Hari Kunzru - Transmission

Здесь есть возможность читать онлайн «Hari Kunzru - Transmission» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2005, Издательство: Penguin Books, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Transmission: краткое содержание, описание и аннотация

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There's a message in your inbox. Then, a few moments later, your computer crashes. from the fringes of fame into a million inboxes. Arjun Mehta, computer geek, looks up from his screen to find that he does, after all, have a role to play in the world. Guy Swift, marketing executive with his own agency, a beautiful girlfriend and a handle on modern life, is losing his grip. In this age of instant worldwide communication, anything can happen and anything will Valley. Taking in three continents and following the lives of Guy, Arjun and Leela as they make their way in the real world, Transmission is a brilliant and funny take on life at the click of a mouse.

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Jordan Lee was never charged with anything, although Boba Fett’s computing equipment was confiscated, and it eventually lost its licence. As the only person to have spent time observing Mehta in the hours before his disappearance, Lee rapidly acquired celebrity status. He underwent hypnosis on television, testified before the Homeland Security Select Committee of the House of Representatives and now makes regular public appearances at gaming and paranormal conventions around the US.

A major area of disagreement among Mehtologists is how Arjun made his escape from the Riverside Motel. Various methods have been proposed, ranging from the theory that he impersonated Consuelo Guttierez, an off-duty chambermaid inexplicably sighted at work that morning, to the possibility he spent several hours wedged above a ceiling panel in the bathroom. However he managed it, his trail went completely cold in San Ysidro, and most people believe he crossed the border, probably in disguise. There was no further activity on his bank account. He did not, despite careful surveillance, appear to make contact with family or known acquaintances. How is it possible, in a world of electronic trails, log files, biometrics and physical traces of every kind to slip so completely away? Researchers have tried to prove connections with the criminal underworld, or the various international terrorist organizations to which, in the first hysterical days of the manhunt, he was linked. So far, nothing convincing has emerged. Were there friends who might have provided assistance? One possible accomplice was the ‘pony-tailed man’ caught on camera at the outlet mall, whom many people have identified as Nicolai Petkanov, the boyfriend of the woman whose car Mehta stole when fleeing Redmond. A convicted virus writer, Petkanov denies ever having met Mehta, but confirms that it was a trace placed on a landline at the address he shared with Christine Rebecca Schnorr which led the FBI to the Riverside Motel. Schnorr has admitted a romantic relationship with Mehta, a relationship of which Petkanov was apparently aware. Whether this makes his cooperation in a plot to assist Mehta more or less likely is hard to know. Schnorr, confusingly, denies that she had any kind of conversation with Mehta after he left Redmond. She and Petkanov have both recently relocated to Mexico, where they intend to set up a body-modification parlour in Oaxaca.

Journalists researching Mehta’s background have focused on his use of the North Okhla Institute of Technology server as a test-bed and distribution node for his viruses. When they became established in new host machines, certain Leela variants even downloaded plug-ins from this site. The lack of security was universally condemned, and admissions for NOIT’s information-science courses have boomed. Unfortunately Mehta seems to have formed no strong personal bonds with anyone from his course, and interviews with former teachers and classmates have yielded few clues.

Aamir Khan, manager of Gabbar Singh’s Internet Shack and Mehta’s only known close friend, is considered the most likely source of help. Sought by police in connection with various offences under the Indian Penal Code relating to the distribution of pornography, Khan has not been seen since soon after Mehta’s identification as the originator of the Leela viruses. Did he organize fake papers for his friend, then fly him to a clinic in Shanghai for facial reconstruction? Did he send him through a network of mujahedin safehouses to an underground madrassa in Kandahar? Gabbar Singh’s is now a fancy-goods shop, much to the disappointment of the stream of teenage boys who turn up to hang around outside the door. The manager, disregarding the entrepreneurial opportunity staring him in the face, has hired a chowkidar to drive them away.

Mehta’s family no longer live in Noida. The media attention, not to mention the grief and worry about their son, led them to flee India for Australia, where they now stay close to their daughter and son-in-law in the Sydney suburb of Fairfield. Mr Mehta, who has retired from the world of business, refuses all interviews. Priti Chaudhuri and her husband Ramesh released a statement through their lawyer to the effect that they have not had contact with Arjun since he fled Redmond and do not believe in the ‘wilder accusations’ made against him.

Like Arjun Mehta, Leela Zahir has never reappeared. Despite the evidence that she had planned her exit, India went into hysterical mourning on hearing the news, as if their star were dead instead of missing. One fan announced that he would walk backwards from Bangalore to Madurai to propitiate God to bring her back. There were unconfirmed reports of people setting themselves on fire.

Tender Tough looked doomed, but, with a certain amount of coaxing from his backers, Rocky Prasad managed to swallow his artistic scruples about completing the film with another actress. The version which made it to the screen includes scenes in which the young dancer Shanti is seen only from behind, and throughout the film the character’s voice has been dubbed, yet it contains several moments which possess an extraordinary retrospective poignancy. The song ‘Now You See Me, Now You Don’t’, including the legendary battlements sequence, can still, after all this time, be heard blaring from every tea stall in the country. Frame by frame, people have searched it for some clue about Leela Zahir’s state of mind. Her Scottish ‘illness’ and her history of personal problems soon came into the public domain, providing weeks of fodder for the film magazines, but as the camera lunges towards the tiny figure dancing on top of the castle, it reveals no sign of sadness or disaffection. Quite the opposite: in no other performance does Leela look so completely, joyously engaged with the world. She is so alive that her imminent absence appears obscene, proof of a terrible and oppressive power over human life.

The film, it goes without saying, was a huge hit. Prasad, Iqbal and Rana were photographed drinking virgin coladas at the lavish première, held in a Mumbai hotel banqueting suite decorated to look like a Pacific Island. After ritual expressions of sorrow at Leela’s absence and a few minutes of vague embarrassment, things more or less proceeded as normal. Deals were struck, catty remarks were made behind glamorous backs, and everyone looked over each other’s shoulders as they chatted, in case something scandalous was occurring on the other side of the room. The film world knew they had lost something in Leela Zahir. They just didn’t know what they ought to feel about it.

A more honest reaction came from Leela’s people, the faithful cinema fans who had projected their desires on to her towering luminous face. Eighteen months after its release, Tender Tough was still showing daily at one Mumbai cinema. People had already started to refer to the missing actress as Leeladevi, and among the cinema-goers, Hindu and Muslim alike, her simplicity, her beauty and above all her supernatural absence had come to seem like holy qualities. Little votive pictures appeared on market stalls. In a village in Bihar, a boy was reported to have been miraculously cured of blindness while a pirated VHS of the film was being shown on the headman’s television.

How the film star vanished from the Clansman’s Lodge Hotel came to light only after the tragic death of the wife of media mogul Brent Haydon. During the eighteen months of her marriage, Gabriella Haydon-Caro had been a fixture on the European and American social circuits. She and her husband, who at fifty-five was gradually stepping down from the day-to-day running of his various interests, had described a glittering eastward path across the globe, from their Bel Air home to their ski lodge in Aspen, through the Grenadines, the Hamptons, Barcelona, San Tropez and finally Mykonos, where they chartered a yacht to take a group of friends on a three-week cruise around the Greek islands. Their progress was fawningly documented by European paparazzi, and several photographers witnessed the third Mrs Haydon’s death from Elia Beach, the nearest public vantage point to the Paloma’s mooring. It seemed impossible that she had not seen the jet ski skimming across the water. Indeed pictures appear to show her looking in its direction seconds before she dived from the deck of the yacht. She was killed instantly.

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