here he was, existent, airborne, bringing the message of himself from one point on the earth’s surface to another. Switching his laptop on, he tried in a half-hearted way to compose a mail to Gabriella, but, confronted by the blank white screen, he could think of nothing to say.

*

Some way below him, in one of the newer sectors of the North Okhla Industrial Development Area (acronymically known as Noida), there was more to communicate. Horn Please. Bye Bye Baby. Maha Lotto. Dental Clinic. Everyone wanted everyone’s attention, and they wanted it now, from the State Bank of India to the roadside proprietor of Bobby’s Juice Corner. No. 1 in afford-ability Inconvenience Regretted. Lane Driving is Sane Driving. Sunny Honey. Suitings Shirtings. All the action of Noida fizzed through Arjun’s sensorium without leaving a trace. Love’s Dream. Horn Please. Aishwarya Rai, on a schooner, whatever that is, some kind of boat, in Sydney Harbour. Or Venice. On a schooner in Venice…

Horn please?

Despite his father’s frequently vocalized suspicions, Arjun felt he was in no danger of confusing his daydreams with reality. His desires expressed themselves as images of a world which appreciated the importance of the principles of prediction and control. Reality was Noida. The gap was too great.

The promotional literature called it the ‘new industrial fairyland of the nation’. In the mid seventies the Uttar Pradesh state authorities had realized that the area on the east bank of the River Yamuna was rapidly becoming a de facto suburb of Delhi. Farmland was giving way to a chaotic sprawl of factories and shanties. The government started a programme of compulsory land purchases, and, amid corruption and speculation, the displacement of many people and the enrichment of a few beyond their wildest dreams, they zoned a huge grid which promptly exploded with life, generating a city of half a million people in less than twenty years. Shopping malls, multiplexes, temples and stadia jostled for position with hectare upon hectare of new twenty-storey blocks, built in every imaginable variant of discreet low-cost modernism.

The bus dropped him on the corner, and he picked his way through building rubble and piles of unlaid sewer pipe to the gates of the BigCorp Industries Housing Enclave, soon to be renamed H. D. Kaul Colony, after the company’s managing director. Greeting the chowkidar, who was hunched over a transistor radio following the cricket, he made his way across the parched lawn into the stone-clad body of Tower No. 4, Gleneagle House. No. 18 Gleneagle House was Mr Mehta senior’s greatest source of personal pride, the chief perk of his Move. The leap from government service (whose values had been so eroded over the years) to the private sector had paid off. The Mehtas were no longer the family of a small-town administrator but modern people, participants in the great Indian boom. The apartment was proof. It stood for The World, with which his son appeared to be disastrously out of touch.

In real life, Arjun just stared at his feet when his father lectured him. In his head he issued fluent rebuttals. In many respects his daydreams were superior to Noida. Noida was upheaval. A properly organized daydream had formal coherence. It could respond to commands, reconfiguring itself according to well-understood operations. Outcomes could be built in as required. Obviously the preferable choice.

But dreaming was penalized. If you ignored the world, it tended to ignore you back. Though he held several class prizes and was once a runner-up in a national computer problem-solving competition, Arjun’s certified honours were not as impressive as they ought to have been. He had scored badly in the IIT entrance exams, a failure which his disappointed teachers put down to ‘lack of focus’ but more accurately was due to focal misdirection, the star comp.sci. pupil having got obsessed during the crucial revision period with constructing a database of his all-time favourite films of the 1970s, searchable by name, cast, director, box office takings and personal critical ranking. As a consequence of his passion for cinema, his (entirely genuine, non-bazaar-bought) higher education had been conducted not at one of the prestigious Indian Institutes of Technology but at North Okhla, a middle-ranking school which had the compensatory advantage, felt more keenly by his mother than by Arjun himself, of allowing him to live at home while he studied.

He was still at home two years after graduation.

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