Yiyun Li - The Vagrants

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The Vagrants: краткое содержание, описание и аннотация

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Brilliant and illuminating, this astonishing debut novel by the award-winning writer Yiyun Li is set in China in the late 1970s, when Beijing was rocked by the Democratic Wall Movement, an anti-Communist groundswell designed to move China beyond the dark shadow of the Cultural Revolution toward a more enlightened and open society. In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising.
Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond.
In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a
crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction.
Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

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Kai did not know how to answer the question. She hadn't visited her mother for a few weeks now, even though they lived within a five-minute walk of each other.

“You haven't thought of her at all, have you?” Mrs. Gu said. “Daughters are all alike. Their parents weigh little in their decisions, and I don't blame you for it. Have you thought about your son?”

Yes, Kai said; she was doing this so that her son could live in a better world. But all parents would think that way, Mrs. Gu said; they wanted to make everything better for their children, but the truth was that what they ended up doing was making their children's lives worse.

“I don't understand that, Mrs. Gu.”

“Think of Shan,” Mrs. Gu said, more vehemently now, her face flushed. “We thought we could give her the best education possible because my husband was one of the most knowledgeable people in town. But what did we do but turn her into a stranger? Your parents must have worked hard to get you a good job, but what are you doing except putting yourself in danger without thinking of them? You think you're doing something for your son, but the last thing he needs is for you to go out and talk about secret leaflets with people.” Her family was not her sole responsibility, Kai replied. Mrs. Gu stared at Kai; she felt for Kai's mother, she said, her narrowing eyes filled with gentle sadness for a brief moment, before it was taken over by a coldness. It was time for Kai to leave now, Mrs. Gu said, as her husband was waiting for her in the hospital.

FOR TONG, spring this year had started on March 21, the day of the equinox, when he had seen the first swallow coming back from the south and had noted it in his nature journal. Swallows were the messengers of spring, Old Hua said; they were the most nostalgic and loyal birds, coming back year after year to their old nests. But that meant they would never get a family of swallows to live under their roof, Tong worried aloud, because there was no nest there. In that case, Old Hua said, they had to wait for a young couple who would not return to their parents but would make a new home of their own.

The next day, Tong saw a flock of geese flying across the sunny afternoon sky, the head goose pointing north. Like swallows, geese never mistook where they were flying to, Old Hua said, but when Tong asked him why they never got lost, the only answer Old Hua had was that they were born that way.

Every afternoon after school, Tong went to the city square, where the day's newspapers were displayed in glass cases. There were more than a dozen to choose from, newspapers printed both in Beijing and in the provincial capital, but for Tong, the most important one was Muddy River Daily, from which he copied the temperatures of the local weather forecast into his journal. Tong had read, in an outdated copy of Children's Quarterly, that Old Hua had found a few weeks earlier, about a boy who had for years recorded temperatures three times a day in a nature journal. The year the boy turned thirteen, he noticed a change in the temperature pattern and successfully predicted an earthquake, earning him the title of “Science Hero” for saving people's lives. The story did not say what kind of change the boy had noticed, leaving Tong to construct his own theory about that, but the article showed him a new way to become a hero. His parents, of course, would say they did not have money idling in their pocket for a thermometer, so Tong did not ask. Instead, he decided to use the local newspaper. When Old Hua heard about the nature journal, he wondered why anyone needed to rely on the numbers at all, when one's own skin was the best way to detect minute changes in the air temperature. Tong did not tell the old man of his plan, holding on to the secret and hoping that one day Muddy River would thank him for his vigilance.

According to the weather forecast, the temperature had climbed above the freezing point on March 22, the day after the denunciation ceremony, and the wind in the midafternoon no longer felt like a razor on one's face. Children left school bareheaded, some throwing their hats high into the sky and then catching them as they fell. Ear came home in the evening with a girl's pink mitten, a hole in the tip of the thumb; Tong tried it on, the right size for his hand, and he wiggled his thumb out of the hole, pretending it was a puppet. He told Ear that they would put the mitten by Chairman Mao's statue the following morning, in case the girl, like himself, liked the city square.

The next morning, Tong went out into the alley and saw leaflets posted on the wall, within his reach if he stood on a stack of bricks. Tong peeled one off the wall and read it. The leaflet talked about things that Tong did not understand, and two days later, another leaflet found its way to their alley. The secretive way they came to his door alarmed Tong. They reminded him of the stories he had learned in school, about underground Communist Party members risking their lives to spread the truth to the people, but in the new China, where everybody lived as happily as if in a jar of honey, like it said in the new song they had just learned at school, what use did they have for the leaflets?

Tong wondered whom he could talk to. His parents would not be interested in listening to him, and his schoolteacher taught as if nothing had happened. He patted Ear and said they should team up and solve the mystery together. “Show me anything suspicious,” Tong said. “Nothing is too small.”

Ear circled Tong agitatedly. Tong did not know that Ear had heard, the previous nights, muffled steps in the alley, stopping and then continuing. Ear had jumped as high as he could and then stood with his front paws on the fence, sniffing, but his latest training prevented him from sounding the alarm. Both nights it was the same person, whose scent, of earth and horse manure and winter hay stacks and harvested wheat, reminded Ear of his home village. Like Tong and Ear himself, the night stranger had come from the countryside, where Ear had once chased a squealing piglet until he bumped into the mountainlike body of a sow unperturbed by her baby's dilemma, and where he had barked many times at the passing horse wagon, on which sat a hitchhiking peddler, his rattle drum flipped briskly in his skillful hand, the plimp-plump, plimp-plump never overpowered by the barking of Ear and his companions. In the past six months, Ear had gotten used to the villagers from the mountains who brought with them the smell of stale snow and ancient pine trees, of freshly skinned hares and newly gathered mushrooms, but they were different from the smell of his home on the plain. The stranger at night made Ear fretful.

Fretful too were the members of the city council, the Muddy River Communist Party branch, and other officials. The first leaflet, a letter questioning Gu Shan's retrial, had not induced much alarm; it was more of a nuisance, some people dissatisfied with their lives, for whatever reason, using the dead woman's body as an excuse to make a fuss. Better to wait, the mayor had decided, and he had requested increased surveillance at night. But the extra security guards, cold and hungry in their late-night patrolling, were not able to catch the people who posted the second leaflet. A democratic wall movement in Beijing had begun a new page in the nation's history, the leaflets informed the citizens of Muddy River; why did they never get a chance to hear the news, to know what was going on in the national capital; why could they not speak their minds without being put to death like Gu Shan?

The news of the protest had been accessible to only a few high-ranking officials, and the connection made between Gu Shan's execution and the situation in Beijing seemed a sinister conspiracy, more so when uncertainties raged over how to react to the democratic wall movement not only in the provincial capital but also in Beijing. Daily these veterans of local politics read and reread the news, fresh off the classified wire service, about developments in Beijing. There were clearly two camps, both with significant representation in the central government and among party leaders. Were the leaflets in Muddy River the spawn of the democratic wall seven hundred miles away? And what should they do, which side should they take?—the questions puzzled these people who had never worried over the lack of a meal, a bed, or a job. Offices became minefields where one had to watch out for oneself, constantly defining and redefining friends, enemies, and chameleons who could morph from friends to enemies and then back again. With their fates and their families’ futures in their hands, these people sleepwalked by day and shuddered by night. What would they do about these leaflets that only spelled trouble?

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