Hari Kunzru - My Revolutions

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My Revolutions: краткое содержание, описание и аннотация

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Critics have compared him to Martin Amis, Zadie Smith, Tom Wolfe, and Don DeLillo. Granta dubbed him “one of the twenty best fiction writers under forty.” Now Hari Kunzru delivers his “finest novel yet. . bringing to the angry activism of the young in the late sixties all the suspense of a spy thriller.” (Lisa Appignanesi, author of Unholy Loves)
Chris Carver is living a lie. His wife, their teenage daughter, and everyone in their circle know him as Michael Frame, suburban dad. They have no idea that as a radical student in the sixties he briefly became a terrorist — protesting the Vietnam War by setting bombs around London. And then one day a ghost from his past turns up on his doorstep, forcing Chris on the run.
As Chris flees, he remembers his days as an isolated youth, hopelessly in love with Anna Addison, following her as she threw aside conventionality. Chris’s rival for Anna’s affections, the charismatic Sean Ward, was the leader of the radical August 14th Group. Egging one another on, the three inched closer and closer to the edge, until the events of one horrifying night forced them apart, never to see one another again.
Gripping, moving, provocative, and passionate, My Revolutions brings to brilliant life both the radical idealism of the sixties and the darker currents that ran beneath it, the eddies of which still shape our history today.

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and now I came to think of it everything else , my entire evening, seemed to have been refracted through some sort of transforming prism, every object in my field of vision revealing itself with startling exactness, not just visually but in itself , a sort of ontological clarity that led me to look around and think, Yes, this table, this rug, which I’m stroking with my fingertips. I had a sudden sense of the incredible connectedness of things and soon afterward my environment transformed itself into something rich and radically strange.

Other people’s acid stories are always dull, I know. And then I thought, What if we’re all just grains of sand and each grain of sand and so on and so forth. But that trip with Sean accelerated something. Afterward we were close friends, as if we’d known each other forever. It was as if we’d skipped a bit, leaped over a whole period of time.

My memories of the middle section of that night are fragmented. I’ve no sense of the order of things, just a series of random snapshots. Sean dancing dreamily in the back garden, Sean as professor of the Faculty of Better Living, explaining the future with the aid of a diagram drawn on the bubbling white wall. During a period in which I seemed to be naked, apart from some of Vicky’s costume jewelry, I spent a long time looking in her bedroom mirror. How many eyes? Was I sure? Sean brooded in an armchair, his skin an unhealthy yellow.

The light was harsh. We began to fidget and pace. It was ridiculous to be cooped up in a basement, a little hutch carrying the whole weight of a townhouse on its back. It was such a big rich house, so substantial, so groaning with things that I felt it was crushing me beneath its weight. Sean was crying and laughing in short experimental bursts. We got ourselves up in a jumble of weird clothes, including a cloche hat and some sort of big silk scarf scavenged from Vicky’s wardrobe. Sean insisted on taking the sheepskin rug with us, which was how we came to leave it on a bench in Holland Park. Locking up took ages, because the logic of keys was beyond comprehension, but before too long we were

on the march, the night air good in our lungs, stepping between the streetlights, whose spooky cones of phosphorescence looked too bright to risk trespassing into.

The business of getting over the fence into Holland Park was confusing and messy enough for us not to want to go through it again until we were straighter, which meant that we spent several hours wandering through a landscape of ponds, statues, twenty-story boxes of filigreed golden light, flowerbeds and other phenomena. It was quite cold. Sean, who seemed much better than me at doing things, who to my admiration could exhibit sophisticated goal-oriented behavior, saw I was shivering and wrapped the rug round me.

“Always stay in your movie,” he advised.

“I’m in my movie.”

“Don’t fall out of it.”

“Don’t worry.”

“Stay in!”

“Sure. I’m in my movie, you’re in yours. It’s our movie.” “The same movie?”

“The same movie.”

When daylight established itself, we climbed out of the park and walked through the deserted Sunday-morning streets to a greasy spoon in Shepherd’s Bush. We hung around outside, waiting for the owner to open up. Then I watched Sean put away bacon, sausage, egg and beans, several cups of tea, and three cadged cigarettes while I stared at the swamplike mass of disturbing textures on my plate and took tiny sips of collee.

“Food not the thing?” he asked, in a solicitous tone.

I shook my head.

“Can I have yours, then?”

I pushed the plate over to him. I felt like hell. Come-down had firmly nailed the center of things, though the corners were still displaying a tendency to fly away. The call was a place of flickering shadows, loud noises.

“I reckon I should go to bed,” I told Sean.

“You won’t sleep,” he warned.

“All the same.”

I got up to go. He wiped his mouth with the back of his hand and smiled at me. “OK, well, come over to mine if you get bored.” He gave me the address.

Trudging barefoot down Holland Park Avenue I felt scoured, wiped clean. It was as if my mental scaffolding had been swept away. I could build again from scratch.

Then I saw the state of Vicky’s flat. There was something black crushed into the carpet. Her clothes were everywhere, the dresses she’d carefully hung in the wardrobe tangled up together with shoes and — oh, God — underwear. What had we been doing with her underwear? Where was the rug? A diagram of some kind had been drawn on the wall in what appeared to be red lipstick. It was a complex mess of arrows and little bubbles. I found it hard to say what it represented. I had a dim memory of Sean explaining his plan for a space colony. I’d have to get paint. Paint on a Sunday.

I made my way back to the park and found the rug, dew-soaked and dirty, but otherwise undamaged. Returning elated by this initial success I decided to have a quick lie-down and burrowed under a heap of clothes. I didn’t sleep, as Sean had warned, just spent an indeterminate period in a state of jerky dislocation, chasing thought-rabbits down burrows and failing to follow the million simultaneous skeins of logic offered up by my hyperactive mind. I wished my brain would shut up and knew that soon I’d have to start tidying, but first I needed to rest, so I tried to quell the pointless churn behind my eyes and kept on trying (in a minute ) until Vicky came back home.

I think she thought she’d been burgled, because when she came into the bedroom she was carrying the hockey stick she usually kept in the umbrella stand in the hall. Seeing me looking up at her from beneath a pile of her evening dresses she quickly realized some kind of party had taken place. So what the bloody hell had happened, Christopher? There were cigarette burns on the rug, Christopher. She’d trusted me, Christopher. She’d taken me in, Christopher. I

told her to “be cool,” which didn’t go down well. She hustled me to the door and threw my shoes after me. I dressed on the pavement outside the house, feeling like a human shell, a zombie whose voodoo was wearing o,

I didn’t know where to go, so I ended up at Sean’s place, a tall crumbling townhouse on Lansdowne Road with a front garden overgrown by weeds. To my surprise, the door was answered by the Afro-haired German guy Sean had berated so fiercely the previous night. He seemed happy enough to let me in, and I clambered through a forest of bicycles into the sitting room, where I fell straight to sleep on a broken-down chesterfield.

I stayed at Sean’s for several days. It was a place with a floating population. Charlie Collinson, the owner, spent six months of the year in India, where he bought textiles and leather sandals, selling them in London to finance his next trip. At any given time several of the other tenants would be traveling too, subletting their rooms or inviting their friends to stay there. Sean, who lived rent-free, was supposed to act as a sort of house manager, but being philosophically opposed to private property, he was happy for the place to be a crash pad for more or less anyone who didn’t work for the authorities. It was a chaotic arrangement, made more so by the comings and goings of various groups, sects and gangs, mostly political, though it wasn’t unusual for a band to be rehearsing in the basement or stage lighting to be stored in one of the bedrooms. Some people handled the lack of routine better than others. Matthias, who answered the door, had been there for a few months with his girlfriend Helen, a slight, red-haired girl I’d also seen at Free Pictures. For all their earnest talk of dismantling their social conditioning, they were shy and rather private people. Living there was driving them crazy.

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