Yiyun Li - The Vagrants

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The Vagrants: краткое содержание, описание и аннотация

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Brilliant and illuminating, this astonishing debut novel by the award-winning writer Yiyun Li is set in China in the late 1970s, when Beijing was rocked by the Democratic Wall Movement, an anti-Communist groundswell designed to move China beyond the dark shadow of the Cultural Revolution toward a more enlightened and open society. In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising.
Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond.
In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a
crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction.
Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

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“I thought I shouldn't hide this from you now,” said Mrs. Gu. “It's become the biggest news.”

“A new star you've become.”

She ignored him. “You can't believe how many people are sympathetic. People are afraid but that doesn't mean they are callous. We just need to find them.”

Teacher Gu watched his wife. Her cheeks were flushed, and her eyes, two deep wells of water that had gone dry over the years, looked somewhere beyond his head, with an unusual glimmer. A coldness crept into his body despite the burning stove. It was a disease—this passion for politics, for mobilizing the masses as if they were grains of sand that could easily be gathered under a magic spell and turned into a tower—it was a deadly disease. It had claimed his daughter's life, and now it was fastening its grip on the most unlikely person in the world, his wife, an obedient and humble old woman. “What do you want?” he asked finally. “Shan is already gone.”

“We want the government to acknowledge the mistake. Shan was innocent. Nobody should be punished because of what she thinks. It's wrong and it's time to correct that mistake.”

These words had been fed to his wife, probably by Kai, that young woman whose job it was to read aloud all the grand and empty words created to cast a mirage for suffering souls. “Shan is dead,” Teacher Gu said. “Whatever you do, you won't bring back her life.”

“It's not her life we're fighting for. It's the justice she deserves,” Mrs. Gu said.

Stupid, stupid woman, talking like a parrot and offering their daughter's body as a public sacrifice in return for an empty promise. These women, with their flimsy logic and hungry minds, these women who let themselves be dazzled by magnificent words, their brains washed and refilled by other people. Was it his fate to face such an enemy all his life, first a wife who was so devoted to Communism that a marriage had to be dissolved, then a daughter, and now the only woman left in his life, who had been immune to this disease for the longest part of her life? He stared at his wife. “How long did it take for them to make a heroine out of you?” he asked coldly. “Five seconds, I imagine.”

Like him, she had had doubts too, Mrs. Gu said in a calm voice, but they had to keep hoping for a change. They could not let their daughter's life be sacrificed for nothing.

Their daughter had died out of stupidity, because of trusting the wrong people all her life, Teacher Gu wanted to remind his wife, but in the end he only told her to stop what she was doing. “I won't allow this,” he said. “I forbid you, or anyone, to use Shan's name as an excuse to gain anything.”

Mrs. Gu looked up in shock. After a long moment, she smiled at him. “Teacher Gu, weren't you the one to teach me many years ago that women weren't men's slaves and followers anymore? And what men could not give us, we needed to fight for with our own hands?”

Teacher Gu looked at his wife, his body shaking. The lies he had been forced to teach many years ago had come back to bear down on him, making him into a clown. He thought of throwing the chicken stew against the wall or onto the hard cement floor; he would let the soup splatter everywhere, hot and oily, and he would watch the china bowl smash into pieces. But what would that do except put him down on the level of an uneducated, illogical man? His anger, overwhelming a moment ago, was replaced by disappointment and exhaustion. He looked at his wife with a half smile. “Of course we're living in the Communist era now,” he said. “Forgive an old man's confusion, comrade.”

WHO WOULD HAVE THOUGHT that Nini could throw a girlish tan trum, requesting a demonstration of loyalty from him? A rose with a thorny stem was worth the risk and pain, but what if it was a wild-flower by the roadside that considered itself a rose and grew unpleasant thorns? Bashi chuckled to himself. Perhaps he needed to keep an eye on Nini's temperament and make sure she did not grow into one of those grumpy old hens in the marketplace. He watched a young nurse fresh off the night shift stand in front of a shop window, unsatisfied with the way her hair parted and trying hard to fix the problem with her fingers. He walked up to her and brought out a bag of candies that he always carried with him in case there was a young girl to strike up a conversation with. “Your hair looks great,” he said. “Do you want a treat?”

The young woman studied Bashi with a cold look. “Go home and look at yourself in the mirror,” she said.

“Why? I don't need a mirror to know what I look like,” said Bashi. “It's you who are pruning your feathers in the street.”

“What rotten fortune to meet a toad in the morning,” the woman said to a cat strolling by, and she hurried away, her hand still combing her hair.

Who does she think she is, a swan in disguise? Bashi looked at his reflection in the shop window, a presentable lad in a new jacket. Three teenage boys, heads shaved bald and all sporting sunglasses, stopped next to him. “Hey, Bashi, what do you need a jacket like that for?”

Bashi looked for their eyes but only saw six figures of himself in the dark lenses. He did not know the boys, and from a few unfortunate encounters with the newly sprouted gangs of Muddy River, he had learned not to attract their attention. “Nice sunglasses,” he said, patting his pocket and finding the package of cigarettes he kept for these moments. The boys caught the cigarettes Bashi threw to them. “Can we borrow your jacket for a day?” the youngest one said with a grin.

“Yes,” said Bashi. “There's nothing that I don't share with my brothers.” He took off the jacket and shivered in the morning breeze. The boys nodded and walked on, the youngest trying on the jacket for the older brothers to assess.

What a dangerous bunch this city is breeding, thought Bashi. He patted a wad of cash in a pocket of his pants—he was wise not to have left any money in the jacket. He went into a nearby store and asked for a small bag of sunflower seeds, and when he came out, he put a few of the seeds in his mouth and chewed them into an inedible mess, imagining all of them to be unfriendly people crushed between his teeth. Only with Nini did he have the respect he deserved. But what did he give Nini, except for a few basketfuls of coal and vegetables? She was right that he needed to prove himself. “Name the people who make you unhappy,” he imagined himself saying to Nini first thing the next morning. “Name them all and they are Lu Bashi's enemies too. I won't let them live happily.” He would start with that mother of the executed woman, who hated Nini.

At the entrance to an alley, Bashi saw the dog Ear. “Hello, my friend,” Bashi said, putting a hand into his pocket. Ear wagged his tail. “Come on,” Bashi said sweetly. “How are you? Are you looking for me? I was just thinking about you.”

The dog came closer and rubbed his neck on Bashi's leg. What a stupid dog, Bashi thought; he withdrew his hand from his pocket and clapped. “Sorry, I haven't got meat for you today. You see, I'm running some other errands.”

The dog circled him for a minute and ran away. Bashi felt satisfied. The new friendship with Ear was a by-product of his plan for Kwen's dog—it had not taken a long time or much ham to win Ear's heart, and what dog could refuse a piece of meat? Dogs were dogs, after all, unable to compete with man's intellect.

Bashi entered a store with a black wooden plaque bearing the golden characters Long Life. An old woman stood by the counter, laying out many wrinkled bills for the shop owner. “Granny, what are you buying?” Bashi asked.

Hadn't he heard about the medicine woman from Eastern Village who had discovered new ways to communicate with the dead? asked the old woman. She had just paid a visit to the medicine woman, who had given her the message that her husband did not have enough money for liquor in the next world.

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