Yiyun Li - The Vagrants

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The Vagrants: краткое содержание, описание и аннотация

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Brilliant and illuminating, this astonishing debut novel by the award-winning writer Yiyun Li is set in China in the late 1970s, when Beijing was rocked by the Democratic Wall Movement, an anti-Communist groundswell designed to move China beyond the dark shadow of the Cultural Revolution toward a more enlightened and open society. In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising.
Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond.
In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a
crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction.
Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

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“Ha, you believed him?” Bashi said. He looked at the money on the counter; the husband certainly would not get drunk from that poor amount. “Maybe he uses your money to buy a woman out there?”

The old woman mumbled and said her husband had never been into women; it was drinking that he had lived for and then died from. Bashi thought of this fool dying before knowing the real joy of life and shook his head in disbelief. “What a pity,” he said. “What's so good about drinking?”

“You say that because you don't know the real taste,” said the shop owner, a middle-aged woman with a new perm. “People always put liquor and a woman's beauty together, you understand why, little brother? Drinking and women are the two best things for men.”

Bashi snorted. What did a shop owner know about men? He picked up stacks of paper money, a miniature mansion, carriages pulled by four horses, a chest, and some other knickknacks, all made of white rice paper and ready to be burned into ashes to accompany his grandmother to the otherworld. He asked for some rat poison too, and the shop owner was taken aback. “My store serves those who have stepped into the immortal garden,” she said. Like all people in Muddy River, the woman resorted to any euphemism possible to avoid mentioning death, and Bashi smiled. He paid for the paper products and said he had asked for the poison because he did not want any rats to bother his grandmother's body. Frightened, the paled woman bowed to a Buddha that sat in a corner of the store with burning incense in front of him. Please forgive the boy's ignorance, the woman said, and Bashi laughed and decided not to bring any more nightmares to the merchant. A few doors down the street, he bought a packet of rat poison in a drugstore.

When he arrived home, Bashi left the paper offerings next to his grandmother's casket. “Nana, tomorrow Old Hua and his wife are sending you off to my grandpa and my baba,” he said, talking to the old woman as he worked; he had developed a habit of talking to her when he was alone. He hacked off a thick slab of ham, punched a few holes in it, and soaked it in liquor. “When you get there, say a few words for me to my grandpa and my baba. Tell them I am doing well and won't bring disgrace to their name. See, I can't go with you tomorrow, because I have something more important to take care of.” He unpacked the rat poison and poured some pellets into the mortar his grandmother had used to grind dried chili peppers. The pellets were a nasty, dark grayish brown color. What rat would ever want to touch such a disgusting thing, Bashi wondered aloud as he ground the pellets into powder. He did not know how strong the poison was but the layer of powder seemed unconvincing, so he added a handful more of the pellets to the mortar. “I tell you, Nana, not many people use their brains nowadays. It's hard to find someone as smart as my baba now, no?” Bashi said, thinking that ghosts, like the living, must readily devour compliments. Old women were easily pleased if you praised their sons and their grandsons; perhaps his grandma would forgive him for not going with her to the burial tomorrow. He talked on and praised his father more. When he finished grinding, he brought the mortar close and sniffed—apart from a stale, pasty smell, he did not sense anything dangerous. He took out the ham and dredged it in the powder until it was covered on both sides; with a tiny spoon he tried to insert more powder into the holes. “You must be wondering about this,” he said. “But you watch out for me and pray for this to work, and after I finish this big deed, I'll come and burn a lot of paper money for all of you.”

The last time his grandmother had taken him to visit his grandfather's and his father's graves, Bashi was twelve. The next time, he thought, he would bring Nini so they would know that they didn't have to worry about their descendants. He looked at the ham for a moment, and carefully brushed some honey onto both sides, making sure none of the poisonous powder escaped. “There,” he said. “Beautiful, isn't it?”

Bashi walked across half the city before he found Ear. With a smaller piece of meat he was able to entice the dog to follow him. They walked over the Cross-river Bridge and climbed up South Mountain. It was a beautiful day, the sun warm on his face, the buzz of spring unmistakable in the air. Bashi stopped by a bush of early-blooming wild plums. “I have something really good for you,” Bashi said, and laid the ham next to the bush.

Ear sniffed the ham with great curiosity but showed no immediate interest in taking it. Bashi urged the dog on, but it only pawed the ham and sniffed. Bashi became impatient. He grabbed the ham from the dog and pretended that he himself was going to eat it. This seemed to work; when Bashi threw the ham back at the dog, it caught the meat in midair and trotted away.

Bashi loitered, thinking he would give the dog a few minutes before locating it and observing the effect of the poison. If the rat poison did not work on this small dog, it would certainly not work on Kwen's black dog. Bashi wondered if he would need to go back to the drugstore and make a fuss. He would demand something stronger, saying that the rats in his house were as strong as hogs. His thoughts wandered until he heard the dog's painful yelping. “There,” he said, and then he heard a long, painful howl.

Bashi found the dog on the ground, panting, its limbs jerking helplessly. A small ax stuck in its skull, between the eyes, and sticky red blood oozed out. It was obvious that the dog was dying fast. Next to the dog stood a teenage boy in a gray cotton coat as worn-out as a heap of rags; his left hand was bleeding with a dog bite, and his right hand tightly gripped the slab of ham. Bashi looked from the dog to the boy and then to the dog. “Did you kill the dog for that?”

The boy looked at the young man in front of him. He thought of explaining that he had not meant to kill the dog, but who would believe him, when the dog's blood had already stained his ax. The boy, a small teenager who looked not much older than ten, had come to town to sell nothing but his poor, underdeveloped muscles. Sometimes a housewife hired him to chop firewood, kill a live chicken, or unload coal, small chores that she could just as well finish by herself or ask her sons or husband to do, but by hiring the boy, she would feel good about her own heart. Women were all alike, the boy had concluded after a few weeks of working; they talked about their hearts but also watched their wallets carefully. They paid him with food but not money, and the boy, half beggar and half sop for the women's consciences, knew enough not to ask for more than he was allowed.

“Did you kill the dog?” Bashi asked again.

The boy stepped back and said, “He bit me first.”

“Of course he did. You stole his meat. I would bite you too.” Bashi grabbed the boy's sleeve and dragged him to the dog, whose breathing was shallow and fast and whose paws were trying to dig into the newly thawed ground. “Look what you did. What kind of a man are you to fight with a small dog for food?”

The boy assessed the situation. If he ran, the man could easily catch him. He could fight, but there was not much good in that for him either. He might as well brace himself for a good beating, but besides a beating, there was nothing else the man could do to him. The boy relaxed.

“Look at your eyes,” said Bashi. “What trick are you thinking of playing on me?”

The boy knelt down and started to cry. “Uncle,” he said. “Uncle, it's all my fault. I thought it was a waste for a small dog to eat that much meat. I thought I could get the meat for my mother. My mother and my sister haven't had a taste of meat for three months.”

“So you have a sister?” Bashi said. “How old is she?”

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