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Yiyun Li: The Vagrants

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Yiyun Li The Vagrants

The Vagrants: краткое содержание, описание и аннотация

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Brilliant and illuminating, this astonishing debut novel by the award-winning writer Yiyun Li is set in China in the late 1970s, when Beijing was rocked by the Democratic Wall Movement, an anti-Communist groundswell designed to move China beyond the dark shadow of the Cultural Revolution toward a more enlightened and open society. In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising. Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond. In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction. Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

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The light from the streetlamps was weak, but the eastern sky had taken on a hue of bluish white like that of an upturned fish belly. Tong read the announcement aloud, skipping the words he did not know how to pronounce but guessing their meanings without much trouble:

Counterrevolutionary Gu Shan, female, twenty-eight, was sentenced to death, with all political rights deprived. The execution will be carried out on the twenty-first of March, nineteen seventy-nine. For educational purposes, all schools and work units are required to attend the pre-execution denunciation ceremony.

At the bottom of the announcement was a signature, two out of three of whose characters Tong did not recognize. A huge check in red ink covered the entire announcement.

“You understand the announcement all right?” asked the old man, when Tong found him at another bin.

“Yes.”

“Does it say it's a woman?”

“Yes.”

“She is very young, isn't she?”

Twenty-eight was not an age that Tong could imagine as young. At school he had been taught stories about young heroes. A shepherd boy seven and a half years old, not much older than Tong, led the Japanese invaders to the minefield when they asked him for directions, and he died along with the enemies. Another boy, at thirteen, protected the property of the people's commune from robbery and was murdered by the thief. Liu Hulan, at fifteen and a half, was executed by the White Army as the youngest Communist Party member of her province, and before she was beheaded, she was reported to have sneered at the executioners and said, “She who works for Communism does not fear death.” The oldest heroine he knew of was a Soviet girl named Zoya; at nineteen she was hanged by the German Fascists, but nineteen was long enough for the life of a heroine.

“Twenty-eight is too early for a woman to die,” Old Hua said.

“Liu Hulan sacrificed her life for the Communist cause at fifteen,” replied Tong.

“Young children should think about living, not about sacrificing,” Old Hua said. “It's up to us old people to ponder death.”

Tong found that he didn't agree with the old man, but he did not want to say so. He smiled uncertainly, and was glad to see Ear trot back, eager to go on their morning exploration.

EVEN THE TINIEST NOISE could wake up a hungry and cold soul: the faint bark of a dog, a low cough from a neighbor's bedroom, footsteps in the alley that transformed into thunder in Nini's dreams while leaving others undisturbed, her father's snore. With her good hand, Nini wrapped the thin quilt around herself, but hard as she tried, there was always part of her body exposed to the freezing air. With the limited supply of coal the family had, the fire went out every night in the stove under the brick bed, and sleeping farthest from the stove, Nini had felt the coldness seeping into her body through the thin cotton mattress and the layers of old clothes she did not take off at bedtime. Her parents slept at the other end, where the stove, directly underneath them, would keep them warm for the longest time. In the middle were her four younger sisters, aged ten, eight, five, and three, huddled in two pairs to keep each other warm. The only other person awake was the baby, who, like Nini, had no one to cuddle with for the night and who now was fumbling for their mother's breast.

Nini got out of bed and slipped into an oversize cotton coat, in which she could easily hide her deformed hand. The baby followed Nini's movement with bright, expressionless eyes, and then, frustrated by her futile effort, bit with her newly formed teeth. Their mother screamed, and slapped the baby without opening her eyes. “You debt collector. Eat. Eat. Eat. All you know is eating. Were you starved to death in your last life?”

The baby howled. Nini frowned. For hungry people like the baby and Nini herself, morning always came too early. Sometimes she huddled with the baby when they were both awake, and the baby would mistake her for their mother and bump her heavy head into Nini's chest; those moments made Nini feel special, and for this reason she felt close to the baby and responsible for all that the baby could not get from their mother.

Nini limped over to the baby. She picked her up and hushed her, sticking a finger into the baby's mouth and feeling her new, beadlike teeth. Except for Nini's first and second sisters, who went to elementary school now, the rest of the girls, like Nini herself, did not have official names. Her parents had not even bothered to give the younger girls nicknames, as they did to Nini; they were simply called “Little Fourth,” “Little Fifth,” and, the baby, “Little Sixth.”

The baby sucked Nini's finger hard, but after a while, unsatisfied, she let go of the finger and started to cry. Their mother opened her eyes. “Can't you both be dead for a moment?”

Nini shuffled Little Sixth back to bed and fled before her father woke up. In the front room Nini grabbed the bamboo basket for collecting coal and stumbled on a pair of boots. A few steps into the alley, she could still hear the baby's crying. Someone banged on the window and protested. Nini tried to quicken her steps, her crippled left leg making bigger circles than usual, and the basket, hung by the rope to her shoulder, slapped on her hip with a disturbed rhythm.

At the end of the alley Nini saw an announcement on the wall. She walked closer and looked at the huge red check. She did not recognize a single character on the announcement—her parents had long ago made it clear that for an invalid like her, education was a waste of money—but she knew by the smell that the paste used to glue the announcement to the wall was made of flour. Her stomach grumbled. She looked around for a step stool or some bricks; finding none, she set the basket on the ground with its bottom up and stepped onto it. The bottom sagged but did not give way under her weight. She reached a corner of the announcement with her good hand and peeled it off the wall. The flour paste had not dried or frozen yet, and Nini scraped the paste off the announcement and stuffed all five fingers into her mouth. The paste was cold but sweet. She scraped more of it off the announcement. She was sucking her fingers when a feral cat pounced off a wall and stopped a few feet away, examining her with silent menace. She hurried down from the basket, almost falling onto her bad foot, and sending the cat scurrying away.

At the next street corner Nini caught up with Mrs. Hua, who was brushing paste on the four corners of an announcement when the girl walked up.

“Good morning,” the old woman said.

Nini looked at the small basin of paste without replying. Sometimes she greeted Mrs. Hua nicely, but when she was in a bad mood, which happened often, she sucked the inside of her mouth hard so that no one could make her talk. Today was one of those days— Little Sixth had caused trouble again. Of all the people in the world, Nini loved Little Sixth best, yet this love, a heavy knot in her stomach, as Nini sometimes felt it, could not alleviate her hunger.

“Did you have a good sleep?”

Nini did not reply. How did Mrs. Hua expect her to sleep well when she was always starving? The few mouthfuls of paste had already vanished, and the slight sweet taste in her mouth made her hungrier.

The old woman took a leftover bun from her pocket, something she made sure to bring along every morning in case she saw Nini, though the girl would never know this. Nini reminded Mrs. Hua of the daughters she had once had, all of those girls discarded by their parents. In another life she would have adopted Nini and kept her warm and well fed, Mrs. Hua thought. It seemed that not too long ago life had been a solid dam for her and her husband—with each baby girl they had picked up in their vagrancy, they had discovered once and again that, even for beggars, life was not tightfisted with moments of exhilaration—but the dam had been cracked and taken over by flood, their happiness wiped out like hopeless lowland. Mrs. Hua watched Nini take a big bite of the bun, then another. A few bites later, the girl started to hiccup.

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