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Yiyun Li: The Vagrants

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Yiyun Li The Vagrants

The Vagrants: краткое содержание, описание и аннотация

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Brilliant and illuminating, this astonishing debut novel by the award-winning writer Yiyun Li is set in China in the late 1970s, when Beijing was rocked by the Democratic Wall Movement, an anti-Communist groundswell designed to move China beyond the dark shadow of the Cultural Revolution toward a more enlightened and open society. In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising. Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond. In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction. Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

Yiyun Li: другие книги автора


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Too curious and too friendly, Ear had approached the black dog several times, and each time the black dog had growled and jumped up, pulling at the end of his chain with fierce force; it would then take Tong a long time to calm Ear down. “You have to learn to leave other dogs alone,” Tong said now, but Ear only whined. Maybe he was chastising Ear for the wrong reason, Tong thought, and then he realized that he hadn't heard the black dog bark. “Well, maybe it's not the black dog, but someone else. You have to learn to leave others alone. Not all of them love you as you think they do,” Tong said.

They walked on the riverbank. The clouds were heavy in the sky. The wind brought a stale smell of old, unmelted snow. Tong stripped a layer of pale, starchy bark off a birch tree, and sat down with his stump of pencil. He wrote onto the bark the words he remembered from the announcement: Female. Counterrevolutionary. School.

Tong was one of the most hardworking students in his class. The teacher sometimes told the class that Tong was a good example of someone who was not bright but who made up for his shortcoming by thorough work. The comment had left Tong more sad than proud at first, but after a while he learned to cheer himself up: After all, praise from the teacher was praise, and an accumulation of these favorable comments could eventually make him an important pupil in the teacher's eyes. Tong longed to be one of the first to join the Communist Young Pioneers after first grade so that he would earn more respect from the townspeople, and to realize that dream he needed something to impress his teachers and his peers. He had thought of memorizing every character from the elementary dictionary and presenting the result to the teacher at the end of the semester, but his parents, both workers, were not wealthy enough to give him an endless supply of exercise books. The idea of using the birch bark had occurred to Tong after he had read in a textbook that Comrade Lenin, while imprisoned, had used his black bread as an ink pot and his milk as ink, and had written out secret messages to his comrades; on the margins of newspapers, the messages would show up only when the newspaper was put close to fire; whenever a guard approached Lenin would devour his ink pot with the ink in it. “If you have a right heart, you'll find the right way,” the teacher said of the story's moral. Since then Tong had tried to keep the right heart and had gathered a handful of pencil stumps that other children had discarded. He had also discovered the birch bark, perfect for writing, a more steady supply than the paper Old Hua saved for him.

Ear sat down on his hind legs and watched Tong work for a while. Then the dog leapt out to the frozen river, leaving small flowerlike paw prints on the old snow. Tong wrote until his fingers were too cold to move. He blew big white breaths on them, and read the words to himself before putting away his pencil stump.

Tong looked back at the town. Red flags waved on top of the city hall and the courthouse. At the center of the city square, a stone statue of Chairman Mao dwarfed the nearby five-storied hospital. According to the schoolteachers, it was the tallest statue of Chairman Mao in the province, the pride of Muddy River, and had attracted pilgrims from other towns and villages. It was the main reason that Muddy River had been promoted from a regional town to a city that now had governing rights over several surrounding towns and villages. A few months earlier, not long after Tong's arrival, a worker assigned to the semiannual cleaning of the statue had an accident and plummeted to his death from the shoulder of Chairman Mao. Many townspeople gathered. Tong was one of the children who had squeezed through the legs of adults to have a close look at the body—the man, in the blue uniform of a cleaning worker, lay face up with a small puddle of blood by his mouth; his eyes were wide open and glassy-looking, and his limbs stuck out at odd and impossible angles. When the orderlies from the city hospital came to gather the body, it slipped and shook as if it were boneless, reminding Tong of a kind of slug in his grandparents’ village—their bodies were fleshy and moist, and if you put a pinch of salt on their bodies, they would slowly become a small pool of white and sticky liquid. The child standing next to him was sick and was whisked away by his parents, and Tong willed himself not to act weakly. Even some grown-ups turned their eyes away when the orderlies had to peel the man's head off the ground, but Tong forced himself to watch everything without missing a single detail. He believed if he was brave enough, the town's boys, and perhaps the grown-ups too, would approve of him and accept him as one of the best among them. It was not the first time that Tong had seen a dead body, but never before had he seen a man die in such a strange manner. Back in his grandparents’ village, people died in unsurprising ways, from sickness and old age. Only once a woman, working in the field with a tank of pesticide on her back, was killed instantly when the tank exploded. Tong and other children had gathered at the edge of the field and watched the woman's husband and two teenage sons hose down the body from afar until the fire was put out and the deadly gas dispersed; they seemed in neither shock nor grief, their silence suggesting something beyond Tong's understanding.

Some people's deaths are heavier than Mount Tai, and others’ are as light as a feather. Tong thought about the lesson his teacher had taught a few weeks before. The woman killed in the explosion had become a tale that the villagers enjoyed telling to passersby, and often the listeners would exclaim in awe, but would that give her death more weight than an old woman dying in her sleep in the lane next to Tong's grandparents’? The counterrevolutionary's death must be lighter than a feather, but the banners and the ceremony of the day all seemed to say differently.

The city came to life in the boy's baffled gaze, some people more prepared than others for this important day. A fourth grader found to her horror that her silk Young Pioneer's kerchief had been ripped by her little brother, who had bound it around his cat's paw and played tug-of-war with the cat. Her mother tried to comfort her— didn't she have a spare cotton one, her mother asked, and even if she wore the silk kerchief, nobody would notice the small tear—but nothing could stop the girl's howling. How could they expect her, a captain of the Communist Young Pioneers in her class, to wear a plain cotton kerchief or a ripped one? The girl cried until it became clear that her tears would only make her look worse for the day; for the first time in her life, she felt its immense worthlessness, when a cat's small paw could destroy the grandest dream.

A few blocks away, a truck driver grabbed his young wife just as she rose from bed. One more time, he begged; she resisted, but when she failed to free her arms from his tight grip, she lay open for him. After all, they could both take an extra nap at the denunciation ceremony, and she did not need to worry about his driving today. In the city hospital, a nurse arrived late for the morning shift because her son had overslept, and in a hurry to finish her work before going to the denunciation ceremony, she gave the wrong dose of antibiotics to an infant recovering from pneumonia; only years later would the doctors discover the child's deafness, caused by the mistake, but it would remain uninvestigated, and the parents would have only fate to blame for their misfortune. Across the street in the communication building, the girl working the switchboard yelled at a peasant when he tried to call his uncle in a neighboring province; didn't he know that today was an important day and she had to be fully prepared for the political event instead of wasting her time with him, she said, her harsh words half-lost in a bad connection; while she was berating him, the army hospital from the provincial capital called in, and this time the girl was shouted at because she was not prompt enough in picking up the call.

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