Yiyun Li - The Vagrants

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The Vagrants: краткое содержание, описание и аннотация

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Brilliant and illuminating, this astonishing debut novel by the award-winning writer Yiyun Li is set in China in the late 1970s, when Beijing was rocked by the Democratic Wall Movement, an anti-Communist groundswell designed to move China beyond the dark shadow of the Cultural Revolution toward a more enlightened and open society. In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising.
Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond.
In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a
crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction.
Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

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But all these things—her parents’ impatience with her, her two oldest sisters’ scheming to get her punished, and the indifference of Little Fourth and Little Fifth—bothered Nini less now that she had Bashi. She explored her power with a secret joy. She put a pinch more salt into the stew than necessary or half a cup more water into the rice; she soaked her parents’ underwear in suds and then wrung them dry without rinsing; she spat on her sisters’ red Young Pioneers’ scarves and rubbed the baby's peed cloth diapers against her mother's blouses. Nobody had yet noticed these sabotaging activities, but at her most daring moments Nini hoped to be discovered. If her parents kicked her out of their house, she would just move across town to Bashi's place, less than a thirty-minute walk and a world away, freed from her prisoner's life.

Her newly added housework, however, made it inconvenient for her to spend more time with Bashi during the day. Apart from providing coal and vegetables, Bashi did not have the magic to make meals cook themselves, or laundry do itself, or the stove and her sisters take care of themselves. He suggested coming to Nini's house and being her companion when her parents were at work. She thought about the idea, alluring and exciting, and then rejected the offer. Her parents would hear about Bashi's presence in no time, if not from the neighbors, then from her younger sisters; they would throw her out for sure. Was Bashi a reliable backup, despite all her wishful thinking? Nini decided to give him some more time.

The short hour in the early morning became the happiest time of her day. When she arrived at six o'clock, Bashi always had a feast ready—sausages, fried tofu, roasted peanuts, pig's blood in gelatin, all bought at the marketplace the day before, more than they could consume. Nini started the fire—Bashi seemed unable to finish this simple task by himself, but he was a man, after all, the deficiency forgivable—and when she cooked porridge on the stove to go with the morning feast, Bashi would peel frozen pears by her side. The flesh of the pears was an unsavory dark brown color, but when Bashi cut it into thin slices and slipped them into Nini's mouth, she was surprised to find the pear crisp and sweet; the iciness inside her mouth and the heat from the burning stove made her shudder with some strange joy. Sometimes his finger stayed on her lips even after the slice of pear disappeared. She opened her mouth wide and pretended to bite; he laughed and snatched his hand away.

The morning before Ching Ming, between slices of frozen pear, Bashi said, “Old Hua says it's time to bury my grandma now.”

“When?” Nini asked.

“Tomorrow. They think it makes sense to bury her on the holiday.”

It seemed everyone had something important planned for Ching Ming, Nini thought. Her father had booked a pedicab for the holiday a luxury they could barely afford. Little Fourth, Little Fifth, and a huge basket of offerings would ride with her mother, while the two older girls and her father would walk. Nini and the baby were to stay home because neither could keep up with the others. Nini found it hard not to feel disappointed; it was the only picnic her family had planned for as long as she could remember, and she longed to go into the mountain where she had never set foot, even though it meant that she would have to endure her family for the entire day.

“Where are you going to bury her?” she asked Bashi.

“Next to my grandpa and my baba. Old Hua said he would go there today to make sure everything is ready.”

“I didn't know Muddy River was your hometown.”

“Close to here. My grandpa was a ginseng picker. He said the best ones were those that grew into the shape of a woman's body.”

“What nonsense.”

“Shhh. Don't say that about a dead man,” said Bashi. “The ghosts can hear you.”

Nini shivered.

“And it's true. Some ginsengs grow into women,” Bashi said. He stuffed the last slice of pear into Nini's mouth and told her to wait. He soon came back from the bedroom with a red silk-wrapped box, which he opened for Nini. Inside was a ginseng root, displayed on ivory-colored silk. “See here, the head, the arms and legs. The long hair,” Bashi said, and let his finger run across the ginseng, which, to Nini's astonishment, did look like an unclothed woman's body. “Beautiful, no?” said Bashi. “This was the best one my grandpa picked. If he'd sold this, he could've bought seven concubines easily but he didn't want to part with it. He thought it was a ginseng goddess. When the army came, he and my grandma prayed to this goddess not to take my father with them, but of course she let them down.”

“Didn't you say he was a war hero?”

“War hero is rubbish. You know how he was recruited? They came to my father's village and said they would invite all the young men to a house for dinner. Well, if someone invited you to dinner with a gun at your head, you would go. So my father went along with some other young people. And they were treated to a very good dinner and then invited to sit on a big brick bed. A boy soldier kept the fire burning under the bed, adding wood so that in a short time the brick bed became very hot. Like a barbecue plate, you see? And the officer said, ‘Young men, we are the People's Liberation Army and we fight for the people. Think about it. If you are interested in our cause, come down and you'll become a glorious member among us.’ Nobody moved. Of course all their parents had warned them not to join the army; they said the Communist army would not enlist someone at gunpoint like the Nationalist army. And yes, it was true that the officer was very polite. He kept telling the boy soldier to make the brick bed warmer for the guests, and an orderly kept bringing them hot tea and more tobacco leaves for their pipes. Now, tell me, what would you do? Move, or stay on the bed to have your ass burned? So after a long time my father couldn't stand the heat and came off the bed. He was the first one so he got a higher rank than his companions, and later they sent him to learn how to fly fighter planes. The rest of them became foot soldiers and orderlies.”

“They all came off, then?”

“All except one. My father's best buddy. His bottom was so badly burned he was called ‘Hot Butt’ for the rest of his life.”

Nini smiled. Bashi often told stories, and she could never tell which part was true and which was from his imagination.

“Why? You don't believe me? Ask anyone in my father's village! They said my father was clever because he came off the bed early and got the biggest promotion, but where did that get him? On the other hand, Hot Butt didn't end up in a better place. He was executed for sabotage in ‘59. He and my father died within a month of each other. They said my father was called by his friend's ghost. What does that tell you?”

Nini shook her head.

“There is only one place for everyone to go.”

Nini tried to picture Bashi's grandmother, her body withered like a ginseng root and her ghost floating in the air, eavesdropping on them. She scooped the porridge into a bowl. “Here, you must eat more and talk less,” she said to Bashi. It couldn't hurt for the old woman's ghost to see that her grandson was well taken care of.

They sat down and ate. After a moment of quietness, Nini said, “My family will go to the mountain tomorrow.”

“Why? Your family didn't have ancestors buried here,” said Bashi. “They don't have a wire service in the mountain for them to send the offerings.”

“They just want an excuse to waste all the money and go to the mountain for fun.”

“Like every other family. Are you going?”

“Me? The sun has to rise from the west for them to take me.”

Bashi nodded and then stopped his chopsticks, looking at Nini with a meaningful smile. “So you'll be home, and … alone.”

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