David Markson - Wittgenstein's Mistress

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Wittgenstein's Mistress is a novel unlike anything David Markson — or anyone else — has ever written before. It is the story of a woman who is convinced, and, astonishingly, will ultimately convince the reader as well, that she is the only person left on earth. Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as she contemplates aspects of the troubled past which have brought her to her present state, so too will her drama become one of the few certifiably original fictions of our time.

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And even in the Iliad, when the war is still going on, she is generally treated with respect.

So unquestionably it was only later that people decided it had been Helen's fault.

Well, Euripides of course coming much later than Homer on his own part, for instance.

I do not remember how much later, but much later.

As a matter of fact it was as much later as twice the time between now and when Bertrand Russell's grandfather met George Washington, approximately.

And certainly any number of things can be lost track of, in that many years.

So that once he had gotten the idea to write a play about the war, certainly it would have been necessary for Euripides to think up an interesting reason for the war.

Not knowing that the real reason must surely have been to see who would pay tariff to whom, so as to be able to make use of a channel of water, as I have indicated.

Although on the other hand it is also quite possible that Euripides just lied.

Quite possibly Euripides knew perfectly well about the real reason for the war, but decided that in a play Helen would be a more interesting reason.

Certainly writers must have now and again done this sort of thing, one would imagine.

So that when one comes right down to it, it is equally possible that Homer just lied, too.

Quite possibly Homer knew perfectly well himself about the real number of ships, but decided that in a poem one thousand, one hundred and eighty-six would be a more interesting number, as well.

Well, as it undeniably is, as is verified by the very fact that I remember it.

Doubtless if I had underlined only twenty or thirty ships when I was tearing pages out of the Iliad and dropping them into a fire I would not have remembered that at all.

In fact if Homer had said there were only twenty or thirty ships doubtless I would not have underlined any numbers to begin with.

Which is to say that perhaps certain writers are sometimes smarter than one thinks.

Then again, Rainer Maria Rilke once wrote a novel called The Recognitions, about a man who wears an alarm clock around his neck, which seems less like a lie than just a foolish subject for a book altogether.

Except that in this instance I remember it without even having ever read The Recognitions.

And which furthermore now makes me realize that if Euripides had not blamed Helen for the war very possibly I would not remember Helen, either.

So that doubtless it was quite hasty of me, to criticize Rainer Maria Rilke or Euripides.

Even if on third thought what one is only now forced to suspect is that there could have been still a different reason entirely, for the wrong number of ships in the Iliad.

Which is to say that since Homer did not know how to write, very possibly he did not know how to add, either.

Especially since Pascal had not even been born, yet.

But be all that as it may, what it also occurs to me to mention here is that I am frequently just as annoyed at how Clytemnestra is blamed for certain things as I am about Helen, to tell the truth.

This would be in regard to when Clytemnestra stabs Agamemnon in his bath once he comes home from the same war, of course.

Needing some assistance. But nonetheless.

Although what I am really saying is why in heaven's name wouldn't she have?

Well, after the way Agamemnon had sacrificed their own daughter to raise wind for those identical ships, I naturally mean.

God, the things men used to do.

Kings and generals especially, even if that is hardly any excuse.

But what also just so happens is that I have sailed from Greece to Troy myself, actually.

Well, or vice versa. But the point being that even with a page torn out of an atlas, instead of maritime charts, the entire trip took me only two unhurried days.

In spite of having been frightened half to death by that ketch, near Lesbos, with its spinnaker taking noisy wind, even.

But which in either case still scarcely comes close to making it a distance that calls for the sacrifice of anybody over, obviously.

Let alone one's own child.

And which is additionally not even to bring up the question as to what possible difference a day or two's extra sailing might make in any event, if your silly war is about to last for ten full years.

But then to top it off there stands the man with a concubine in tow when he finally gets back too, no less.

And yet the way the plays are written, even Electra and Orestes somehow manage to get furious at Clytemnestra for finding the sum of this a bit much.

Again one may be foolhardy for criticizing famous writers, but certainly it does seem that somebody ought to draw the line someplace.

Daddy murdered our sister to raise wind for his silly ships, being what any person in her right mind must surely imagine that Electra and Orestes would have thought.

Mommy murdered our daddy, being all that they think in the plays instead.

Moreover in this case there are plays by Aeschylus and Sophocles as well, even before Euripides.

Nonetheless one is still categorically forced to believe that Electra and Orestes would have never felt that way in the least.

In fact what I have more than once suspected is that the whole story about the two of them taking their own revenge on Clytemnestra was another lie altogether. More than likely all three of them together would have felt nothing except good riddance.

Or certainly once the bathroom had been cleaned up.

And then lived happily together ever after, even.

So that as a matter of fact what I have furthermore even suspected is that Clytemnestra would have hardly been that much upset about the notion of the concubine after all, or at least once she had gotten the more basic matters off her chest.

Well, or after she had also found out that the concubine happened to be only poor Cassandra, assuredly.

In one of the plays, Clytemnestra kills Cassandra at the same time that she kills Agamemnon.

Surely in real life she would have immediately understood that Cassandra was mad, however, and so would have doubtless had second thoughts on this basis alone.

How she would have immediately understood that would have been the minute Cassandra went into the house and started lurking at windows, naturally.

Although when I say house, I should really be saying palace, of course.

Oh, dear, the way in which that poor child keeps lurking at our palace windows, surely being what Clytemnestra would have had to think.

So that very possibly her next decision would have even been to allow Cassandra to stay on, as a sort of boarder, after the funeral.

Certainly the poor child has no more palace windows back home in what is left of Troy to go lurk at, being another thing she would have obviously had to realize.

For that matter Clytemnestra would have almost certainly learned that Cassandra had been raped, as well, which would unquestionably strengthen this entire probability.

As a matter of fact what I would now be perfectly willing to wager is not only that Clytemnestra and Electra and Orestes lived happily together ever after, but that Cassandra eventually even came to be thought of as one of the family herself.

Moreover I can even further imagine all four of them happily traipsing off now and again to visit Helen, once all of this had been settled.

Surely Clytemnestra would have wished to see her own sister after that same ten years in any event. But what I am only now also remembering is that here is Cassandra being an old friend of Helen's on her own part.

Well, Cassandra having been Paris's sister, of course.

Which is to say that once Helen had gotten to Troy the two of them would have become sisters-in-law, practically.

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